What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

Pre-order deals: new 2.0 display kits

Early bird deals for our next-generation Artist Booths kits.

Printable PDF resources to get ready for your next convention.

Free digital resources

Subscribe to get these free digital downloads. Sign up to our newsletter, then use the same email at checkout - the price will drop to $0 with no payment needed.

CON-QUEST: Event Checklist & Planner

$2.99 AUD

Booth Sketcher & Planner

$2.99 AUD

Artist Back Alley Resources Blog

How To Use Light To Make Your Art The Loudest Thing In The Room

Your art could be the best thing at the convention. But if nobody can see it properly, it might as well be invisible. Light is the single most underrated weapon in a vendor's toolkit. The artists who figure this out sell more. Period. Here's the thing most people get wrong: they rely on whatever fluorescent nightmare the venue provides. That overhead wash flattens everything. Your colours look dull. Your prints lose depth. And your booth blends into the sea of tables around you. Why Venue Lighting Works Against You Convention halls use broad, flat lighting designed to illuminate walkways. Not your art. The colour temperature is usually cold and harsh, which murders warm tones and makes everything look washed out. You need to bring your own light source that actually complements your work. Clip-on LED panels are your best friend here. Attach them to the top of your modular display kit panels and angle them downward. You want the light hitting your art at roughly 30-45 degrees. This creates subtle shadows that give your pieces dimension instead of flattening them. Warm vs Cool: Picking The Right Colour Temperature If your art leans warm (lots of reds, oranges, earth tones), use a warmer light around 3000-3500K. Cool-toned work with blues and purples benefits from a neutral 4000-4500K. The goal is to make your colours pop the way they look on your monitor at home. Adjustable LED strips are cheap and versatile. Run them along the top edge of your display panels. With 35x35cm frosted panels stacking 5 high to 175cm, you have PLENTY of vertical real estate to light from above without the fixture getting in anyone's face. Spotlighting Your Hero Pieces Not everything deserves equal light. Pick your 2-3 best sellers or highest-margin pieces and give them dedicated spots. A small battery-powered spotlight aimed at your anchor piece draws the eye like a magnet. People walking past will look where the light tells them to look. Position these hero pieces at eye level on your display. The middle row of a 5-panel-high setup is perfect. Light hits it, eyes find it, conversation starts. Battery Life And Practical Setup Most rechargeable LED panels last 4-8 hours on a single charge. For a full convention day, bring two sets and swap at lunch. USB-C power banks can extend runtime if you plan your cable routing along the back of your panels. The entire lighting rig should add less than 1kg to your setup. Your kit already packs flat into a 56x36x23cm carry-on case. A few LED strips and clips fit in the side pockets without adding any real bulk. Setup still stays under 30 minutes with no tools required. Check out the full kit range to find the right size for your lighting setup, from the Core 24-panel to the Shapeshift Duo with 92 panels. Frequently Asked Questions Do I need an electrical outlet for booth lighting?No. Battery-powered LED panels and USB power banks handle a full day without mains power. Most convention spaces charge extra for outlet access anyway, so going wireless saves money and hassle. Will clip-on lights damage the display panels?Small spring clamps designed for camera gear work perfectly on the ABS connectors without leaving marks. The connectors are sturdy enough to hold 5kg per shelf, so a lightweight LED panel is no problem at all. How much should I spend on booth lighting?You can get a solid setup for $30-60. Two adjustable LED panels with clamps plus a USB power bank. That investment pays for itself the first time someone stops because your art actually looked good under proper light.

The Craft Fair Display Mistakes That Cost You Sales

You made incredible products. You paid for the stall. You showed up early, set up, and waited. Then you watched the vendor with half your product range outsell you two to one.It was not the product. It was the display. Here are the mistakes that SILENTLY kill your craft fair sales.Mistake 1: Going FlatA table with products laid out in rows is a garage sale. Customers walk past flat displays because there is nothing to catch their eye from three metres away. Height is what pulls people in.Build upward. A display that reaches eye level (around 175cm) makes your stall visible from across the room. The modular display kit stacks five panels high on any standard 6ft table, turning a flat setup into a vertical showcase.Mistake 2: Overcrowding The TableMore products does not mean more sales. It means more visual noise. When a customer sees 80 items crammed together, their brain checks out. They cannot focus on anything, so they focus on nothing.Edit ruthlessly. Bring your top 15 to 20 products. Give each one breathing room. The space BETWEEN items is what makes individual products look worth picking up.Mistake 3: No Price TagsThis one is painful because it is so easy to fix. If a customer has to ask the price, most of them will not. They will walk away instead. Every item needs a visible, readable price tag. No exceptions.Mistake 4: Sitting Down And Scrolling Your PhoneYou are your own salesperson. Sitting behind your table looking disinterested tells customers that your products are not worth their time either. Stand up. Make eye contact. Say hello. That is the entire script. It doubles engagement.Mistake 5: Ignoring Your Brand ColoursA white tablecloth, a random banner, and mismatched packaging make you look like you started yesterday. When your display, packaging, and signage share a colour palette, you look like a real brand. With 19+ panel colours, matching your backdrop to your brand is straightforward.Mistake 6: A Display That Takes Forever To Set UpIf setup takes an hour, you arrive stressed and start the day behind. Long setups also mean long breakdowns when you are exhausted at the end. A display that goes up in under 30 minutes with no tools changes the whole experience. The energy you save goes into selling.Frequently Asked QuestionsWhat is the single most impactful change for a craft fair display?Height. Going from a flat table to a vertical display with shelving is the biggest upgrade you can make. It puts products at eye level and makes your stall visible from a distance. Everything else is secondary.How many products should I bring to a craft fair?For a standard 6ft table, 15 to 25 products is the sweet spot. Enough to show range, little enough that each item gets attention. Bring backup stock in boxes under the table, not on it.Where can I find a display that sets up fast and looks professional?The full kit range from Artist Booths covers setups from compact (24 panels) to full backdrop (92 panels). Every kit sets up in under 30 minutes, packs flat, and comes in 19+ colours to match your brand.

