What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

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How To Pack Your Booth So Setup Takes Ten Minutes, Not Sixty

The difference between a 10-minute setup and an hour-long one isn't talent or experience. It's how you packed. Here are the moves that turn convention morning from stressful to BORING (in the best way). 1. Pack In Reverse Setup Order Whatever you need first should be on top or most accessible. That means your modular display kit comes out first (it's the backbone), then your tablecloth, then stock, then signage. When everything is layered in the order you'll use it, you never dig. 2. Pre-Sort Connectors By Type Dump all your ABS connectors into one bag and you'll spend 10 minutes fishing for the right one at the table. Sort them the night before: corner pieces in one pouch, straight connectors in another, shelf brackets in a third. Label the pouches if you want to be EXTRA efficient. 3. Know Your Layout Before You Arrive Sketch your panel arrangement at home. Count the panels per row, note where shelves go, mark hook positions. When you get to the table, you're executing a plan instead of designing on the fly. The modular system means you can reconfigure, but starting with a plan beats improvising at 7am. 4. Use Your Table As A Staging Surface Don't build on the floor. Lay your tablecloth, then use the table surface to sort panels and connectors before you start clicking things together. Building upward from table height is faster and easier on your back than crouching on a convention floor. 5. Build The Back Wall First, Then Add Sides Start with the tallest section (your back wall, typically five panels high at 175cm). Get that standing and stable. Then add side wings, shelves, and hooks. Working from the centre outward means you have a stable structure to build onto, not a floppy half-wall that needs a hand to hold it. 6. Stock Goes On Last, Signage Goes On First Counter-intuitive, but signage should attach to the display before products do. Positioning a banner or header card is easier when shelves aren't loaded. Then add products shelf by shelf. Each shelf holds 5kg, so distribute weight evenly and put heavy items lower. 7. Pack A Separate Teardown Bag At the end of the day, you want connectors and hooks going into one bag and panels into another. Keep a dedicated teardown bag in your kit so you're not cramming everything loose into your case. Organised teardown means organised setup at your NEXT show. 8. Time Yourself Once Seriously. Set a timer at your next show and see how long setup takes. Then try to beat it next time. Most vendors using the modular system get their display standing in under 15 minutes by their third show. Knowing your actual time removes the anxiety of wondering if you'll be ready when doors open. Check the full kit range if you're still working with a setup that fights you every convention morning. The right system makes fast setup the default, not the exception.

What A First-Time Trade Show Vendor Actually Needs On Day One

Your first trade show is booked. You have a product you believe in, a table assignment, and a growing list of things the internet says you absolutely need. Half of that list is wrong. Here is what ACTUALLY matters on day one.Before The Show: The Only Checklist That MattersForget the 47-item packing lists floating around vendor forums. Your first show comes down to four things: A display that builds itself. You do not want to be the person reading instructions at 7am while everyone else is already merchandised. A tool-free modular system with click-in connectors means you spend 20 minutes building and the rest of your setup time arranging product. Enough product to fill your space, not your storage unit. Bring what fits your display. A Core 24-panel kit gives you a clean, vertical setup on a standard 6ft table without looking bare or cluttered. A way to take payment. Card reader, phone, backup battery. If your phone dies at 2pm, you are done. Water and snacks you can eat with one hand. Seriously. You will not leave your booth for six hours. The Display DecisionThis is the single biggest variable in your first-show experience. The wrong display turns your morning into a construction project. The RIGHT one disappears into the background so you can focus on selling.What works for first-timers: 35x35cm frosted PP panels that click into ABS connectors. No tools, no loose hardware. Builds 5 panels high (175cm) so you get vertical real estate without a ladder. Packs into a 56x36x23cm case. You can carry it on a plane if you are travelling to your show. 19+ colours so your booth looks intentional from day one. Check out the modular display kit if you want something that grows with you. Start with Core (24 panels) and expand later.What Nobody Tells You About Day OneThe show floor is louder than you expect. Your neighbours are friendlier than you expect. And the gaps between customers are LONGER than you expect. That is normal.Use those gaps to watch what the experienced vendors do. Notice how they stand, where they put their bestsellers, how they greet people. You will learn more in one show than in a month of reading blogs.Frequently Asked QuestionsWhat size display should a first-time vendor get?Start with a Core kit (24 panels). It fills a standard 6ft table cleanly without overwhelming a small product line. You can always add panels later.Do I need a tablecloth if I have a panel display?A simple solid-colour cloth under your products still helps. But you will not need banner stands, pegboards, or any of the usual clutter. The panels handle your vertical space.How early should I arrive for setup?As early as the venue allows. Even with a fast-setup display, you want time to arrange products, test your lighting, and settle your nerves before doors open.What if I do not sell much at my first show?That is completely normal. Your first show is about learning the format, testing your setup, and figuring out what customers actually respond to. Sales improve with experience. Every veteran vendor had a slow first show.Browse the full kit range to find the right starting point for your first event.

