What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

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Artist Back Alley Resources Blog

Why More Is More Almost Never Works For Displays

You packed everything. Four banner stands, two racks, three table displays, a spinning rack, fairy lights, and a custom carpet. Your booth is BURSTING. And people are walking past faster than they walk past the empty table next to you. Here is why more kills your sales. 1. Visual Overload Triggers Avoidance When everything screams for attention, nothing gets it. The human eye needs a path to follow. Too many elements and the eye gives up, literally. Attendees unconsciously avoid visually noisy booths because they are exhausting to look at. 2. More Stuff Means Less Space Per Product Every display element you add steals floor and table space from your actual products. That spinning rack takes up 60cm of table depth. Those banner stands eat into your aisle presence. Your products end up crammed into whatever space is left, which makes THEM look cheap. 3. Setup Time Explodes More gear means more setup time. More setup time means less selling time. A vendor with a simple, well-designed display is selling while you are still assembling your fifth display element. 4. It Signals Desperation This one stings but it is true. A booth stuffed with display elements reads as "trying too hard" to experienced buyers. The best booths at any show are the ones with confident restraint. A clean modular display with your products and clear pricing communicates confidence. 5. Breakdown Is A Nightmare Everything you set up, you tear down. At the end of a long show day, every extra element is another thing to pack, carry, and fit in your car. The vendors who have been doing this for years travel LIGHTER every season, not heavier. One good display system beats five mediocre ones. Browse our full kit range and pick one setup that does everything.

Small Table Layouts That Don't Feel Cramped

We get asked about small table layouts constantly. Here are the questions that come up the most, with honest answers from what we have seen work across thousands of vendor setups. How Do I Fit Enough Product On A Single Table Without It Looking Messy? Build up, not out. A single 6ft table gives you plenty of surface area if you are not trying to use ALL of it for product. Use a modular display kit to create vertical tiers. Your table surface becomes the ground floor. Shelves at different heights become additional floors. Same footprint, three times the display space. The key is leaving gaps. Not every shelf needs to be full. Empty space between product groups tells customers "these are different things" without needing labels or dividers. What Size Kit Works Best For A Standard 6ft Table? A Core kit (24 panels) is the starting point for single-table setups. It gives you a backdrop plus two to three shelf tiers, building five panels high at 175cm. If you want side returns (panels that wrap around the edges of your table), step up to the Shapeshift at 46 panels. The full kit range breaks down the differences. Should I Leave Space For Customers To Step Into My Booth? At a single table, no. You are not running a walk-in shop. Keep yourself behind or beside the table and let customers browse from the aisle side. The goal is to maximise your display area, not create a miniature retail store. How Do I Handle Products That Need To Be Touched Or Tested? Put touchable products at the front edge of the table, closest to the customer. Everything behind that front row can be display-only with samples or testers at the accessible edge. Vertical shelving keeps the "look but do not grab" items elevated and safe while the front row stays within arm reach. What About Signage? Where Does It Go Without Eating Display Space? Top of your display frame. The highest shelf or panel becomes your sign. Clip it, lean it, or hang it from the top tier. This puts your branding at the highest visible point (above product, above eye level) where it catches attention from the aisle without taking space away from merchandise below. My Products Are All Different Sizes. How Do I Make It Look Cohesive? Group by size, not by category. Small items together on one shelf, medium on another, large pieces as standalone features. When similar-sized objects are grouped, the display looks intentional even if the products are totally unrelated. The 5kg shelf capacity on each tier handles everything from sticker packs to ceramic pieces without worrying about weight. I Am Flying To An Event. Can I Really Travel With A Full Display? Yes. The kits pack flat to 56x36x23cm, which is carry-on size on most airlines. Frosted PP panels do not crack in luggage. We ship from Sydney to 50+ countries and vendors regularly fly domestically and internationally with their kits. No checked luggage dramas, no shipping costs, no praying it arrives on time.

Small Booth, Big Backdrop: Balancing Scale

We see this mistake constantly at conventions. Someone with a small table puts up a massive banner behind their booth. Floor to ceiling. Edge to edge. And it completely swallows their products. The backdrop becomes the booth. The actual products become footnotes. Here is the thing about scale in a small space: your backdrop should frame your work, not overpower it. Think of it like a picture frame. The frame is supposed to make you look at the picture, not the other way around. A display that is five panels high (175cm) on a standard table hits the sweet spot. It is tall enough to be visible from the aisle and create a proper backdrop, but it does not tower over everything and make your table look like a tiny afterthought. The best small-booth vendors we have worked with use their modular display as architecture, not decoration. The frosted panels become the backdrop AND the shelving system. Products sit on it, hang from it, lean against it. The display is not separate from the merchandise. It is part of it. If you are working a quarter booth or a single table, resist the urge to compensate with a huge banner. Instead, build upward with structure that actually holds and presents your products. Use the height for function, not just visibility. Start with a Core (24 panels) and see how much vertical real estate you actually need before sizing up. You can always add panels later. The whole system is cross-compatible across every size in the full kit range. Small booths do not need big backdrops. They need smart ones.

Making A Narrow Aisle Booth Feel Open

7 Ways To Open Up A Tight Booth Space Narrow aisle booths are the reality at most conventions. Here is how to make yours feel twice the size it actually is. Go vertical, not wide. When you cannot spread out, build up. A display that reaches 175cm (five panels high) draws eyes upward and away from the cramped footprint. A modular display kit gives you that height on a standard table without eating any floor space. Pull your table back from the aisle edge. Even 15cm of breathing room between your table edge and the aisle flow makes your booth feel less like a wall blocking foot traffic. People are more likely to stop when they do not feel boxed in. Use transparent or frosted materials. Solid wooden backdrops create visual walls. Frosted panels let light pass through, which tricks the eye into reading the space as larger than it is. The 35x35cm frosted PP panels in our kits do exactly this. Limit your colour palette to three colours max. A rainbow of tablecloths, signage, and product displays makes a small space feel chaotic. Pick two neutrals and one accent colour. Done. Create one clear focal point. Do not spread your best work across the entire booth. Group your hero products together at eye level in one spot. Everything else supports that focal point, not competes with it. Keep your floor clear. No boxes visible. No extra stock piled under the table where people can see it. A visible floor (even just the front edge) makes the whole booth feel less cluttered. Pack flat gear like our kits (56x36x23cm packed) tucked completely out of sight. Use lighting to define depth. A single light source flattens everything. Two or three small LED clips at different heights create shadows and layers, making the space feel three-dimensional even when it is barely a metre deep. Browse the full kit range for display options that give you multiple lighting attachment points.