How Vertical Space Changes The Whole Energy Of Your Booth

Most vendors only use the flat surface of their table. That is like renting a two-story shop and only using the ground floor. Here are the ways going vertical transforms your entire booth presence. 1. You Become Visible From Across The Room Table-height displays disappear in a crowd. Build your display 5 panels high (175cm) and your art is visible over people's heads. At conventions with hundreds of tables, this is how browsers find you from three rows away. 2. Your Table Surface Stays Clean When your prints and products live on vertical panels instead of flat on the table, you free up the surface for what matters. Business cards, a payment terminal, a small impulse-buy basket. Clean tables look professional. Cluttered tables look desperate. 3. Customers Can Actually Browse Without Crowding Vertical displays spread your work across a wall instead of a pile. Two or three people can browse SIMULTANEOUSLY without bumping into each other. More eyes on your work at the same time means more sales per hour. 4. You Create Natural Eye-Flow Paths A modular display kit with 35x35cm frosted panels lets you arrange prints at different heights. Eye-catching hero piece up high. Supporting work at eye level. Small prints and stickers down low. The customer's gaze flows naturally without any direction from you. 5. Your Booth Photographs Better Flat tables look terrible in photos. Vertical displays look like gallery walls. When customers photograph your booth (and they will), a tall display behind your work creates a clean, shareable image. Free marketing every single event. 6. You Look Like You Have Been Doing This For Years There is a visible gap between first-time vendors with flat tables and experienced sellers with built-out booths. A vertical setup immediately puts you in the second category. People TRUST professional-looking booths more. They assume the art is better because the presentation is better. 7. You Can Show More Without Owning More Space A standard 180cm table gives you about 1 square metre of display area. Build upward with the Shapeshift (46 panels) and you triple that to 3+ square metres of display surface. Same table fee, three times the real estate. The kit packs flat into a 56x36x23cm carry-on case, sets up in under 30 minutes, and ships from Sydney to 50+ countries. Ready to go vertical? Check out the full kit range and pick the height that fits your space. With 19+ colours available, your display can match your brand from day one.

Getting Noticed When You're Squeezed Between Two Loud Neighbours

You snagged a table at a big con. You are pumped. Then you arrive and discover your neighbours have LED signs, massive banners, and speakers blasting anime openings. Your carefully arranged prints suddenly look like wallpaper between two billboards. This happens ALL the time. And the artists who handle it well are not the ones who try to out-loud the competition. They are the ones who create a visual pocket that pulls people in. Create A Defined Space That Feels Like Yours The biggest mistake is leaving your booth boundaries undefined. When there is no clear edge to your space, your display visually bleeds into your neighbour and you both lose. A vertical display wall solves this instantly. Building upward with a modular display kit creates a physical boundary. The frosted 35x35cm panels act like gallery walls. Your space becomes a ROOM instead of a patch of table. The Core kit (24 panels) is enough to create a solid backdrop behind a standard 180cm table. If you have a corner spot or double table, the Shapeshift Duo (92 panels) gives you an L-shaped wall that wraps your space completely. Use Depth And Height Instead Of Volume Your loud neighbours are competing on the horizontal plane. They spread wider, push further into the aisle, go bigger and brighter at eye level. You compete on a different axis. Go vertical. Build your display 5 panels high (175cm) and suddenly you are visible from across the hall. People see your work above the crowd, above the neighbouring banners, from rows away. This works because convention halls are FLAT. Everything is at table height. The moment something breaks that plane, eyes go to it. You do not need volume. You need altitude. The Lighting Trick That Creates A Bubble Clip-on LED lights aimed at your display wall create a pool of warm light around your booth. In a convention hall with overhead fluorescents, that warm glow makes your space feel different. Inviting. Separate from the chaos around it. Angle the lights downward onto your prints, not outward at customers. You want the art lit, not people blinded. Two or three clip lights on your display panels is enough to carve out your visual territory. Sets up in under 30 minutes with no tools. Packs flat into a carry-on sized case (56x36x23cm). So even if you are flying to the con, you can bring a setup that holds its own against any neighbour. Browse the full kit range to find the right size for your space. Frequently Asked Questions What if my neighbour encroaches on my table space?A physical display wall is your best friend here. It creates a clear boundary without any awkward conversations. The panels define your territory visually and structurally. Should I match my neighbour's energy level?No. Contrast works better than competition. If they are loud and bright, be clean and calm. The contrast actually draws MORE attention to your booth because it stands out as different. How do I deal with speakers and music from nearby booths?You cannot control sound, but you can control visual focus. A tall display wall partially blocks sightlines to distracting setups and keeps browsers focused on your work once they step into your space.