Why Cohesion Beats Clutter Every Single Time

You know that booth you walk past and think "there is a lot going on there"? That is clutter winning. And clutter always loses to cohesion when it comes to sales. Here are the reasons why keeping it tight beats cramming it all in. The eye needs a path. When everything competes for attention, nothing gets it. A cohesive booth guides the eye from your banner to your hero piece to your price sheet. A cluttered one gives the viewer 47 entry points and they bounce off all of them. One focal piece displayed cleanly on a modular display kit pulls harder than 30 prints taped to a pegboard. Fewer items means more perceived value. This is retail psychology 101. A table covered edge to edge with product reads as bargain bin. The same products with breathing room between them read as curated. Space is a signal. It says "each of these is worth looking at." Cohesion photographs better. Your booth will be photographed. By customers, by other artists, by event photographers. A cohesive setup reads as one image. Clutter reads as visual noise. The booth that looks good in a phone photo gets shared. The cluttered one gets cropped out. You can restock without reorganising. When your layout is clean and structured, pulling a sold print and sliding in a replacement takes five seconds. When everything is crammed together, selling one piece means rearranging the whole table. You lose time, and you lose the customer who was browsing while you were fiddling. Decision fatigue is real. A customer who sees 80 prints leaves without buying because they could not decide. A customer who sees 20 well-displayed prints picks their favourite in under a minute. The full kit range lets you go vertical with tiered shelving instead of spreading flat, which means fewer pieces visible at once but each one getting the attention it deserves. Setup and teardown get faster. A planned, cohesive layout goes up the same way every time. You know where everything goes. There is no "figuring it out" at 7am while the venue is opening doors in 30 minutes. Less stuff, better placed, assembled in a system you have rehearsed. That is how you start the day calm instead of frantic. Your brand becomes recognisable. When your booth looks the same at every event (same colour panels, same layout logic, same display density), people start recognising you before they read your sign. Clutter changes shape every show because you are reacting to whatever fits. Cohesion is a repeatable system. And repeatable systems build brands.

How Touring Artists Pack A Year's Worth Of Cons Into One System

Mel does 22 shows a year. Melbourne, Sydney, Brisbane, Adelaide, plus a couple of interstate pop-ups that weren't on the original plan. She didn't start with a system. She built one out of necessity after missing a flight because her old display wouldn't fit through the gate. The Breaking Point Her first year was chaos. Two suitcases, a poster tube, and a tote bag stuffed with connectors that kept poking through the fabric. She checked everything. Oversized fees ate her margins. One show in Brisbane, the airline lost her display bag entirely. She spent setup morning building a makeshift booth out of cardboard and panic. That was the last time she travelled with a setup that couldn't go carry-on. The Switch She moved to a modular display kit the following season. Forty-six panels, flat, in a single carry-on bag. The first thing she noticed: she could pack the night before without dreading it. The second thing: she stopped paying oversized fees ENTIRELY. The panels doubled as print protectors. She slid her bestselling A3 prints between the flat panels and they arrived crease-free every time. No more poster tubes rolling around under the seat. The System She Uses Now Mel runs two bags for every show. Booth bag (panels, connectors, hooks, tablecloth) and product bag (prints sorted by size, stickers in a binder, pins on a display board that lies flat). The booth bag stays packed between shows. She restocks the product bag the night before. Setup takes her 20 minutes. Teardown takes 15. She's in the car before most vendors have finished rolling their banners. What Changed Beyond Logistics She applies to more shows now. Not because she has more time, but because the friction is gone. When packing takes 20 minutes instead of an evening, saying yes to a last-minute show stops being stressful. She added six shows to her calendar this year just because she COULD. That's the part nobody talks about. A better packing system doesn't just save time. It changes which opportunities you say yes to. Browse the full kit range and see which kit fits your season.

The Vendor Fair Checklist Every First-Timer Needs

Your first vendor fair is exciting and terrifying in equal parts. You have made the products. You have paid for the table. Now you need to show up looking like you belong there.This is the checklist that keeps first-timers from learning things the HARD way.Before The Event Confirm your table dimensions. Most fairs give you a 6ft (180cm) table. Some give you less. Ask the organiser. Your entire display plan depends on this number. Plan your display height. Eye level sells. A flat table with products laid out like a garage sale does not. Build upward with a modular display kit that stacks 5 panels high to 175cm and gives your products a proper backdrop. Do a full dry run at home. Set up everything exactly as you will at the fair. Time yourself. If it takes more than 30 minutes, simplify. You will have less space and more stress on the day. Print price tags for everything. Customers will not ask. They will walk away. Every single product needs a visible price. Prepare your float. Bring more change than you think you need. $50 in coins and small notes minimum. Card readers die at the worst moments, so cash backup is essential. What To Pack Display system and all connectors. Count your panels and connectors the night before. One missing piece can throw off your whole layout. Tablecloth. A clean, solid-colour cloth that reaches the floor. It hides your storage underneath and looks ten times more professional than a bare table. Business cards or flyers. People browse dozens of stalls. Give them something physical to remember you by. Phone charger and portable battery. Your phone is your payment terminal, your camera, and your social media machine. It WILL die without a backup battery. Water, snacks, and sunscreen. You cannot leave your stall easily. Pack like you are not coming back to your car for six hours, because you probably are not. Setting Up On The Day Arrive as early as allowed. Early setup means less stress, better parking, and time to fix problems before customers arrive. Build your display first, stock it second. Get the structure right before you start placing products. Rearranging a loaded display is a nightmare. Make your hero product visible from 3 metres away. Put your best seller front and centre, at eye level. People decide whether to approach your stall in about two seconds. Test your payment system before doors open. Process a $1 test transaction. Confirm your internet or mobile signal works in that specific spot. During The Fair Stand up and greet people. Sitting behind your table scrolling your phone is the fastest way to get ignored. A simple hello and a smile doubles your engagement. Take photos of your setup. You need these for social media and for improving your layout next time. Track what sells and what gets picked up but put back. This data is gold for your next event. The items people touch but do not buy need a price adjustment or better positioning. Your first fair is a learning experience no matter what. But showing up with the right gear and a plan puts you miles ahead of the vendor next to you who brought a cardboard sign and a prayer. Check out the full kit range if you want a display that makes people stop.