The Colour Clash Mistake New Vendors Make Without Realising

A vendor at a recent market had stunning watercolour prints. Soft pastels, gentle florals, dreamy landscapes. Gorgeous work. And then you looked at the display around them. Bright red tablecloth. Neon green price tags. A black metal rack behind it all. Every single colour in the setup was FIGHTING the art. The Problem Nobody Tells You About When you are new to vending, you grab whatever display materials you have. That old tablecloth from the linen closet. Those price tags from the craft store clearance bin. A display rack you found on sale. None of it was chosen to match your products because nobody told you it needed to. But it does. Your display is a frame. If the frame clashes with the art inside it, the art looks worse. Not because the art changed. Because the context changed. The Fix Is Simpler Than You Think Pick one neutral base colour for your setup. White, black, or a soft tone that complements your product palette. Then let your products be the only source of colour at your table. Our modular display kit comes in 19+ panel colours so you can match your display to your brand. Frosted panels let products pop without competing. And because they are modular, you can swap colours between shows if your product line changes. A Quick Colour Test Take a photo of your product against your display materials. Does your eye go to the product first? Good. Does it go to the tablecloth or the rack first? That is a clash. It is THAT simple. The best booths at any show are the ones where everything looks like it belongs together. Not matching exactly, but harmonising. When the display disappears and the products shine, you have nailed it. Browse our full kit range and find the colour combination that works with what you sell.

The Aesthetic Upgrade That Costs Nothing But Planning

Your Booth Aesthetic Starts Before You Buy Anything Most vendors think a great-looking booth starts with buying things. Better display. Nicer tablecloth. Fancier signage. And sure, all of that helps. But the single biggest aesthetic upgrade you can make costs absolutely nothing. It's planning. Specifically, planning what goes WHERE and WHY before you set foot at your next event. Map Your Table Like A Floor Plan Grab a piece of paper. Draw your table from above. Now place every product category in a zone. Prints on the left wall. Stickers front and centre. Originals on the back panel. Small impulse buys near the register. This isn't interior design school. It's crowd flow. People approach from the front, scan left to right (in most Western markets), and reach for what's at hand height. Put your hero pieces where eyes land first. Put your cheapest impulse items where hands land last. A modular display kit makes this easier because the panels give you distinct vertical zones. Five panels high at 175cm means you can layer: eye-level showcase, mid-level browse, table-level grab. Pick A Colour Story And Stick To It Two to three colours. That's it. Your panels, your tablecloth, your signage, your business cards. All pulling from the same palette. This reads as "curated" to customers even if you assembled it in twenty minutes. The trap is variety. You have 19+ panel colours to choose from in the full kit range. The temptation is to use six of them. Resist. Constraints create cohesion. Decide What Not To Show This is the hard one. You made fifty pieces. You want to show fifty pieces. But a booth with fifty things on display looks like a garage sale, not a gallery. Edit ruthlessly. Bring your top twenty. Keep backstock in boxes under the table for restocking. The booth that shows less but shows it WELL outsells the cluttered one almost every time. Test Your Layout At Home First Set up your table in your living room. Stand six feet back. Can you see your hero piece? Is there breathing room between items? Does the eye know where to go? Take a photo. Look at it on your phone. If it looks good as a thumbnail, it'll stop foot traffic at a market. If it looks busy as a thumbnail, it'll get walked past. Frequently Asked Questions How Long Does Planning A Layout Take? About an hour for your first time. After that, maybe fifteen minutes of tweaking between events. The initial investment pays off for months. Do I Need To Buy New Display Gear To Make This Work? No. The whole point is that planning is free. Better placement of what you already own beats an expensive display with bad arrangement. Upgrade the gear later once you know your layout works. What If My Products Are All Different Sizes? Group by visual weight, not by category. Three small items clustered together balance one large piece across the table. The modular panel system helps here because you can adjust shelf heights to fit mixed sizes without everything looking chaotic.

Fitting A Full Brand Story On A Table The Size Of A Desk

You have 90cm of table. Maybe 120 if the organiser is generous. And you need people to walk away knowing who you are, what you make, and why they should care. Not just "oh, cute prints." Your actual brand story. We have watched vendors try to solve this with banners, pamphlets, elaborate backstory cards, QR codes linking to their About page. None of it works. Nobody reads your origin story at a market. They are eating a sausage roll and walking fast. What DOES work is letting your display do the talking. Your brand story is not a paragraph. It is the feeling someone gets in the three seconds they glance at your table while walking past. That means your colour palette, your product curation, and your display style need to be doing all the heavy lifting. One artist we know sells hand-painted ceramics. Her brand story is "nature meets geometry." She does not write that anywhere. Her modular display kit is configured with alternating solid and frosted panels. Her ceramics sit on integrated shelves at staggered heights. The DISPLAY is the brand story. Organic shapes on a geometric grid. People get it instantly without reading a word. The mistake most vendors make with tiny spaces is trying to say too much. You do not need a banner, a bio, a mission statement, AND a product display. Pick one visual idea that captures your brand and let everything else serve that idea. Your logo at eye level. Your hero product front and centre. Your colour story consistent from tablecloth to business card. A small table forces clarity. That is its superpower. If you cannot communicate your brand in 90cm of space, the problem is not the space. It is the brand message. Tighten it up and the small table becomes more than enough. See the full kit range for setups designed to tell a story in a small footprint.