Why A Messy Table Loses Sales Even With Great Art

You spent months perfecting your prints. Your colours are dialled. Your pricing makes sense. Then you show up to a market, dump everything on a flat table, and wonder why people walk past without slowing down. Here is the hard truth. A messy table tells people your work is not worth their time. It does not matter how good the art is. If the display looks chaotic, browsers keep browsing. Why Clutter Kills Sales Before Your Art Gets A Chance People make snap judgments. Research says shoppers decide in under three seconds whether a booth is worth stopping at. A table covered edge to edge with prints stacked on top of each other sends one message: this person did not prepare. Contrast that with a booth where prints are spaced out, elevated at different heights, and easy to scan. The art suddenly looks INTENTIONAL. Customers slow down because the display says "this work matters." The fix is not buying more stuff. It is using vertical space so your table surface stays clean. A modular display kit that builds upward gives you 175cm of height from 35x35cm frosted panels. Your table stays open. Your art breathes. The Three-Second Rule For Table Layout Stand six feet back from your table. Can you tell what you sell in three seconds? If everything blends into one flat mass, you have a layout problem. Fix it by creating layers. Front row at table height for impulse buys. Middle row elevated on risers or short shelves. Back row up high on your display wall. Each layer should be a DIFFERENT height so the eye travels naturally. With a setup like the Shapeshift (46 panels), you can build a backdrop that handles the back layer entirely. That frees your table for just the front and middle rows. Less clutter, more clarity. How To Reset Between Customers Markets get messy during the day. People pick things up and put them back wrong. Prints shift. Business cards scatter. Set a timer on your phone for every 30 minutes. When it goes off, take 60 seconds to straighten everything. Move prints back to their spots. Restock anything that sold. This tiny habit keeps your booth looking fresh all day instead of slowly falling apart. A clean table is not about being precious. It is about respecting your own work enough to present it well. Check out the full kit range to find a setup that keeps things organised from the first customer to the last. Frequently Asked Questions How many prints should I put on a 180cm table?Less than you think. Aim for 8 to 12 visible pieces maximum. Use vertical displays to show more without crowding the table surface. Quality presentation beats quantity every time. What if I sell small items like stickers and pins?Group them in trays or tiered organisers. Small items scattered loose look like an afterthought. Contained groupings look curated and make browsing easier. Does table covering colour matter?Yes. A plain black or neutral cloth lets your art pop. Busy patterns compete with your work. Keep the backdrop simple so the art does the talking.

The Exhibitor Display Guide For People Who Hate Bulky Booths

You have tried the pipe-and-drape setup. You have wrestled with the tension fabric display that needs two people and an engineering degree. You have loaded a folding grid wall into your car and wondered why you chose this life.If bulky booth hardware makes you want to quit vending entirely, you are not alone. And you are not stuck with it.The Problem With Traditional Booth DisplaysMost exhibitor displays were designed for trade show companies with trucks, crews, and storage units. They were never meant for a solo vendor who loads their car at 5am and unloads it at 6pm. But somehow that is what everyone ended up using.The typical setup weighs 15 to 30 kilograms. It fills the entire boot of your car. It takes 45 minutes to an hour to assemble, and that is if everything cooperates. If one connector is bent or one pole is missing, you are improvising with cable ties while the doors open.There is a BETTER way.What A Lightweight Display Actually Looks LikeImagine 35x35cm frosted polypropylene panels that click into ABS connectors by hand. No tools. No hardware bag full of mystery screws. You stack them five panels high to 175cm, and each shelf holds 5kg. The whole thing packs flat into a case that measures 56x36x23cm.That is carry-on luggage size. You could take it on a plane. You could carry it on public transport. You could fit it in the passenger seat if your boot is full of product.The modular display kit comes in four sizes: Core (24 panels), Shapeshift (46), Shapeshift Angled (46), and Shapeshift Duo (92). Start small, add panels as your booth grows.Real Questions From Real Booth-HatersWill it actually hold my products?Each shelf supports 5kg. That handles ceramics, jewellery, small prints, candles, soaps, and most handmade goods. If you are selling bowling balls, maybe not. Everything else, you are fine.Does it look professional or does it look like a science fair project?It looks clean and intentional. The frosted panels have a modern, gallery-like feel. With 19+ colours, you pick the palette that matches your brand. No one is going to mistake it for a school project.How fast is setup, honestly?Under 30 minutes. Some vendors do it in 15. There are no instructions to read because the assembly is just clicking panels into connectors. If you can snap LEGO together, you can build this.What if I need to fly to a show?The panels pack flat into a carry-on sized case (56x36x23cm). Vendors fly with them domestically and internationally. Ships from Sydney to 50+ countries if you need to order ahead to your destination.Can I change the layout between shows?Yes. That is the whole point of modular. Rearrange panels, add or remove shelves, change the shape from a wall to an L-shape. Same kit, different configuration every time.If you have been putting up with a display you hate because you thought there was nothing better, check the full kit range. Lighter, faster, and designed for people who do this every weekend.

The Vendor's Guide To Packing For International Cons

Doing a convention in another country is a completely different beast to a local show. Everything you take for granted at home suddenly becomes a variable: power outlets, currency, customs declarations, and whether your display will even make it through baggage handling in one piece. We ship to 50+ countries from Sydney and hear from vendors worldwide about their international con experiences. Here's what we've learned about what WORKS and what doesn't when you're crossing borders with a booth. Customs And Your Display The number one question vendors ask about international travel is whether customs will hassle them about their display. The short answer: it depends on what it looks like. Metal frames and pipe-and-drape systems look like commercial equipment. Customs officers in some countries will ask for a carnet (a temporary import document for commercial goods), especially if the equipment looks expensive or specialised. This adds paperwork, cost, and stress. Plastic modular panels in a carry-on bag look like personal items. The modular display kit uses frosted polypropylene panels and ABS connectors. It doesn't look like commercial equipment because it doesn't look like any traditional display system. Vendors tell us they've carried it through customs in Japan, the US, the UK, Germany, and across Southeast Asia without questions. The Airline Equation International flights are where checked luggage gets expensive and risky. Budget carriers charge per kilogram. Full-service airlines have weight limits that international vendors regularly exceed when carrying metal displays. And checked luggage on connecting flights has a non-zero chance of going to the wrong city. A display that fits carry-on dimensions (56x36x23cm) eliminates that entire category of risk. It's in the overhead bin. It goes where you go. No extra fees, no damage claims, no waiting at carousel number SEVEN while your connecting flight boards. Power And Electricity Abroad This doesn't affect your display directly, but it matters for your booth. If you use lighting, a card reader, or a tablet for payments, you need power adapters. Pack a universal adapter and a power strip so one adapter serves all your devices. Your display itself needs no power, which is one less thing to worry about in a country where the outlets look like nothing you've seen before. Packing For The Return Trip International return trips are where packing discipline pays off. You might have new stock (prints traded with other artists), souvenirs, or convention swag. Your bags will be HEAVIER going home. If your display already takes up most of your weight and space allowance, you have no room for anything else. Starting with a lightweight, compact display means your return trip has breathing room. The flat-packing panels take the same space going home as they did coming. And since the system is modular, you can reconfigure your layout at each show without carrying extra components. Frequently Asked Questions Do I need to declare my display at customs?In most countries, personal effects and items for personal use during your trip don't need special declaration. The modular display doesn't typically trigger commercial-goods questions, but check the specific requirements for your destination country. A receipt showing it's a personal display (not goods for resale) helps if asked. What about shipping stock internationally instead of carrying it?Many vendors ship their stock ahead to the venue or their hotel. That's a reasonable approach for heavy items like ceramics or large prints. Your display stays with you as carry-on, so even if the shipped box is delayed, you can still set up your booth and sell from a reduced selection. Browse the full kit range to find a kit that fits your carry-on alongside essentials. Can I buy panels at my destination instead of travelling with them?We ship to 50+ countries from Sydney with 1-3 day domestic and fast international delivery. If you're going to a country we ship to, you could order ahead to your hotel or venue. But most vendors prefer carrying their kit since it fits carry-on anyway.