Planning For Slow Season When You Are A Full-Time Vendor

Every full-time vendor hits the same wall. The summer rush ends, bookings thin out, and suddenly your calendar looks EMPTY. The rent does not care that convention season slowed down.Slow season is not a crisis. It is a phase you can plan for, profit from, and even enjoy. Here is how career vendors handle the quiet months without panicking.Build a Financial Buffer During Peak SeasonThe biggest mistake new full-time vendors make is spending peak-season profits like the money will never stop. It always stops. Set aside 20-30% of your best months to cover the lean ones.Track your actual monthly expenses. Not the aspirational budget. The real number. Then multiply by three. That is your MINIMUM buffer before you can breathe easy during off-season.Use Downtime to Upgrade Your SetupSlow season is when smart vendors rebuild. Your display took a beating over dozens of shows. Now is the time to swap out tired elements, rethink your layout, and test new configurations.A modular display kit makes this painless. You can reconfigure panels, try new colour combos, and dial in your setup without the pressure of a show tomorrow morning. Panels are 35x35cm frosted polypropylene, so you can prototype a whole new look in your living room.Diversify Your Revenue SourcesFull-time means full-time problem solving. When cons slow down, lean into online sales, wholesale pitches, custom commissions, or teaching workshops. The vendors who survive long-term NEVER depend on a single revenue channel.Even listing on a second marketplace or running a small online drop can smooth out the income dips that make slow season stressful.Plan Your Next Season Before It ArrivesApplications for the best shows open months early. Slow season is when you research new events, submit applications, and lock in your schedule. The vendors who wait until January to plan are already behind.Map out travel costs, table fees, and lodging for each show. A spreadsheet takes an hour. Guessing costs you hundreds in surprise expenses.How far in advance should I plan for slow season?Start setting aside money during your first profitable show. If you are already mid-career, begin building your buffer now. Three months of expenses is the minimum target.What should I do with leftover inventory during the off-season?Run online sales, bundle slow movers with popular items, or offer them as convention exclusives at your next show. Sitting on dead stock costs you storage space and mental energy.Is it worth doing small local markets during slow season?Sometimes. They keep your selling skills sharp and generate some cash flow. But do the math first. If the table fee plus travel eats your margin, your time is better spent on online sales or production.

What Makers Markets Taught Us About Fast Setup

We have watched thousands of vendors set up at makers markets. Some are ready in ten minutes. Others are still fumbling with zip ties and PVC pipes when the first customers arrive. The difference is almost never about experience. It is about the display system they chose.Here is what makers markets actually taught us about setup speed and why it matters MORE than most vendors think.The 30-Minute Window Is RealMost makers markets give you a setup window of 60 to 90 minutes. Sounds generous. It is not. You need to unload, park somewhere else, walk back, set up your display, arrange your products, put out signage, and take a breath before go time.Your actual display assembly window is about 30 minutes. If your booth takes longer than that, everything else gets rushed. Your products end up thrown on the table instead of styled. Your signage is crooked. You start the day stressed.The vendors who look polished at opening? They solved setup first. EVERYTHING else follows from that.What Slows People DownWe see the same problems every weekend: Displays that need tools (screwdrivers, Allen keys, zip ties) Systems with 50+ unique parts that all look similar Fabric backdrops that need ironing after being folded in a car Heavy setups that require two people minimum Every one of these adds 15 to 30 minutes. Some add stress that lasts the entire day.What the Fastest Vendors UseThe fastest setups we see are modular snap-together systems. Two part types: panels and connectors. No tools. No instructions after the first time.The modular display kit uses 35x35cm frosted polypropylene panels with ABS connectors. You literally snap them together like building blocks. A Core kit (24 panels) goes up in under 15 minutes once you have done it twice. It packs flat into a 56x36x23cm case that fits carry-on luggage specs.One person. No tools. Under 30 minutes even on your first try. That is the bar.Speed Creates ConfidenceThis is the part nobody talks about. When you finish setup early, you have time to step back and look at your booth. Adjust that one shelf. Move a product to a better spot. Take a photo for your socials.You start the day calm. Calm vendors sell more. We have seen it hundreds of times. The ones scrambling at opening never fully recover their energy.FAQHow fast can I set up the modular display kit?Under 30 minutes on your first attempt. Most repeat users report 10 to 15 minutes. No tools required at any stage.Can I do it alone?Yes. The panels are lightweight and the connectors snap by hand. Over 1,000 reviews at 4.9 stars and solo setup is one of the most praised features.What sizes are available?Core (24 panels), Shapeshift (46 panels), Shapeshift Angled (46 panels), and Shapeshift Duo (92 panels). All fit a standard 180cm table. Check the full kit range to compare.Does it pack down small?The Core kit fits a 56x36x23cm case. Carry-on size. Even the larger kits break down flat for car transport. No bulky frames or poles.