Compact Doesn't Mean Boring: Small Booth Inspiration

Somewhere along the way, vendors started equating "small booth" with "compromise." Smaller table, fewer products, less impressive. That is completely backwards. Some of the most jaw-dropping setups we have ever seen came from vendors with half a table and a lot of creativity. Here are eight compact booth ideas that prove small does not mean boring. 1. The Gallery Wall Build a clean vertical display with frosted panels and hang your work like a gallery exhibition. White backgrounds, even spacing, one piece per panel. It looks like a pop-up art show, not a market stall. A modular display kit in Core size handles this beautifully with 24 panels on a single table. 2. The Colour Block Pick one bold colour for all your accessories: tablecloth, business cards, packaging, price tags. Keep your display wall neutral. The contrast makes your booth instantly recognisable from across the room. Customers will remember "the orange booth" long after they have forgotten what table number you were. 3. The Minimalist Tower Two panels wide, five panels tall. One single vertical column in the centre of your table. Hang your hero product at eye level. Stack supporting pieces below. It takes up almost no table space and creates a striking silhouette that draws people in. 4. The Living Lookbook Instead of displaying products directly, display photos of your products being USED. Print lifestyle shots on cards and mount them on your display wall. Keep actual inventory behind the wall or under the table, and pull items out when someone asks. Your booth becomes a curated experience, not a shelf. 5. The Two-Sided Display If you have an end-of-row position, build your display as a freestanding wall and use BOTH sides. Front side faces the main aisle. Back side faces the cross aisle. Same footprint, double the visibility. This works especially well at L-shaped booth assignments. 6. The Shelf Showcase Skip the flat table display entirely. Build your panel wall with integrated shelves using PLA hooks rated to 5kg each. Stagger them at different heights. Your products sit on shelves at various eye levels, creating depth and visual interest on a flat surface. 7. The Backlit Feature Wall Place a small LED panel behind your frosted display wall. The diffused glow makes your entire setup look high-end and gallery-quality. This is ESPECIALLY effective at indoor markets with dim overhead lighting where every other vendor looks flat and shadowless. 8. The Rotating Exhibition Bring three completely different layouts and swap your entire display every two hours. Morning visitors see one booth. Afternoon visitors see another. Use the modular click-together design to reconfigure in under five minutes between rotations. It keeps your booth fresh all day and gives you real data on which layout sells best. Small booths only feel limiting when you try to shrink a big booth concept into a small space. Design for the space you HAVE and you will end up with something way more interesting. Check the full kit range for kits that make compact creativity easy.

The Small Space Lighting Trick That Makes A Huge Difference

You can have the best products, the cleanest layout, and the most eye-catching display at the market. But if your lighting is bad, none of it matters. Everything looks flat. Colours wash out. Customers walk past without stopping because nothing POPS. Good lighting is the single cheapest upgrade you can make to a small booth. And most vendors get it completely wrong. Why Top-Down Lighting Kills Small Booths Most venues have overhead fluorescent lights or industrial fixtures pointing straight down. This creates harsh shadows, washes out colour, and makes everything on your table look like it is sitting in a waiting room. In a big booth with pipe and drape, you can mount your own lighting rig to counteract this. In a small space, you do not have that luxury. The fix is angling light FORWARD and UPWARD from your table level, not relying on whatever the ceiling throws at you. Clip-on LED panels aimed at your vertical display create the kind of directional light that makes products glow without needing any overhead access. The Frosted Panel Trick This is the one that changes everything for small-space vendors. If your display wall uses frosted or translucent panels, placing a small LED light BEHIND the panels creates a soft backlight effect. Your products on the front are illuminated from behind with diffused, even light. No hot spots. No glare. Just a clean, gallery-quality glow. A modular display kit uses 35x35cm frosted PP panels that are designed for exactly this kind of lighting play. The frosted surface diffuses the light naturally, so even a cheap clip-on LED creates a surprisingly professional effect. Battery-Powered Is Non-Negotiable for Small Setups Small booths cannot afford to run extension cords across walkways or depend on venue power strips. Go battery-powered for everything. Modern rechargeable LED panels last 6-8 hours on a single charge, which covers a full market day. Charge overnight, swap in the morning. Position two small panels: one behind your display wall for backlighting, one clipped to the top of your display angled down at your table products. Two lights, battery powered, total cost under $50. The difference is enormous. Colour Temperature Matters More Than Brightness Do not blast your booth with the brightest light you can find. Colour temperature is what makes your products look RIGHT. Aim for 4000-5000K, which is a neutral daylight that does not skew warm or cold. Warm light (3000K) makes everything look cozy but kills accurate colour representation for art prints and textiles. Cool light (6500K) makes everything look sterile. Check the full kit range for display setups that work beautifully with simple LED backlighting. Frequently Asked Questions Can I use string lights instead of LED panels? String lights create ambiance but they do not actually illuminate your products well enough for customers to see detail and colour accurately. Use them for vibe if you want, but always pair them with directional LED panels for the actual product lighting. How do I attach lights to a modular panel display? Small clip-on LED panels attach to the top edge of your display wall. For backlighting, rest or clip the light on the back side of any panel. PLA hooks rated to 5kg can also hold lightweight LED strips along the back surface. Do I need different lighting for indoor versus outdoor markets? Outdoor markets under tents or gazebos still need supplemental lighting because tent shadows create uneven illumination. Indoor markets almost always need it. The same battery LED setup works for both.