Why A Lighter Booth Means A Longer Career

Nobody talks about this until their body forces the conversation. Convention vending is physical work. Loading, unloading, standing for 8 hours, then doing it all again the next day. The weight of your setup is a career decision disguised as a gear choice. We've watched vendors age out of the circuit not because they stopped making great art, but because the logistics broke them. Bad knees from hauling pipe-and-drape rigs up convention centre stairs. Chronic back pain from loading a van solo at 11pm after teardown. These aren't dramatic stories. They're COMMON ones. A lighter booth isn't a luxury. It's an investment in how many years you can keep doing this. Our modular display kit weighs a fraction of a metal frame setup and packs flat into carry-on. You're lifting kilograms instead of tens of kilograms. Over 20 shows a year, that difference compounds into something your future self will thank you for. There's a mental weight too. When your booth is easy to pack, easy to carry, and easy to set up, the dread goes away. That Sunday night "I have a show tomorrow" feeling shifts from anxiety to excitement. We hear this from vendors who switch constantly. They do MORE shows after going lighter because each show costs less energy. Your art career isn't a sprint. It's a decades-long project. The vendors who last the longest are the ones who make their setup sustainable. Not the flashiest booth. Not the biggest display. The one they can carry alone, set up fast, and tear down without needing a recovery day. Choose gear that respects your body. Check the full kit range and pick the size that keeps you showing up year after year.

Why Exhibitor Booths Need To Be Rebuilt Every Show, Not Rebought

A vendor we know spent $400 on a printed fabric backdrop for her first craft fair. It looked great. Exactly one time.By the third show, the fabric had creases that would not iron out. By the fifth show, a coffee stain lived permanently on the bottom right corner. By show eight, she bought a new one. Different design this time because her branding had evolved. Another $400.She is not unusual. She is EVERYONE.The Disposable Display CycleMost vendor displays are designed like posters. They look great fresh, they degrade with use, and eventually you throw them out and buy another one. Fabric backdrops, foam board setups, printed PVC banners. They are all one-and-done products pretending to be reusable.The industry loves this. You keep buying. They keep selling. Nobody questions the cycle because it feels normal.But it is not normal. It is wasteful and expensive.What If You Built Instead Of Bought?The alternative is a display you assemble differently every time. Same components, new configuration. That is what modular means in practice.A modular display kit gives you frosted polypropylene panels (35x35cm) and ABS connectors. You snap them together into whatever shape the show needs. Straight wall for a small market. L-shape for a corner booth. Full U-shape with shelving for a convention. With the Angled kits and their any-angle panels, add an awning, a roof or an arch to that list, not only right angles.When the show is over, you take it apart and put it back in the box. Same panels. Same connectors. Ready for the next one. No creases, no stains, no degradation.The Sustainability Angle Nobody Talks AboutEvery disposable backdrop ends up in a bin. Every foam board display that warps after three uses ends up in a bin. The vendor community talks a lot about sustainable products, but the displays themselves are some of the most wasteful gear in the whole ecosystem.A modular system you use for years instead of months is genuinely less waste. Not as a marketing claim. As a FACT.The Real Cost MathOne modular kit used at 50 shows versus ten disposable backdrops bought over the same period. The modular kit wins on cost by the third show. By the tenth show, you have saved hundreds. By the fiftieth, the disposable route looks absurd.And you never had to design a new backdrop because your brand evolved. You just changed the configuration or swapped a colour. Same kit, new look.Rebuild. Do Not Rebuy.The vendors who figure this out early save money, reduce waste, and spend their creative energy on their actual products instead of their display. Check the full kit range and pick a system that grows with you instead of getting replaced by you.

What Full-Time Vendors Wish They Knew About Their First Display

We all start somewhere. Usually it is a folding table, a bedsheet for a tablecloth, and a prayer that someone stops walking long enough to look at our stuff. Looking back, here is what we wish someone had told us before that first setup. Height sells. We spent our first three cons with everything flat on the table. Prints in a stack. Stickers in a box. Nobody could see any of it from more than two metres away. The moment we went vertical, foot traffic DOUBLED. Eye-level art gets seen. Table-level art gets walked past. Portability matters more than you think. That first display was a frankenstein rig of PVC pipes, cable ties, and optimism. It worked fine until we had to fly to a con. Suddenly we were checking oversized luggage, paying excess fees, and spending 45 minutes assembling a wobbly structure while our neighbours were already selling. A setup that packs flat and fits carry-on (56x36x23cm) would have saved us hundreds in baggage fees and a LOT of stress. Customers will touch everything. We learned this the hard way. If it is within reach, someone will pick it up, flip it, bend it, and occasionally drop it. Your display needs to handle that. Sturdy shelving. Secure hooks. Products that are accessible but not fragile. The 5kg-per-shelf rating on our current modular display was a game changer. You will rebuild your setup at least three times. Your first layout will not be your best. It never is. What matters is having a system that lets you reconfigure without buying entirely new gear. Modular panels, universal connectors, and a design that can go wide or tall depending on the space. We went through three COMPLETE display overhauls before landing on something modular enough to adapt to any table size. Your display is your first impression. Before anyone looks at your art, they look at your booth. A clean, professional setup signals that you take your work seriously. A messy table signals the opposite. We did not understand that until a customer told us our art was great but our booth looked like a garage sale. That feedback stung. It also changed everything. Invest in your display early. Your future full-time self will thank you.