The Psychology Of Colour At An Artist Alley Table

You probably haven't thought about why certain booths make you stop walking. It's not always the art. Sometimes it's the colour of the space around the art. Colour psychology isn't just a marketing buzzword. It's the reason some tables pull foot traffic and others get walked past. Understanding how colour works at a crowded convention or market can help you make smarter choices about your modular display kit setup. Not theory-smart. Sales-smart. Warm Colours Pull, Cool Colours Hold Warm colours like coral, orange, and red are attention-grabbers. They trigger urgency and energy. In a busy aisle, a warm-toned booth wall registers in peripheral vision faster than a cool one. People notice it before they decide to notice it. Cool colours like navy, teal, and lilac do the opposite. They calm people down. They make a space feel comfortable and curated. People who stop at a cool-toned booth tend to stay LONGER. They browse more. They feel less rushed. Neither is better. It depends on what you're selling and how you sell. High-energy merch (stickers, pins, fandom stuff)? Warm backdrop. Fine art prints, journals, or hand-crafted goods? Cool backdrop. Match the colour temperature to the buying energy you want. Contrast Is More Important Than The Specific Colour Here's the part most artists miss. The specific colour of your panels matters less than the contrast between your panels and your art. Bright, colourful art on a white or light panel wall? Strong contrast. Every piece pops. The wall disappears and the art takes centre stage. Dark, moody art on a black panel wall? Low contrast. The booth feels like a single immersive space. The art and the environment merge. This works brilliantly for atmosphere but your individual pieces need strong lighting or framing to stand out. The worst combo is medium-toned art on a medium-toned wall. Everything flattens. Nothing pops. If your art lives in the midtones, go hard in one direction with your panels. Bright white or deep dark. Force the contrast. The Colour Your Neighbours Use Matters Too You don't control who sets up next to you. But you can anticipate it. At most conventions, the majority of booths run white, grey, or bare table. If you show up with a deep navy or coral wall from the full kit range, you're visually distinct from both neighbours almost guaranteed. This is another reason the two-colour rule works. Your dominant colour handles the contrast job. Your accent colour adds personality without creating visual noise that blends into the chaos around you. Frequently Asked Questions What's the safest colour if I'm unsure? White or frosted. They work with every art style, maximise contrast for colourful pieces, and look clean in photos. You can always add an accent colour later when you know your brand better. Does panel colour affect how my products photograph? Yes. Significantly. White panels reflect light and brighten your products in photos. Dark panels absorb light and create a moodier frame. If you rely heavily on social media sales from con photos, factor in how your panel colour photographs under fluorescent convention lighting.

Why Your Display Is Part Of Your Business Plan, Not Just Decor

Your Display Is a Revenue Tool Most vendors treat their booth setup like an afterthought. Pick a tablecloth, stack some prints, hope for the best. But the vendors pulling consistent income? They treat their display like what it actually is: infrastructure. Your display decides how many people stop, how long they stay, and whether they BUY. That makes it one of the most important business decisions you will make this year. First Impressions Are Doing the Selling for You Convention aisles move fast. Attendees walk past hundreds of tables in minutes. You get maybe two seconds of eye contact before someone decides to stop or keep walking. A vertical display that rises above table level catches eyes from further away. Think about it: if your work is flat on a table, nobody sees it until they are standing right in front of you. A setup that builds upward, five panels high at 175cm, puts your art at eye level from across the aisle. That is not decoration. That is a SALES funnel in physical form. Flexibility Means You Can Pivot Fast Markets change. One con is a 6ft table, the next gives you a corner spot, the one after that is outdoors. A rigid display locks you into one layout. A modular system lets you reconfigure on the fly. The modular display kit uses 35x35cm interlocking panels. You can build wide, build tall, wrap corners, or go minimal. Whatever the space demands, you adapt in minutes with zero tools. That kind of flexibility is a business advantage. You say yes to MORE opportunities instead of turning down cons because your setup does not fit. Packing and Transport Are Business Expenses Too Every kilo you ship, every checked bag you pay for, every hour you spend loading a car. Those are real costs eating into your margins. A display that packs flat into a carry-on sized case (56x36x23cm) eliminates most of that overhead. You fly to interstate cons without extra baggage fees. You drive to local markets without needing a van. Setup takes under 30 minutes, which means you spend less time building and more time selling. When you run the numbers on a full season, transport savings ALONE can pay for the display. Frequently Asked Questions Does my display really affect how much I sell? Absolutely. Vertical displays pull foot traffic from further away, keep products at eye level, and make your booth look professional. Vendors consistently report higher sales after upgrading from flat table setups to structured displays. What if I only do a few cons a year? Even occasional vendors benefit. A good display pays for itself in increased sales at a single event. And because modular setups pack small, storage between events is effortless. How do I choose the right size kit? Start with what fits your table. A Core kit (24 panels) suits compact setups. The Shapeshift (46 panels) covers a full 6ft table with height. Shapeshift Duo and Shapeshift Angled Duo (92 panels each) give you large-scale builds with shelving and multiple display zones. The Angled kits also carry the any-angle panel, which swings both ways and sets at any angle for awnings, roofs and arches. Check out the full kit range to compare. Can I expand later if I need more panels? Yes. Every kit in the range uses the same connectors and panel size. Start with a Core, add panels or upgrade to a larger kit whenever you are ready.

