She started with a single half table at a small local market. Nothing fancy, just enough panel space to hang a dozen prints and stack some stickers. She grabbed a Core kit, 24 panels, set it up in under 30 minutes with no tools, and called it a day.
Two years later she's running double tables at a regional convention with corner walls and tall framing behind her print bins. Same vendor. Same original panels. Not one piece of that first Core kit got thrown out.
That's the part people don't believe until they see it. Because every panel and connector in the Artist Booths lineup is cross-compatible, her original 24 panels just slotted into the bigger setup when she stepped up to a Shapeshift kit. She didn't sell her old gear on a Facebook group and start over. She added to it.
The show that almost broke her old setup
The turning point was a weekend convention where she got bumped to a corner booth with double the table space. Most vendors in that spot either scramble to borrow gear or set up a half-empty table and eat the loss. She placed one order from the kit lineup, picked up the extra panels she needed, and had a full corner wall standing before the venue doors opened. No redesign, no relearning how the connectors worked. Same system, just more of it.
She still keeps the spare panels and connectors that shipped with her very first kit in her tote bag. Never needed most of them, but the one time a connector cracked loading out of a car in the rain, she had a replacement clipped in inside two minutes instead of running a table with a visible gap.
What she'd tell you if you asked
Buy the kit that fits your table today. Don't overspend trying to guess your booth in three years. The whole point of a system built to be cross-compatible is that guessing wrong barely costs you anything. You just add on when the table gets bigger.
Her booth today looks nothing like it did at that first small market. Same core parts, though. That's the difference between buying gear and building a system.

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