How To Keep A Cohesive Look When You Sell Ten Different Products

Stickers, prints, pins, keychains, original paintings, zines, and maybe some plushies. Your table is a small retail store with the product diversity of a department. Making it all look like it belongs together? That's the hard part. Here are 8 ways to pull it off. 1. Pick A Panel Colour That Doesn't Compete When your products are visually diverse, your backdrop needs to be calm. White, frosted, or light grey panels from a modular display kit let ten different product types coexist without visual chaos. Save bold panel colours for when your product line is more focused. 2. Zone Your Table By Product Type Stickers in one area. Prints on the wall. 3D products (pins, keychains, plushies) on risers at the front. When each product type has its own territory, the table reads as organised even when it's packed. Mixed zones look like a garage sale. 3. Repeat One Colour Across Your Packaging Pick one colour that shows up on every product's packaging, tag, or backing card. Even if the products themselves look wildly different, that repeated packaging colour ties everything together. It's the thread that says "these all come from the same artist." 4. Use Vertical Space For Your Hero Products Your best sellers or highest-margin items go on the panel wall at eye level. Everything else lives on the table surface. This creates a natural hierarchy. The wall is the gallery. The table is the shop. Customers look up for the art and down for the impulse buys. 5. Keep Signage Consistent Same font. Same card size. Same price tag style for everything. This is the easiest win and the most commonly ignored. Hand-written prices on some items and printed cards on others makes a table look unfinished. Pick one system and use it everywhere. 6. Create Visual Rows, Not Visual Piles Products arranged in rough rows (even messy ones) look more intentional than products in piles. Use the panel grid as your guide. Each horizontal shelf or hook row on your display kit is already a natural visual line. Align your table products to echo those lines. 7. Give Your Weirdest Product Its Own Spotlight Got one product that doesn't fit the others? Don't hide it. Give it a pedestal or its own section with a small sign explaining it. "Yes, I also make custom dog portraits" with a sample on display turns a random product into a conversation starter instead of a confusing addition. 8. Edit Ruthlessly Before Each Con You don't have to bring everything you sell. Pick 6 to 8 product types max for a standard table. The ones that don't make the cut can still sell on your online store. A focused table with breathing room always outsells a crammed table where people can't parse what you're offering.

Building Multiple Income Streams Around Your Booth

We talk to vendors every week who rely on one thing: convention sales. Table after table, weekend after weekend. And when a show cancels or a season slows down, everything stops.That is a fragile way to run a business. We think the booth should be the HUB, not the whole thing.Your Booth Builds an AudienceEvery person who stops at your table is a potential repeat customer, online follower, or wholesale lead. But only if you give them a way to connect beyond the event. QR codes to your shop, a mailing list signup, social handles on your display. These are not extras. They are infrastructure.We have seen vendors double their monthly income by adding a simple email list and sending one update per month. No fancy marketing. Just "hey, new stuff is up."Sell the Same Work in More PlacesYour original art, prints, or products can live on your own website, Etsy, wholesale accounts, and licensing deals simultaneously. Each channel reaches people your booth never will. A strong modular display makes your products look professional in photos too, which feeds your online presence between shows.We are not saying quit conventions. We are saying stop treating them as your ONLY revenue source.Teach What You KnowIf you have been vending for a few years, you know things new vendors would pay to learn. Workshops, Patreon content, YouTube tutorials. Your booth experience is genuinely valuable knowledge. Monetising it creates income that does not require packing a car at 5am.The strongest vendor businesses we see have three to four income streams feeding off the same creative work. The booth is the anchor. Everything else grows from it.

How Frosted Colour Panels Became A Cheat Code For Aesthetic Booths

It started with a TikTok. An artist posted a 15-second clip of her convention setup: pastel pink frosted panels arranged in an L-shape behind a table covered in enamel pins and small prints. The panels caught the overhead lights and threw this soft, diffused glow across her whole display. The video got 400,000 views. Her DMs exploded with one question: "Where did you get those panels?" She was using a Shapeshift kit. 46 panels. Nothing custom, nothing modified. Just frosted polypropylene in a colour that happened to make her entire booth look like it belonged in a magazine. Why Frosted Works Where Solid Fails Solid-colour displays are fine. They do the job. But frosted panels do something solid ones cannot: they let light through. Convention lighting is harsh and overhead. A solid wall blocks it, creating shadows behind your products. A frosted panel diffuses it, wrapping your display in even, ambient light from behind. This is not a small difference. Photographers and videographers at events have noticed it. Booths with frosted or translucent displays photograph BETTER because the lighting is more uniform. Your art does not get hot spots or deep shadows. It just looks clean. The Aesthetic Shortcut Nobody Talks About Here is the part that feels like cheating. When your display hardware is already aesthetically interesting, you need to do less work on everything else. A modular display kit in a frosted colour panel provides structure, colour, and visual texture all at once. Your tablecloth can be simple. Your signage can be minimal. The panels are doing the heavy lifting. Compare that to a plain black gridwall setup where you need a banner, fairy lights, a custom tablecloth, hanging decorations, and a ring light just to make the space feel intentional. The frosted panels skip about four steps of booth decoration because they ARE the decoration. The Angled kits add shape to that list: any-angle panels that set at any angle, so the booth has a roof, an awning or an arch built in. Picking The Right Frosted Colour Not every colour works for every artist. The trick is thinking about what sits IN FRONT of the panels, not just the panels themselves. Light-coloured art (pastels, watercolours, light illustrations) pops against deeper frosted tones. Charcoal, navy, or deep rose give enough contrast that pale artwork does not disappear. Dark or saturated art (bold colours, heavy inks, dark themes) sings against lighter frosted panels. White, lilac, baby blue, or mint create separation without competing. Browse the full kit range to see the full colour lineup. The 35x35cm panels connect with ABS connectors, so you can mix two colours in a pattern if you want a checkerboard, ombre, or accent stripe effect. From Functional To Aesthetic In One Swap The artist from that TikTok did not set out to go viral. She just wanted shelves that matched her brand. But the frosted panels turned her booth from "functional display" to "content-worthy setup" without any extra effort. That is the cheat code. Your display hardware does double duty as your aesthetic anchor, and the whole booth levels up without adding a single extra prop.