Packing For A Con Weekend Without Overpacking Product

You packed 200 prints and sold 40. Now you're hauling 160 prints back through the airport feeling like a pack mule. Sound familiar? Overpacking product is the silent tax on every convention vendor's energy. Let's fix it. Start With Last Show's Numbers If you've done even one show, you have data. How many of each item did you sell? Bring that number plus 30%. That's it. Not "as many as I can fit." Not "what if this is my BEST show ever." Your actual number plus a buffer. First-timers without data: ask other vendors in your niche. Artist alley communities share this info freely. A typical small table at a mid-size con moves 30-60 prints over a weekend. Match Product Volume To Booth Size Your modular display kit shows a fixed number of faces. A Core (24 panels) built five high gives you a clean display wall. You only need stock for what's ON the wall plus restocking backup. Here's the maths most vendors skip: count your display slots. Multiply by 1.5 for restock. That's your maximum. Anything beyond that sits in a box under your table gathering dust. The "One Box" Rule Experienced vendors swear by this: if your restock doesn't fit in one box or bag under the table, you brought too much. That box is your restocking station. When a print sells, you reach down, grab the replacement, pin it up. No digging through three containers. What To Cut First Old designs that haven't moved in three shows. Niche pieces you love but the market doesn't. Sizes that overlap (if A4 outsells A3, bring fewer A3s). Cut RUTHLESSLY. You're not curating a gallery. You're running a business at a folding table. Check the full kit range to size your display to your actual inventory needs. Frequently Asked Questions What if I sell out early?That's a win, not a failure. Selling out with low overhead beats lugging home a mountain of unsold stock. Take commissions or hand out business cards for online orders. Should I bring different stock for different cons?Yes. An anime con and a craft fair have different audiences. Curate for the crowd, don't dump your entire catalogue.

The Carry-On Display That Still Looks Full-Size

There's a moment at every convention where someone walks past your table, stops, backs up, and asks how you fit all of that into a carry-on bag. It happens RELIABLY. And it's the best conversation starter you never planned. The assumption most people carry is that small packing means small display. A compact travel setup must look compact when assembled, right? Folding displays fold because they compromise on height or width. Pop-up banners are tall but flat. Tabletop risers are sturdy but short. Everything involves a trade-off. Except when the system is modular from the ground up. How 35cm Panels Build A 175cm Display Each panel in the modular display kit is a 35x35cm frosted polypropylene square. Stack five panels high with ABS connectors and you hit 175cm, which is roughly 69 inches. That's taller than most vendors and tall enough that your display fills the visual space behind a standard 180cm table. Width works the same way. Panels connect side by side to whatever width your table needs. A Shapeshift kit (46 panels) covers a standard 6-foot table with room for shelving, hooks, and product arrangement. The newest piece is the any-angle panel, the missing piece of the line-up: it swings both ways, sets at any angle and is made to fit the triangles, so a booth can have awnings, roofs and arches, not only right angles. It comes in the Shapeshift Angled Display Kit (46 panels in six shapes) and the Shapeshift Angled Duo Display Kit (92 panels), both with drop-proof connectors. The Shapeshift Duo (92 panels) handles double tables or L-shaped configurations. When it all comes apart, those panels stack flat. Think of a deck of oversized cards. They nest perfectly because they're all IDENTICAL squares. No irregular shapes, no protruding joints, no wasted space in the bag. The Frosted Panel Advantage The frosted finish isn't just aesthetic. It diffuses overhead venue lighting instead of creating harsh reflections. Your products pop against it without competing with glare. It also hides fingerprints and minor scuffs, which matters when you're handling panels at 6am with convention-hall coffee hands. Coloured panels let you match your brand without tablecloths or backdrops. With 19+ colours available, you can build a display that looks intentionally designed rather than generically assembled. That visual cohesion is what makes people think you have a much larger, heavier setup than you do. Weight vs Presence Traditional displays that look this substantial weigh 10-20kg. Metal grids, wooden shelves, acrylic risers. They need checked luggage, shipping, or a car. This system weighs dramatically less. The connectors and hooks are lightweight PLA and ABS plastic. Shelves hold 5kg each, which is plenty for most art prints, jewellery, ceramics, and small goods. That weight difference is why it fits carry-on. Not because it's flimsy. Because the materials are engineered to be strong WITHOUT being heavy. Frequently Asked Questions Will it look cheap or flimsy at a show?No. The frosted panels and clean connector lines give it a polished, modern look. Vendors consistently report that customers and other vendors comment on how professional it looks. The 4.9-star average across 1000+ reviews backs that up. How long does assembly take?Under 30 minutes with no tools required. Panels click into ABS connectors by hand. Most people get faster after their first setup. Which kit size should I start with?For a single 6-foot table, a Shapeshift (46 panels) gives you a full backdrop with shelving. Browse the full kit range to compare sizes. The Core (24 panels) works for compact setups or adding height to an existing table display.

The Difference Between A Table And A Brand Experience

A table is where you put things. A brand experience is where people feel something. We have seen thousands of booth setups at this point, and the gap between the two is not budget. It is not talent. It is intention. A table says "here are my products." A brand experience says "this is my world, step inside." The artist with prints in plastic sleeves fanned across a bare table is selling from a table. The artist with coordinated panels, a specific colour story, and prints displayed at eye height in a modular display kit is selling an experience. Same art. Same price point. Wildly different conversion rate. People do not buy from the best artist in the room. They buy from the artist whose booth made them stop. And stopping is an emotional response to visual cues, not a rational assessment of technical skill. Your booth is the packaging for your art. And packaging is not superficial. It is the first promise you make. A polished setup promises quality work inside. A chaotic table promises nothing, so nobody invests the time to dig through it. You do not need to spend a fortune. You need to look like every element was chosen on purpose. A matching full kit range display, a cloth that complements it, signage in the same font family, and your art given room to breathe instead of being crammed edge to edge. That is the difference. A table holds inventory. A brand experience holds attention. And attention is the only currency that converts into sales at a convention.