Building A Silhouette People Recognise Before They See Your Face

Your booth has a shape. From across a convention hall, before anyone can read your name or see your art, they see your outline. That silhouette is either distinctive or it looks like every other table in the row. We get asked about this a lot, so here are the most common questions about building a booth shape that people recognise on sight. What Do You Mean By A Booth Silhouette? Stand at one end of a convention hall and look at the vendor row. What you see is a series of shapes. Most are low, flat rectangles (tables). Some have small bumps (wire racks, small standing displays). And a few have tall, clean vertical forms that rise above everything else. That tall form is a silhouette, and it's the first visual signal your booth sends. A modular display kit stacked 5 panels high to 175cm creates a silhouette that's immediately distinct from the table-level baseline around it. Why Does Shape Matter More Than What's On Display? Because shape works at distance and detail doesn't. From 20 metres away, nobody can see your art. They can't read your sign. They can't tell if you sell prints or pottery. But they CAN see your outline. A tall, structured booth is a landmark. A flat table is camouflage. People navigate convention halls the same way they navigate cities: by landmarks. Be the tall building, not the parking lot. Does The Display Colour Affect The Silhouette? Colour adds a second layer of recognition. The shape gets noticed first, then the colour confirms identity. If your panels are a consistent colour at every event, returning customers spot the combo fast. "Tall booth, teal panels" is a mental shortcut that works in a crowded hall. With 19+ panel colours available, pick one that's distinctly yours and own it. What If My Table Space Is Small? Silhouette is about HEIGHT, not width. Even a Core kit with 24 panels on a standard 180cm table builds a tall vertical presence. You're using the same table footprint as the vendor next to you. You're just claiming the airspace above it that they're ignoring. That vertical territory is free real estate in a convention hall and almost nobody uses it. How Do I Keep My Silhouette Consistent Across Events? Use the same kit every time. The 35x35cm frosted PP panels and ABS connectors snap together in the same configuration event after event. Take a photo of your setup after a successful show and use it as your reference. The kit packs flat into a 56x36x23cm carry-on case, so nothing gets lost or swapped between events. Same parts, same build, same silhouette. What Size Kit Creates The Best Silhouette? It depends on your space and inventory. The Core (24 panels) is a solid vertical backdrop for a single table. The Shapeshift (46 panels) lets you build wider or add side wings. The Shapeshift Duo (70 panels) creates an L-shape or full back wall. And the Max (92 panels) builds the kind of three-sided enclosure that dominates a booth space. Every option ships from Sydney in 1-3 days to 50+ countries. Check the full kit range to see which creates the silhouette you want. Can I Change My Silhouette Seasonally? You can, but do it carefully. Your core shape should stay recognisable. Think of it like a building that gets seasonal decorations but keeps the same architecture. Add side panels for holiday markets, remove a wing for smaller venues, but keep the main wall height and colour consistent. The modular system makes this easy since you just add or subtract panels without redesigning the whole structure. How Long Before People Start Recognising My Booth? From what we've seen, it takes 3-4 events in the same circuit. By the third show, returning attendees have your silhouette filed in their mental map. By the fourth, they're walking directly to you. This only works if your setup is consistent. Change your shape every event and you reset the recognition clock to zero every time. Over 1000 artists with 4.9-star reviews have proven that consistency works.

The Signage Mistakes That Make People Walk Past

We've seen brilliant artists with terrible signage lose foot traffic to mediocre artists with clean, readable signs. It happens at every convention. And the worst part is that bad signage is one of the easiest problems to fix. The biggest mistake is using tiny text. Your booth name in 24-point font on an A4 sheet of paper. Who is that for? Someone already standing at your table? They already know they're at your table. Your signage needs to work from 10 metres away, and that means LARGE type. Minimum 5cm letter height for your name, visible from across an aisle. Mount it at the top of your display where it clears the crowd. A modular display kit standing 175cm gives you a natural signage position above head height. That top row of panels is prime real estate for your brand name. Use it. A printed banner, a vinyl cut, even a clean hand-painted sign mounted to the top panels works. What doesn't work is leaving that space empty while your name sits at table level where nobody walking past can see it. Second mistake: too many signs. Price list here, policies there, social media handle on a card, a "commissions open" notice, a fandom label for each section. Every sign dilutes the next one. Your brain can process maybe 2-3 text elements in a quick glance. Everything beyond that becomes noise. Pick your essentials: brand name (visible far away), prices (visible up close), and maybe one call to action. That's it. Third: fonts that are pretty but unreadable. Script fonts, ultra-thin weights, decorative typefaces that look gorgeous on your business card but turn into squiggly lines from any distance. At conventions, readability beats aesthetics every time. A clean sans-serif in bold weight communicates faster than any fancy font. Here's the test we recommend. Set up your display at home, walk to the other side of the room, and try to read your signage. If you have to squint, it's too small. If you can't tell what it says, change the font. If you're not sure which sign to look at first, you have too many. Fix those three things and you'll notice more people actually stopping. Browse the full kit range to find the right display height for your signage.