What A Good Exhibitor Booth Costs vs What It Earns Back

Everyone asks how much a booth costs. Almost nobody asks how much it earns back. That second question is the one that matters.Let us break down the real numbers so you can stop guessing and start calculating.The Cost SideA basic vendor table at a local market costs $50 to $150. A trade show booth at a proper convention runs $500 to $3,000 for the space alone. Then you add your display.Custom booths start around $2,000 for something simple and climb to $10,000+ for anything impressive. Add shipping, storage, and setup labour and you are looking at a SERIOUS annual expense before you sell a single product.A modular display kit changes that equation completely. The modular display kit from Artist Booths costs a fraction of a custom booth, needs no shipping (it flies carry-on), and sets up in under 30 minutes without hired help. The kit lasts years because the frosted PP panels and ABS connectors are built for hundreds of setups and breakdowns. The Angled kits even cover the shapes custom booths are known for: their any-angle panels swing both ways and set at any angle to make awnings, roofs and arches.The Earn-Back SideHere is where it gets interesting. Vendors consistently report that upgrading their display increases their per-event revenue by 30 to 60 percent. Not because they suddenly got better products. Because people actually stopped at their booth.A display that builds upward to eye level (175cm with 5 panels high) captures attention that a flat table never will. Customers are making snap decisions about which stalls to approach. Height, colour, and clean presentation win that decision.If you do 15 events a year and your average event revenue is $800, a 40 percent improvement puts an extra $4,800 in your pocket annually. Most modular display kits pay for themselves within two or three events.The Hidden Costs Of A Cheap DisplayCheap displays have their own costs. The folding shelf that collapses during a show. The banner stand that tips over in a breeze. The tablecloth that makes your brand look like a HOBBY instead of a business.Every event where your display underperforms is revenue you left on the table. Literally.Frequently Asked QuestionsHow many events before a modular display pays for itself?Most vendors report that a modular kit pays for itself within 2 to 3 events through increased foot traffic and sales. The low cost of the kit compared to custom alternatives means the break-even point comes fast.Do I need a different display for different event types?No. That is the point of modular. A single kit reconfigures for small market tables, large convention booths, and everything between. Core (24 panels) through Shapeshift Duo (92 panels) covers the full range. Browse the full kit range to compare sizes.What ongoing costs come with a modular display?Almost none. There is no storage rental, no shipping company, and no labour crew. The kit packs into a carry-on case you store at home. If a panel or connector gets damaged after heavy use, individual replacements are available.

Packing Tricks From Vendors Who Do Twenty Plus Shows A Year

These aren't beginner tips. These are the habits that separate someone who does 5 shows a year from someone who does 25 and still looks fresh at setup. 1. Never Fully Unpack The Booth Bag The booth bag stays packed between shows. Restock product, wash the tablecloth, but the panels, connectors, and hooks live in that bag permanently. You NEVER want to be counting connectors at midnight before a 6am call time. 2. Use Packing Cubes For Everything Not just clothes. Packing cubes for sticker inventory. Packing cubes for pin boards. Packing cubes for your cash float and card reader. When every category has its own cube, you grab and go. Your modular display kit panels stack flat, so cubes organise everything around them. 3. Photograph Your Finished Setup Take a photo of your completed booth at the start of every show. It becomes your packing reference AND your setup guide. New to a venue? Pull up the photo. Forgot where you put the price list? Check the photo. It takes three seconds and saves twenty minutes. 4. Roll, Don't Fold Tablecloths, banners, fabric backdrops. Roll them around a pool noodle cut to size. No creases, no ironing at 7am in a convention hall bathroom. Veteran move. 5. Keep A "Never Remove" Pouch In Your Booth Bag Tape, scissors, zip ties, a pen, spare connectors, painkillers. This pouch lives in the bag and you top it up after every show. The things in this pouch are the things that save your setup when something goes wrong. 6. Weigh Your Bags At Home A luggage scale costs ten dollars and saves you the panic at check-in. Know your total weight before you leave. For carry-on booths, this is rarely an issue since the panels are lightweight, but product bags sneak up on you. 7. Ship Product Ahead For Big Shows For major cons where you expect high volume, ship a box of restock to your hotel or a local friend. Fly light, restock on arrival. Your booth is carry-on. Your backup inventory arrives by courier. This is how vendors fill a 10-foot booth from a carry-on suitcase. Browse the full kit range to see which size keeps your travel the leanest.