Why Pop-Up Shops Need Displays That Set Up In Minutes

You just signed up for a pop-up market. You have a 1.8m table, a box of products, and about 20 minutes before the doors open. Whatever display you brought needs to be READY before the first customer walks in.This is the reality for thousands of pop-up vendors every weekend. And it is exactly why your display choice matters more than almost anything else you pack.The 30-Minute Window That Makes Or Breaks Your DayMost pop-up events give you a tight setup window. Sometimes an hour. Sometimes less. If your display takes 45 minutes to assemble, you are already stressed before you have sold a single thing.A modular panel system like the modular display kit sets up in under 30 minutes with zero tools. You click frosted polypropylene panels into ABS connectors, stack them five high to 175cm, and you are done. No screws. No Allen keys. No YouTube tutorial playing on your phone while you fumble with poles.Why Speed Matters More Than You ThinkFast setup is not about convenience. It is about what happens AFTER you finish building.Vendors who set up quickly get time to: Arrange products with intention instead of panic Walk around and check sightlines from the customer perspective Take a breath and actually be present when doors open Chat with neighbouring vendors and build relationships Vendors who are still assembling at doors-open miss the first wave of buyers. That first wave is often the biggest.What To Look For In A Pop-Up DisplayNot every display suits the pop-up format. Here is what actually matters: Tool-free assembly. If it needs a drill or a mallet, leave it at home. Fits a standard table. Your display should work with the standard 180cm/6ft table that most events provide. Packs flat. A carry-on sized case (56x36x23cm) means you can take transit, fly interstate, or just fit it in a hatchback without removing seats. Shelf capacity. Each shelf should hold at least 5kg so your products do not wobble or sag. Colour Counts At Pop-UpsPop-up shoppers browse FAST. They glance at your booth for maybe two seconds before deciding to stop or keep walking. A cohesive colour palette on your display panels helps your booth read as professional and intentional from across the room.With 19+ panel colours available, you can match your brand without resorting to tablecloths or awkward banner stands.Frequently Asked QuestionsHow long does a modular panel display take to set up?Under 30 minutes for most configurations, with no tools required. Panels click into connectors by hand.Can I fit a pop-up display in carry-on luggage?Yes. The panels pack flat into a case measuring 56x36x23cm, which fits carry-on requirements for most airlines.Will it fit a standard pop-up market table?Yes. The system is designed around the standard 180cm (6ft) folding table that most pop-up events provide.How much weight can each shelf hold?Each shelf supports up to 5kg, which is plenty for most handmade products, jewellery, ceramics, and small art prints.If you are shopping for your first pop-up display or replacing something that takes too long to build, check out the full kit range and pick the size that fits your table and your product line.

Why Portable Displays Beat Custom Booths For Small Vendors

Custom booths have one thing going for them. They look expensive. Because they ARE expensive. For a small vendor doing 10 to 20 events a year, that is a problem.Portable displays solve it. Here is why the switch is happening everywhere.The Custom Booth TrapA custom booth locks you in. You pay for the build. You pay for storage between shows. You pay for shipping because the thing weighs a ton. And when your brand evolves or you change products? You pay AGAIN to rebuild it.Most small vendors burn through $3,000 to $8,000 on a custom setup they outgrow within a year. That money could have gone into inventory, marketing, or better event spots.What Portable Actually Means NowForget the wobbly pipe-and-drape setups from 2015. Modern portable displays use rigid interlocking panels that look clean, stand solid, and come in real colours. The modular display kit from Artist Booths uses 35x35cm frosted PP panels with ABS connectors. It builds 5 panels high (175cm) and fits a standard 6ft table.Setup is under 30 minutes. No tools. The whole kit packs flat into a carry-on sized case. Try doing that with a custom booth.The Flexibility FactorHere is where portable REALLY wins. A modular display reconfigures for every event. Small market? Use fewer panels. Convention with a corner booth? Build an L-shape. Want a different colour scheme next season? Swap panels instead of rebuilding everything.With 19+ colours available, you are never stuck with last year is look.Durability On The RoadCustom booths look great in a warehouse. Then you load them into a van twelve times and the edges chip, the graphics peel, and the frame bends. Frosted polypropylene panels shrug off the road. They are lightweight, scratch-resistant, and designed to be packed and unpacked hundreds of times.Artist Booths ships from Sydney to 50+ countries, with 4.9 stars across 1,000+ reviews from vendors who take these kits everywhere.Frequently Asked QuestionsAre portable displays sturdy enough for a busy trade show?Yes. The ABS connectors lock panels firmly in place. Each shelf holds up to 5kg. Vendors use these at high-traffic conventions, outdoor markets, and multi-day trade shows without issues.Can I brand a portable display the same way I would a custom booth?You get 19+ panel colours to match your brand. Many vendors add signage, lighting, and shelf accessories to personalise their setup further. The clean panel backdrop makes everything you put on it look sharp.What sizes are available?Four kit sizes cover every vendor need. Core (24 panels) for compact setups, Shapeshift (46 panels) for standard tables, Shapeshift Angled (46 panels in six shapes) for backdrops with roofs and awnings, and Shapeshift Duo (92 panels) for large-format displays. Browse the full kit range to compare.