How Repeat Customers Spot Your Table From Memory

Repeat customers are the backbone of a sustainable art business. They spend more, they buy faster, and they tell their friends where to find you. But they can only do that if they can actually FIND you at the next event. Here's how the best vendors make their booth a landmark that returning fans locate from pure memory. They build a consistent silhouette. Your booth's outline is the first thing returning customers scan for. A modular display kit standing 175cm tall creates a distinctive vertical profile that rises above the table-level baseline. When someone remembers "the tall booth with the coloured panels," they're remembering your silhouette. Keep it the same at every event. They own a colour. Pick one signature panel colour and make it yours. Not a whole rainbow. One strong colour that people associate with your brand. "The booth with the navy walls" or "the one with the mint green panels." With 19+ panel colours available, you can find one nobody else in your circuit is using. They keep their name visible from far away. Repeat customers don't walk up to read your banner. They spot your name from across the hall. Your brand name or logo should be at the TOP of your display, readable from at least 10 metres. High contrast, large type, no clutter around it. They have a signature product always on display. Your bestseller should always be in the same spot in your booth. Returning customers look for it first. It's the anchor that confirms they're at the right table. Once they see that familiar piece, they relax and start browsing for what's new. They greet returners by memory. This isn't a display tip, but it locks in loyalty hard. "Hey, you grabbed the fox print last time, right?" That recognition makes someone a customer for life. And it's easier to remember faces when your setup routine is so consistent that you can focus on people instead of logistics. A kit that goes up in under 30 minutes gives you that breathing room. They use the same table position strategy. Many regular vendors request the same area of the hall at recurring events. If that's not possible, they at least orient their booth the same way. Display wall always facing the main walkway. Product always flows left to right. Returners navigate by spatial memory, and consistency helps them find you faster. They make their setup look permanent. Clean modular panels, ABS connectors, uniform presentation. It looks like a shop that belongs there, not something thrown together that morning. This permanence signals that you'll be at the next event too, which gives returning customers confidence that they can come back. They have a packing ritual that protects the brand. Everything fits in the same 56x36x23cm carry-on case. Panels stack flat. Connectors go in their bag. The setup is identical every time because the teardown is identical every time. No pieces lost, no improvisation needed, no setup looking "off" because a component went missing. They evolve without overhauling. New art gets added. Old pieces rotate out. Maybe a new product line appears. But the STRUCTURE stays the same. The panels, the height, the colour, the layout logic. Returning customers notice what's new because the familiar framework makes changes obvious. They think in seasons, not events. The best repeat-customer strategy isn't event-by-event. It's a year-long plan where each event builds recognition for the next. Same display kit, same brand colours, same silhouette. By event 4 or 5, your booth is a destination, not a discovery. Browse the full kit range and start building the booth people remember.

Bold Backdrops vs Bare Tables: The Real Difference In Foot Traffic

Let's settle this debate with some honesty. We've seen hundreds of vendor setups across conventions, markets, and pop-ups. And the difference between a booth with a proper backdrop and a bare table isn't subtle. It's dramatic. We're talking 2-3x more people stopping, and a measurable bump in average sale value. This isn't about shaming anyone who's starting out with just a table. Everyone begins somewhere. But if you're past your first few events and still running a flat setup, you're leaving real money on the floor. What A Bare Table Communicates Fair or not, a bare table sends a signal. It says temporary. It says casual. It says "I'm not sure how long I'll be doing this." Customers read these signals unconsciously. They're less likely to stop, less likely to browse slowly, and less likely to buy premium-priced items from a setup that looks impermanent. The art might be incredible. But the framing undermines it. Imagine walking into a gallery where paintings were leaned against the wall on the floor. Same art, completely different perceived value. Your booth is your gallery, and bare tables are the floor. What A Backdrop Changes A structured backdrop does three things immediately. First, it creates HEIGHT. A modular display kit builds to 175cm, which puts your work above the crowd line and makes your booth visible from across the hall. Bare tables sit at 75cm. That's a full metre of visibility you're giving up. Second, it creates CONTEXT. Art displayed on clean, uniform panels looks curated. It looks intentional. The frosted 35x35cm PP panels give your pieces a gallery-quality setting that elevates perceived value without you saying a word. Third, it creates territory. A vertical display defines your space. It tells passers-by "this is a booth, not just a table." That psychological boundary makes people more likely to step in and browse rather than glance and keep walking. The Investment Reality A proper display setup is a one-time investment that pays dividends at every event. The kit ships from Sydney (1-3 days domestic, 50+ countries international), packs into a carry-on sized case at 56x36x23cm, and sets up in under 30 minutes with no tools. ABS connectors and PLA hooks handle 5kg per shelf. Compare that to the cumulative cost of doing mediocre events with a bare table. If a proper backdrop helps you sell even 2-3 extra pieces per event, the kit pays for itself within a couple of shows. After that, every event is pure upside. The Middle Ground Myth Some vendors try to split the difference. A tablecloth and some wire racks. Maybe a small pegboard behind the table. This is better than bare, but it still reads as improvised. The visual impact of a clean, tall, modular wall is in a different category entirely. Half measures get half results. The Core kit at 24 panels is enough to create a solid backdrop on a standard 180cm table. The Shapeshift (46 panels) builds a more substantial presence. And if you're doing larger shows, the Shapeshift Duo (70) or Max (92) gives you the kind of setup that anchors a corner and draws traffic from multiple aisles. Check the full kit range to find your fit. Frequently Asked Questions Can I use a backdrop at events with limited table space?Yes. The modular system fits a standard 180cm/6ft table. You build upward, not outward, so you're using the same table footprint as everyone else. You're just using the vertical space that bare-table vendors ignore. Is a backdrop worth it for small local markets?Absolutely. Small markets often have the LEAST visual competition, which means a proper display makes you stand out even more. You're probably one of the only vendors with a vertical presence, and that draws disproportionate attention. How durable is the setup for regular event use?The panels are frosted polypropylene and the connectors are ABS plastic. These materials handle regular assembly and disassembly without wearing out. Over 1000 artists use them regularly with a 4.9-star review average. Built to last.