What Corporate Trade Shows Get Wrong That Small Vendors Get Right

We have all walked past those massive corporate booths at trade shows. The ones with the backlit walls, the branded carpet, the staff in matching polos standing behind a counter like bank tellers. They spent more on their display than most small vendors spend on inventory in a year.And weirdly, they are often the EMPTIEST booths on the floor.Meanwhile, the small vendor three aisles over with a modular panel display and a table full of handmade goods has a line. What is happening here?Approachability Beats ImpressivenessCorporate booths are designed to impress from a distance. They succeed at that. But impressiveness creates distance. People slow down, look, and keep walking because the booth feels like a showroom, not a conversation.Small vendor booths feel like a person standing behind their work. You can see the maker. You can touch the product. There is no counter between you and them. That is why people stop.We think the best display is one that shows your work clearly and then gets out of the way. A clean, colourful panel system that frames your products without screaming for attention. The product is the star. The display is the stage.Speed And Flexibility WinCorporate booths take a crew and half a day to build. We have watched vendors set up modular displays in 20 minutes, rearrange them between sessions, and pack everything into a carry-on case at the end of the day. That flexibility is a SUPERPOWER at multi-day events where the morning crowd wants something different from the afternoon crowd.Small vendors adapt. Corporate booths are locked in.Real Sells Better Than PolishedWe are not saying corporate exhibitors are doing it wrong for their goals. They are selling brand presence and collecting leads. Different game.But if you are selling a product directly to the person standing in front of you, real beats polished every time. A display that looks like you built it with care, stocked it with intention, and will tear it down and do it again next weekend. That reads as trustworthy. That reads as someone who CARES.And that is exactly what draws people in.

Why Self-Serve Setups Matter Most At Your Biggest Cons

Small markets let you chat with every customer. Big cons do not. When 10,000 people walk past your table in a weekend, the rules change completely. Self-serve is not a shortcut. It is the only way to keep up.Here is why your biggest shows are EXACTLY where self-serve matters most.1. You Physically Cannot Talk to EveryoneAt a big con, traffic comes in waves. When a rush hits, you might have 15 people at your table at once. You have one mouth. If every sale requires a conversation, you are losing money every second someone walks away because you were busy.A self-serve layout with clear pricing, visible product info, and easy-to-grab items lets eight people buy while you help two.2. Impulse Buyers Will Not WaitBig cons attract impulse buyers. They see something they like, they want it now. If your setup requires them to ask "how much is this?" or wait for your attention, they are gone. These buyers have 200 other tables calling their name.Price everything visibly. Make grabbing and paying FRICTIONLESS. That is how you capture impulse sales at scale.3. Your Energy Is FiniteA two-day mega con is 20+ hours on your feet. By hour 14, your sales pitch is not what it was at hour one. Self-serve setups do not get tired. Your display keeps selling at the same level whether you are energised or running on cold coffee.4. Lines Kill SalesNothing scares off a browser faster than seeing a line at your table. If checkout takes 60 seconds per person because you are individually wrapping and explaining, the queue grows and the browsers bounce. Self-serve keeps the line moving.5. It Frees You for High-Value ConversationsThe irony of self-serve is that it makes your personal interactions BETTER. When the small stuff sells itself, you can focus on the customer who wants a custom commission or the shop owner asking about wholesale. Those are the conversations that build your business long-term.6. Your Display Does the SellingA well-built display is a silent salesperson. Products at eye level, clear categories, pricing that does not require squinting. A modular display kit that builds five panels high gives you 175cm of vertical real estate. That is a lot of product visible from across the aisle.7. You Can Actually Take a BreakAt a small market, a friend can watch your table. At a big con, you need your setup to function even if you step away for five minutes. Self-serve means your table keeps generating sales while you eat lunch, use the bathroom, or just breathe.The vendors who thrive at big cons are not the ones with the best pitch. They are the ones whose setup does the heavy lifting so they do not have to.

The One Thing Every Standout Booth Has In Common

We have seen thousands of booths across cons, markets, and trade shows. The ones that actually stop traffic all share one trait. It is not the art style. It is not the product type. It is not the price point. We will get to what it is through the questions artists ask us most often. What makes a booth stand out in a crowded artist alley? Vertical structure. Full stop. The single common thread across every standout booth we have seen is that it has HEIGHT. While everyone else is working on a flat plane at table level, the booths that pull crowds build upward to 170 to 180cm, creating a wall that is visible from rows away. A modular display kit stacks 5 panels high to 175cm on a standard 6ft table. That is the difference between being seen and being scrolled past in real life. Is not it just about having great art? Great art is the starting point, not the finish line. We know INCREDIBLE artists who struggle at cons because their display does not do their work justice. A stunning illustration lying flat in a print bin gets less attention than a decent illustration mounted at eye level on a glowing frosted panel. Presentation multiplies talent. It does not replace it, but it absolutely multiplies it. How much does a proper display actually cost? Less than most artists think. A Core kit with 24 panels costs less than two convention registrations. Compare that to the cumulative cost of wire grids, banner stands, clip lights, risers, and tablecloths that most artists piece together over their first few events. The modular kit replaces ALL of that in one flat-packing unit. And the Angled kits add the any-angle panel, the missing piece for awnings, roofs and arches, which none of those pieced-together parts can build. What about artists who sell small items like stickers and pins? Vertical display is even MORE important for small items. Stickers flat on a table are invisible from 3 feet away. Stickers mounted on a panel at eye level are visible from across the aisle. Use PLA hooks and shelves rated to 5kg each to create tiered displays within your wall. The panels become your shelving system, not just a backdrop. Does the setup take forever? Under 30 minutes. No tools. The 35x35cm frosted PP panels click together with ABS connectors. You can build it solo. You can rebuild it in a different configuration for different events. And the whole thing packs flat into a 56x36x23cm carry-on bag, which means you are not begging a friend with a van to help you get to the con. What is the one thing, then? Structure. Not decoration. Not gimmicks. The booths that stop traffic have a STRUCTURE that rises above the table plane and creates a surface for displaying work at eye level. Everything else, the colour coordination, the lighting, the product placement, is built on top of that foundation. Without vertical structure, none of those things work. With it, even a simple setup looks professional. Check the full kit range from 24 to 92 panels. Ships from Sydney in 1 to 3 days to 50+ countries. 4.9 stars from 1000+ reviews.