Building A Booth That Works For Both Weekend Markets And Big Cons

You do a Saturday morning farmers market. Then two weeks later you are hauling gear into a convention centre for a three-day con. Different crowd, different vibe, different space. Same you, same budget. So why would you buy two completely different displays?You would not. Here is how to build ONE booth setup that handles both worlds without compromise.Weekend Markets: Keep It Light and FastWeekend markets are a sprint. You show up early, unload from your car, and need to be ready before the first customer walks past with a coffee. Nobody has time for tools or complicated assembly.What actually matters here: Setup under 30 minutes, no tools required Light enough for one person to carry Fits behind or beside a standard 180cm table Packs down small enough for a hatchback A modular panel system like the modular display kit checks every box. The Core kit (24 panels) gives you a clean backdrop that sits right behind a 6ft table. Snap the 35x35cm frosted panels together with ABS connectors, done. The whole thing packs into a carry-on sized case (56x36x23cm).Big Cons: Go Tall and BoldConventions are a different animal. You are competing with hundreds of other vendors for attention. A small flat backdrop will not cut it. You need HEIGHT. You need shelving. You need a setup that makes people stop scrolling their phones and actually look up.Stack panels 5 high and you hit 175cm, which is roughly eye level for most adults walking the floor. Add shelves rated at 5kg each and suddenly you have a proper product wall instead of a sad table with stuff on it.The Shapeshift Duo or Shapeshift Angled Duo (92 panels each) gives you enough panels to build an L-shape or U-shape around your table, and the Angled Duo's any-angle panels can put an awning or a roof over it. That kind of presence CHANGES how people interact with your booth. They step inside it instead of walking past.The Secret: Modular Means BothThe reason one kit works for both is simple. Panels snap on and off. You are not locked into one shape.Saturday market? Use 24 panels as a straight backdrop. Comic con next month? Clip on more panels, add wings, build shelves. Same kit, different configuration. No new purchase required.Pick a colour (19+ available) that works for your brand in any setting. Ships from Sydney, delivered in 1-3 days across 50+ countries.FAQCan I really set this up alone at a market?Yes. No tools, no help needed. The panels snap together by hand and the whole process takes under 30 minutes. Over 1,000 vendors have reviewed it at 4.9 stars, and fast setup is the thing they mention most.What if I need a bigger setup later?Buy more panels. The system is modular so you can start with a Core (24 panels) and expand to a Shapeshift (46), Shapeshift Angled (46), or Duo (92) whenever you need to. Every panel and connector is compatible.Will it survive being set up and taken down every week?The panels are frosted polypropylene and the connectors are ABS plastic. Both are built to handle repeated assembly. This is not a one-time trade show backdrop. It is designed for vendors who use it CONSTANTLY.Does it fit in my car?The Core kit packs into a 56x36x23cm case. That is carry-on luggage size. Even the larger kits break down flat. No roof rack needed.

Building A Booth Aesthetic On A First-Timer Budget

Your first con is coming up. You have art to sell and a table reserved. But your setup budget is basically whatever's left after printing costs. Sound familiar? Good news. Building a booth that looks polished doesn't require spending big. It requires spending smart. Here's how to build a display aesthetic on a first-timer budget that doesn't scream "this is my first time." Pick One Colour And Commit The fastest way to look put-together is colour consistency. Pick one panel colour for your modular display kit and stick with it. White is the safest starting point. It works with every art style and makes colours pop. Black adds drama. Frosted gives a modern, clean vibe without feeling sterile. Don't try to get clever with three colours on your first outing. One colour across your whole wall reads as intentional. Mixed colours on a budget read as "I grabbed whatever was cheapest." A Core kit gives you 24 panels. That's enough to build a backdrop wall 5 panels wide and 5 high (175cm tall) on a standard 180cm table. Minimal investment. Maximum impact for the money. Free Things That Elevate Your Setup Before you spend another dollar, do these: Iron or steam your tablecloth. Wrinkles are the number one thing that makes a table look amateur Group similar products together. Stickers in one zone, prints in another, originals separated Leave breathing room. Not every square centimetre needs to be covered. White space on a table works the same way it works in design Face your prints outward on the panel wall so people see them from the aisle, not from directly in front of you Where To Spend And Where To Save Spend on your vertical display. The wall behind you is the single biggest visual impact for the money. A kit from the full range sets up in under 30 minutes with no tools and packs flat into a 56x36x23cm case that fits carry-on. That's your most important purchase. Save on table accessories. You don't need custom acrylic risers for your first show. A stack of books under your tablecloth creates height variation for free. Small cardboard easels from a craft store hold prints for a few dollars. Save on signage. A clean price list printed at home on cardstock looks better than a cheap banner with clip-art flames. Keep it simple. Name, social handle, prices. Done. Frequently Asked Questions Is a Core kit (24 panels) enough for a first con? For a standard 6ft table, yes. You get a solid backdrop wall and enough panels to add a small side return if you want. Most first-timers don't need more display area than that. You're still building your product range. What if I can't afford a kit right now? Start with what you have and upgrade when you can. But know that a vertical display behind your table is the single highest-impact change you can make. It's visible from across the room. Flat table layouts are only visible to people who are already standing in front of you. Should I buy extra panels in a second colour? Not yet. Get comfortable with your setup first. After two or three cons you'll have a much better feel for what your booth needs. Then add accent panels deliberately instead of guessing.