What Makes A Booth Instagrammable (And Why That Matters)

Every convention has a handful of booths that show up on Instagram again and again. Attendees photograph them, tag them, share stories from them. And those vendors get free marketing that keeps working long after the event ends. This isn't luck. Instagrammable booths are designed, not discovered. The real value isn't vanity metrics. When someone posts your booth to their story, every one of their followers sees your brand. Some of those followers are at the same convention and haven't visited you yet. Some will look you up online later. That single photo does more work than any flyer you could hand out. Clean Backgrounds Win The Photo The number one reason booths photograph well is a clean, consistent backdrop. Frosted panels from a modular display kit give you exactly this. No visual clutter behind your art. No wrinkled fabric. No mismatched surfaces. Just clean 35x35cm panels in a uniform colour that lets your work be the subject of every photo. Phone cameras are ruthless with busy backgrounds. All that detail your eye filters out in person becomes distracting noise in a photo. The cleaner your backdrop, the better your booth photographs, and the more likely someone is to actually post it. Height Creates A Photo-Worthy Moment Flat tables don't photograph well because there's no visual drama. A display wall standing 175cm tall with curated work arranged across five panel rows creates genuine visual impact. It looks like a pop-up gallery, not a folding table. People photograph things that look INTENTIONAL. Position your most photogenic pieces at phone-camera height. That's roughly 120-150cm off the ground, which falls perfectly in the middle rows of a stacked display. When someone holds up their phone to snap a photo, your best work should be right in frame without them having to crouch or reach. Colour Coordination Makes The Grid Instagram is a visual platform and people curate their grids. A booth with strong colour coordination is more likely to get posted because it fits the aesthetic that people want on their feed. Pick your 2-3 brand colours and make them obvious. Panel colour, tablecloth, packaging, signage. With 19+ colours available, you can build a booth that looks like a designed space rather than a random setup. Bonus: when multiple people photograph your booth across different events, the consistent colour scheme means those photos all look like they belong together. Your brand becomes recognisable even in other people's feeds. Create A Photo Spot The most shared booths often have a specific moment designed for photos. A clean section of your display with your brand name visible, good lighting, and enough space for someone to stand next to it. Think of it as a selfie-friendly zone. Some artists put a small sign saying "tag us @handle" near this spot. It works surprisingly well. The structure helps here. A Shapeshift (46 panels) or larger gives you enough surface area to dedicate a section purely to the photo moment while still having plenty of display space for your actual inventory. Browse the full kit range and think about which size lets you build that photo-worthy setup. Frequently Asked Questions Do I need professional lighting for Instagram-worthy booth photos?Not necessarily. Clean panel backgrounds and consistent colours do most of the heavy lifting. But a small clip-on LED aimed at your display wall makes a noticeable difference in how your booth photographs under harsh convention lighting. What's the best panel colour for photographing art?It depends on your art style. Lighter panels work well for bold, colourful work. Darker panels suit lighter or pastel pieces by providing contrast. The frosted finish on all panels reduces glare, which is a huge help for phone cameras. Should I ask people to photograph my booth?Don't ask strangers to photograph it. Instead, make it so good-looking that they want to. A small tasteful sign with your social handle near the most photogenic section of your display is enough of a prompt without being pushy.

Escaping The Just Another Table Trap

Picture this. You've been prepping for weeks. Your prints are perfect. Your prices are fair. You've got change, bags, business cards, the works. You arrive at the convention, set up your table, lay everything out neatly, and then you look left. And right. And you realise your booth looks exactly like everyone else's. Flat table. Art laid out horizontally or leaned against whatever propping solution you grabbed last minute. Maybe a small wire rack. A printed banner draped over the front of the table. You've fallen into the Just Another Table trap, and it's the most common mistake in artist alley. It happened to a ceramicist we know. She'd been doing markets for two years with decent work and okay sales. Nothing terrible, nothing great. Her setup was a tablecloth, some risers, and her pieces arranged in rows. Clean, tidy, totally forgettable. One weekend she watched a neighbouring vendor with a vertical display absolutely crush it. Same quality work. Wildly different results. The difference wasn't talent. It was architecture. That vendor had built upward. Their display was 175cm tall, five panels high, creating a wall of curated work that people could see from three aisles away. They were using a modular display kit with frosted panels that gave their art a gallery-quality backdrop. No DIY wobble. No zip ties and prayers. The ceramicist tried something similar the NEXT event. She invested in a proper display structure and arranged her pieces at varying heights across the vertical space. Shelves held by ABS connectors that could take 5kg each. Her work went from lying on a table to floating at eye level against clean panels. Her sales doubled. Not because her ceramics got better overnight. They were always good. But now people could actually see them. The height caught attention from across the hall. The vertical layout made each piece feel intentional, like a gallery showing rather than a garage sale. The Just Another Table trap isn't about budget. It's about thinking your art will do all the work on its own. It won't. The display is the first impression. The art is the second. And if the first impression says "flat table, same as the last 30 booths you walked past," there won't be a second impression. Here's what escaping the trap actually looks like in practice. You build UP, not out. You create a silhouette that's distinct from the table-level baseline. You use consistent panels (35x35cm, modular, in your brand colours) so the whole thing reads as a unified piece of design rather than a collection of stuff on a surface. The kit packs flat into a carry-on sized case (56x36x23cm). Sets up in under 30 minutes with no tools. Ships from Sydney to 50+ countries. Over 1000 artists have figured this out already, with a 4.9-star average to show for it. The ceramicist is still doing markets. She hasn't looked back at the flat table setup once. And she's never been "just another table" again. Check the full kit range from Core (24 panels) all the way up to the Shapeshift Max (92 panels) and find the one that gets you out of the trap.