Trade Show Display Ideas For Brands Without A Big Budget

We have been to trade shows where a single booth cost more than our first car. Custom-printed walls, LED screens, branded carpet, the works. And then right next to it, a small brand with a folding table and a banner that keeps falling over.Here is what we have learned: the expensive booth does not always win. But the cheap-looking one always loses. The trick is landing somewhere in the MIDDLE without spending like the big guys.Start with height. A flat table display gets lost in a convention hall. Stack panels 5 high and you hit 175cm of vertical real estate. That is eye level for most people walking the floor. You go from background noise to actual presence. A modular display kit gives you that height with frosted panels that look clean and modern.Next, think about shape. Most small brands set up a straight line behind their table. Boring. Use an L-shape or a U-shape instead. It creates a sense of space that draws people in. The Shapeshift Duo or Angled Duo (92 panels each) give you enough material to wrap around your area and create that booth-within-a-booth feeling.Shelving changes everything. Products mounted on a wall at eye level get touched. Products lying flat on a table get ignored. Each shelf holds 5kg, which covers most small brand inventory. Suddenly your table is for demos and conversations, and your wall does the selling.Colour matters too. We see so many vendors default to black. Black is fine. But if everyone around you is also using black, you are invisible. With 19+ panel colours, you can pick something that matches your brand and actually stands out in a sea of sameness.The real budget win is reusability. A printed backdrop works once. A modular system works at every show, in every configuration, for years. You buy it once and it shows up to EVERY trade show with you. Packs flat, fits carry-on size (56x36x23cm for the Core kit), ships from Sydney to 50+ countries.Trade shows do not care how much you spent. They care how you look. Spend smart, look sharp, save the rest for inventory.

Why More Stuff On The Table Is The Wrong Answer

Every con season we see the same pattern. An artist does their first event with 20 prints and sells 8 of them. So for the next event they bring 40. Then 60. Then they show up with a table so packed you cannot see the tablecloth, and their sales are somehow WORSE than the first event. More product does not mean more sales. It usually means fewer. When a customer walks up to a table with 60 prints, they experience what psychologists call choice paralysis. There are too many options to evaluate, so they evaluate none. They flip through a few, feel overwhelmed, and walk away saying "I will come back." They never come back. Now picture 15 prints mounted on a modular display wall at eye level, each with breathing room around it. The customer can actually SEE each piece. They connect with one, two, maybe three. They buy. Fewer options, more sales. The best sellers at any convention curate ruthlessly. They bring their top 15 to 20 prints, display them at 175cm high on frosted panels where the overhead lighting makes them glow, and keep the backstock hidden. When something sells, they swap in a new piece from the back. The table always looks curated, never desperate. Your booth is not a warehouse. It is a gallery. A gallery does not hang every painting the artist has ever made. It hangs the ones that sell, with enough space around them to be appreciated. Start with a Core kit, 24 panels on a standard 6ft table. That gives you a clean vertical display where every piece gets its own moment. Packs flat into a carry-on at 56x36x23cm. Check the full kit range and stop burying your best work under piles of inventory.

What matters more for your booth?

The shape: roofs, awnings and angles

Any-angle panels for roofs, awnings and shaped fronts

The colour: the widest colour range

The most colours to pick from and to mix

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

Select all that apply

How long do you plan to use it?

Just one season, trying it out

Light use, a handful of events

A few years

Most artists land here

Heavy, long-term use

Built to last, with room to grow on extra parts and spares for years

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

What shape do you want your booth to be?

Classic cube shelves

Straight walls and stepped shelves

Angled roofs, cut corners or a curved front

Any-angle panels set at any angle for roofs, corners and U fronts

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

Terracotta

Watermelon Pink

Yuzu Yellow

Select all that apply

Your perfect kit and 5% off are ready, pop in your email below to reveal both.

Unlock your kit & bonus 5% discount

Pop in your email and we'll reveal your 5% off, auto-applied at your cart.

The same email is needed at checkout for your discount to apply, so please use a real one.

By entering your email you agree to receive occasional offer & product updates. Unsubscribe anytime. Protected by hCaptcha. Its Privacy Policy and Terms of Service apply.

Your result

Your perfect match

Shop kit sizes and colours

build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

Pick a Display kit to Shapeshift your brand.

Choose a setup size and colours & explore examples of how you could use our kits.

Single Low to tall for 1 table setups

Duo Low / tall / deep for 1-2 table setupsLow / tall / deep for 1-2 table setups

V2 AngledPre-order Panels form tiered cascading awning designs.Panels form tiered cascading awning designs.

OriginalLow stockLow Multi-shape panels form cube-shaped cascading designs.Multi-shape panels form cube-shaped cascading designs.

Only available

2aMain colour Main colour

Colour 1

Swap half your square panels to a 2nd colour

Swap half your multi-shape panels to a 2nd colour

2bSecond colour Second colour Free

Swap half your square panels to a 2nd colour

Swap half your multi-shape panels to a 2nd colour

Colour 2 Free

4. Bundle & save add-ons

Display more with add-on packs.

Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$575.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

Your bundle

Free express shipping deal

Orders over $300 AUD

dhm

Free Exp. Shipping (2-7 bus.days) d h m

Selection


Payment	/payment 4 payments, every 2 weeks	/payment 4 payments, every 2 weeks
Interest	0% Interest	0% Interest
Late Fees	Initial $10 fee, plus $7 if unpaid after 7 days (capped at 25% of order or $68).	No late fees apply.
Eligibility	Subject to approval and spend limits.	Eligible for purchases $30 to $2,000 AUD.
Total*

🌐 Globally express tracked🇦🇺 Designed in Oz★ Rated 4.9/5 by sellers at markets & cons

Swing into new degrees of freedom.

Meet the any-angle panel. A panel the world has never seen before. It swings both ways, it is the missing piece of the line-up, and it unlocks infinitely more designs.