Why Consistency Beats Chaos When You Want To Be Noticed

You know those vendors who look completely different at every event? New layout, new colours, different tablecloth, random signage. They think variety keeps things fresh. What it actually does is make them invisible. Nobody recognises them. Nobody remembers them. Here are the things consistent vendors do that chaotic ones don't. They pick a colour palette and stick with it. Two to three brand colours, repeated across every touchpoint. Display panels, business cards, packaging, banner. When someone walks into a convention and spots that colour combo from 20 metres away, they KNOW whose booth that is. With 19+ panel colours in the full kit range, matching your brand is easy. Their layout follows the same logic every time. Hero pieces always go top-centre. Price points always flow the same direction. Prints in one zone, originals in another, merch in a third. Returning customers can navigate the booth from muscle memory. They use the same display structure. A modular display kit means your booth skeleton is identical event to event. Same height (175cm stacked 5 panels high), same panel arrangement, same visual footprint. The art rotates. The architecture stays. Their signage doesn't change fonts every month. One logo treatment. One font for prices. One style for piece titles. Consistent typography is one of those things customers can't articulate but absolutely feel. Professional vendors look professional because the details match. They have a packing system. Consistency isn't just visual. The vendors who set up fastest are the ones who pack the same way every time. Panels in this bag, prints in that tube, hardware in the front pocket of the carry-on case. The whole thing fits in a 56x36x23cm bag and goes up in under 30 minutes because the process is muscle memory. They photograph everything. After a good event, they take photos of the final booth layout from multiple angles. That becomes the reference for next time. No guessing, no reinventing. Just replicate what worked. They resist the urge to overhaul. New artists redo their booth every few events chasing some perfect layout. Experienced artists pick a structure that works, refine it slowly over time, and let the consistency do the heavy lifting. Small tweaks between events. Never a full redesign. They match online and offline. Their Instagram grid, their online store, and their physical booth all feel like the same brand. Someone who discovers them online can spot their booth at a convention without reading the name. That cross-platform recognition is worth more than any single layout optimisation. They treat the booth as a brand asset. The display isn't disposable. It's an investment. ABS connectors, frosted PP panels, 35x35cm modular pieces that last for years. When you treat your setup as permanent infrastructure, you naturally build consistency because you're iterating on the same foundation. They get recognised. This is the payoff. After 3-4 events with a consistent setup, returning customers find them without a map. They tell friends "look for the booth with the blue panels" or "the tall display near the entrance." That word-of-mouth navigation only works if your booth looks the SAME every time.

Building A Booth That Reads From Across The Hall

There's a test most vendors never think about. Stand 15 metres from your booth. Can you tell what you sell? Can you even tell which table is yours? If the answer is no, you have a visibility problem that's costing you sales every single event. The artists who consistently do well at conventions aren't always the most talented. They're the ones whose booths communicate FAST. From across a crowded hall, their setup tells a story before anyone reads a single word. Height Is Your First Advantage Most vendor tables sit at waist height. Every table looks the same from a distance. The moment you build upward, you break the visual line and become a landmark. A modular display kit stacks 5 panels high to 175cm. That puts your art and branding above the crowd, visible from aisles away. Think of your booth as a billboard first and a shop second. The top two rows of panels are your long-range signal. Use them for your biggest, boldest artwork or a clean banner with your brand name. Save the detailed stuff for the lower panels where people can get close. The Three-Second Read Convention attendees make snap decisions. They scan the hall, and their eyes stop on things that are visually distinct. You have roughly three seconds to communicate three things: what you make, that it's quality, and that your booth is worth walking to. Colour blocking is the fastest way to achieve this. Pick 2-3 colours that define your brand and use them consistently. Your display panels, tablecloth, signage, and packaging should all sing the same tune. With 19+ panel colours available, you can match your brand palette exactly. Contrast Makes You Pop Dark art on dark backgrounds vanishes. Light art on white walls goes flat. You need contrast between your pieces and the surface behind them. Frosted panels give you a neutral, semi-translucent backdrop that works with almost any art style. But if your work is predominantly light and airy, consider pairing it with deeper-coloured panels to make it jump off the wall. The same principle applies to your signage. Your name or logo should be the highest-contrast element on your entire display. Bold type, clean background, readable from 10+ metres. Vertical Rhythm And Spacing Cramming every available surface with product is tempting. But clutter kills readability at distance. Leave breathing room between pieces. Use the grid structure of your panels to create a clean rhythm: piece, space, piece, space. This negative space is what makes individual works stand out rather than melting into a wall of stuff. The Shapeshift at 46 panels gives you enough real estate to display generously without cramming. If you run a bigger inventory, the Shapeshift Duo at 70 panels or the Max at 92 lets you spread out even more while keeping that visual breathing room. Browse the full kit range to figure out which size gives your art the room it needs. Frequently Asked Questions What's the ideal number of pieces to display at a convention?Less than you think. For prints and flat art, 15-25 pieces displayed well outsell 50 pieces crammed together. Each piece needs enough space around it to be appreciated individually. Quality of presentation beats quantity every time. Should my booth look the same at every event?The core structure and branding should stay consistent so repeat attendees recognise you instantly. But rotate your featured pieces based on the audience. An anime convention crowd wants different hero pieces than a craft market audience.

Why Your Booth Needs A Wow Moment, Not Just Good Art

Jess had been doing markets for two years. Good art. Decent prices. Solid repeat customers. But walk-up traffic was always slow. People would glance, keep walking, maybe circle back later. Maybe not. She told us she felt invisible at bigger events. Her prints were good. Her table was clean. But there was nothing that made people STOP. Then she changed one thing. At her next convention, she built a 175cm tall display wall behind her table using a Shapeshift (46 frosted panels). On the top row, she mounted a single large-format print of her most detailed piece. Below it, she arranged her catalogue in clean rows. The table stayed mostly clear. The difference was immediate. What A Wow Moment Actually Does A wow moment is not about having the flashiest booth. It is about having ONE thing that breaks the pattern. In a hall full of flat tables, a tall vertical display is unusual. In a row of busy, cluttered setups, a clean wall of art reads as confident. Jess's hero print was visible from across the hall. People came to her booth because they could see it from three rows away. That never happened when the same print was lying flat on her table. Good art is the baseline. Every vendor at a decent event has good art. The question is not whether your work is worth buying. It is whether your booth gives someone a reason to stop walking and start looking. How To Build Your Own Wow Moment You do not need expensive gear. You need height, one hero piece, and clean presentation. A modular display kit sets up in under 30 minutes with no tools. The 35x35cm frosted PP panels create a gallery-style wall. Pick from 19+ colours so the display matches your brand. Mount your strongest piece up high. Light it if you can. Keep the table surface minimal. Let the wow moment do the work of pulling traffic in, and let your full catalogue close the sale once they are there. Jess told us her sales went up about 40% at the next three events after she started building tall. Same art. Same pricing. Same markets. Just a display that earned attention instead of hoping for it. If your booth is good but not stopping traffic, the art probably is not the problem. The presentation is. Check out the full kit range to find the right kit for your setup. Ships from Sydney in 1-3 days, packs flat into a carry-on, and builds the kind of booth people actually stop for.

How To Use Light To Make Your Art The Loudest Thing In The Room

Your art could be the best thing at the convention. But if nobody can see it properly, it might as well be invisible. Light is the single most underrated weapon in a vendor's toolkit. The artists who figure this out sell more. Period. Here's the thing most people get wrong: they rely on whatever fluorescent nightmare the venue provides. That overhead wash flattens everything. Your colours look dull. Your prints lose depth. And your booth blends into the sea of tables around you. Why Venue Lighting Works Against You Convention halls use broad, flat lighting designed to illuminate walkways. Not your art. The colour temperature is usually cold and harsh, which murders warm tones and makes everything look washed out. You need to bring your own light source that actually complements your work. Clip-on LED panels are your best friend here. Attach them to the top of your modular display kit panels and angle them downward. You want the light hitting your art at roughly 30-45 degrees. This creates subtle shadows that give your pieces dimension instead of flattening them. Warm vs Cool: Picking The Right Colour Temperature If your art leans warm (lots of reds, oranges, earth tones), use a warmer light around 3000-3500K. Cool-toned work with blues and purples benefits from a neutral 4000-4500K. The goal is to make your colours pop the way they look on your monitor at home. Adjustable LED strips are cheap and versatile. Run them along the top edge of your display panels. With 35x35cm frosted panels stacking 5 high to 175cm, you have PLENTY of vertical real estate to light from above without the fixture getting in anyone's face. Spotlighting Your Hero Pieces Not everything deserves equal light. Pick your 2-3 best sellers or highest-margin pieces and give them dedicated spots. A small battery-powered spotlight aimed at your anchor piece draws the eye like a magnet. People walking past will look where the light tells them to look. Position these hero pieces at eye level on your display. The middle row of a 5-panel-high setup is perfect. Light hits it, eyes find it, conversation starts. Battery Life And Practical Setup Most rechargeable LED panels last 4-8 hours on a single charge. For a full convention day, bring two sets and swap at lunch. USB-C power banks can extend runtime if you plan your cable routing along the back of your panels. The entire lighting rig should add less than 1kg to your setup. Your kit already packs flat into a 56x36x23cm carry-on case. A few LED strips and clips fit in the side pockets without adding any real bulk. Setup still stays under 30 minutes with no tools required. Check out the full kit range to find the right size for your lighting setup, from the Core 24-panel to the Shapeshift Max with 92 panels. Frequently Asked Questions Do I need an electrical outlet for booth lighting?No. Battery-powered LED panels and USB power banks handle a full day without mains power. Most convention spaces charge extra for outlet access anyway, so going wireless saves money and hassle. Will clip-on lights damage the display panels?Small spring clamps designed for camera gear work perfectly on the ABS connectors without leaving marks. The connectors are sturdy enough to hold 5kg per shelf, so a lightweight LED panel is no problem at all. How much should I spend on booth lighting?You can get a solid setup for $30-60. Two adjustable LED panels with clamps plus a USB power bank. That investment pays for itself the first time someone stops because your art actually looked good under proper light.

How Vertical Space Changes The Whole Energy Of Your Booth

Most vendors only use the flat surface of their table. That is like renting a two-story shop and only using the ground floor. Here are the ways going vertical transforms your entire booth presence. 1. You Become Visible From Across The Room Table-height displays disappear in a crowd. Build your display 5 panels high (175cm) and your art is visible over people's heads. At conventions with hundreds of tables, this is how browsers find you from three rows away. 2. Your Table Surface Stays Clean When your prints and products live on vertical panels instead of flat on the table, you free up the surface for what matters. Business cards, a payment terminal, a small impulse-buy basket. Clean tables look professional. Cluttered tables look desperate. 3. Customers Can Actually Browse Without Crowding Vertical displays spread your work across a wall instead of a pile. Two or three people can browse SIMULTANEOUSLY without bumping into each other. More eyes on your work at the same time means more sales per hour. 4. You Create Natural Eye-Flow Paths A modular display kit with 35x35cm frosted panels lets you arrange prints at different heights. Eye-catching hero piece up high. Supporting work at eye level. Small prints and stickers down low. The customer's gaze flows naturally without any direction from you. 5. Your Booth Photographs Better Flat tables look terrible in photos. Vertical displays look like gallery walls. When customers photograph your booth (and they will), a tall display behind your work creates a clean, shareable image. Free marketing every single event. 6. You Look Like You Have Been Doing This For Years There is a visible gap between first-time vendors with flat tables and experienced sellers with built-out booths. A vertical setup immediately puts you in the second category. People TRUST professional-looking booths more. They assume the art is better because the presentation is better. 7. You Can Show More Without Owning More Space A standard 180cm table gives you about 1 square metre of display area. Build upward with the Shapeshift (46 panels) and you triple that to 3+ square metres of display surface. Same table fee, three times the real estate. The kit packs flat into a 56x36x23cm carry-on case, sets up in under 30 minutes, and ships from Sydney to 50+ countries. Ready to go vertical? Check out the full kit range and pick the height that fits your space. With 19+ colours available, your display can match your brand from day one.

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

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How long do you plan to use it?

Just trying it out

1–3 times

Going to do markets more often

3–20 times/year

Multi-year use

Built to last, with room to grow

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

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How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

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Yuzu Yellow

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build a booth that builds a crowd

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Why makers love our booths.

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Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

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Enough parts to range products from small table to large booth.

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Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

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Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

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Self-serve more customers with parts that make the most of smaller spaces.

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An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

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Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$503.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

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