How To Pick Display Colours That Won't Fight Your Art

You picked a gorgeous teal for your display panels. Then you hung up your art and something felt off. The colours were fighting. Your warm-toned portraits looked muddy against the cool backdrop, and your eye kept bouncing between the frame and the shelf instead of landing on the piece. This happens more than you would think. Display colour is not decoration. It is context. And the wrong context makes good art look worse. Warm Art, Cool Display (And Vice Versa) The simplest rule in colour theory applies directly to booth displays: warm art pops against cool-neutral backdrops, and cool art pops against warm-neutral backdrops. If your work is full of oranges, reds, and skin tones, a soft grey or muted blue display lets those colours breathe. If your art skews blue, purple, and green, a warm cream or blush display creates separation. The modular display kit comes in 19+ colours, so you are not locked into generic black or silver. Pick a panel colour that sits on the opposite side of the colour wheel from your dominant art palette. Not a clash. A complement. When Neutrals Are The Smart Play If your art covers a wide range of palettes (and most artists sell across warm and cool), go neutral on your display. White, charcoal, or frosted clear panels work with everything. They do not compete. They do not impose a mood. They just hold your art and stay quiet. The mistake is thinking neutral means boring. A clean charcoal display with consistent spacing and good lighting reads as INTENTIONAL. It reads as gallery. That is not boring. That is professional. Matching Your Display To Your Brand, Not Your Art Here is a subtlety that trips people up. Your display colour does not have to match your art. It should match your brand. If your logo, packaging, and online presence all use a specific pink, use that pink on your panels even if your current print run is mostly blues. The booth is your brand environment. The art rotates within it. Think of it like a gallery wall. The wall colour stays. The exhibitions change. Your full kit range panels are the wall. Build them around your identity, not around whichever prints you are pushing this month. The Squint Test Hang your art on your display. Step back six feet. Squint until everything blurs. If your art and your display merge into one blob of similar colour, your panels are too close in tone to your work. If the art pops forward as distinct shapes against the backdrop, you are golden. Six feet is roughly the distance at which a passing con-goer decides whether to approach or keep walking. That is the distance your colour choices need to work at. Frequently Asked Questions Should I change my display colour for every convention? No. Consistency builds recognition. Pick a display colour that works with your overall brand and stick with it. Swap your art selection per event, not your hardware colour. What if my art style changes a lot between collections? Go neutral (white, charcoal, or clear frosted). Neutral panels give you maximum flexibility without committing to a colour that only works for one collection. Do frosted panels wash out lighter artwork? Frosted panels diffuse light rather than reflecting it, so they tend to be gentler on lighter pieces than glossy white surfaces. If your art is very pale or pastel, a slightly tinted panel (light grey, soft lavender) adds enough contrast to keep things readable.

Why Flat-Packing Saves You More Than Just Space

We used to think flat-packing was about fitting more stuff in the car. It's not. The real savings happen in places you don't notice until you switch. Flat-packing saves your back. A display that disassembles into rigid panels weighing a few kilograms total is a different animal from a 15kg pipe-and-drape rig. After your sixth show of the season your spine knows the difference. We've heard from vendors who switched from metal frames to our modular display kit and the first thing they noticed wasn't the look. It was the weight. It saves you money at the airport. Oversized luggage fees add up FAST when you're flying to four cons a year. A kit that fits carry-on dimensions (56x36x23cm) means you never pay checked bag fees for your booth. That's hundreds of dollars back in your pocket over a season. It saves your setup time. Flat panels with snap connectors mean no tools, no allen keys, no hunting for the one bolt that rolled under the neighbour's table. Most vendors are fully built in under 30 minutes. Some regulars do it in 15. It saves your storage at home. A flat-pack display stands upright in a closet. It slides under a bed. It doesn't demand a garage corner or a storage unit between shows. For artists working out of apartments, this is the difference between doing shows and not doing shows. Space was never the real problem. The real problem was all the friction that came with a bulky setup. Remove the bulk and the friction goes with it. Check the full kit range and see how small a full booth can get.

Packing Efficiently When You're Splitting A Hotel Room

We've all been there. Four vendors, one hotel room, a mountain of stock boxes, and someone's gridwall leaning against the bathroom door. Splitting a room saves money, but it turns into a logistics nightmare when everyone's display takes up floor space. Here's what we've learned after years of sharing rooms at cons: the vendor who packs smallest wins. Not in some competitive way. They just SLEEP better because they're not climbing over PVC pipes to reach the bed. Our modular display kit lives in a 56x36x23cm case. That slides under the hotel desk, under the bed, or stands upright in the closet next to your suitcase. It takes up less space than a single stock box. When your roommate's metal frame is blocking the ironing board and leaning against the TV, your display is just quietly sitting in its bag being nobody's problem. The real trick to hotel room packing isn't fancy organisation systems or vacuum bags. It's choosing gear that was designed to be SMALL when you're not using it. A display that packs flat means your share of the room stays your share of the room. You can actually use the bathroom without moving someone's booth infrastructure. If you're doing the roommate circuit this con season, do everyone a favour and check out the full kit range before you become the person whose display lives in the bathtub. Your roommates will thank you. Silently, but genuinely.

The Vendor Packing List That Actually Fits On One Page

Every packing list you find online is four pages long and includes items like "positive attitude." Here's one that fits on a single page because it only lists things you can forget. Booth Hardware Display panels (count them before you leave) Connectors and hooks in a labelled pouch Tablecloth or fitted cover Small binder clips or clamps for the cloth Your modular display kit packs flat into a carry-on at 56x36x23cm. That covers your entire display structure in one bag. Product Prints (sorted by size, protected between panels or in sleeves) Stickers, pins, charms in individual bags or trays Print sleeves or bags for customers Business cards Price tags or a printed price sheet Money And Tech Card reader (charged) plus backup cable Cash float in small bills Phone charger and portable battery Extension cord or power strip (check venue rules FIRST) Comfort And Emergency Water bottle Snacks that won't melt or crumble on your product Painkiller, allergy meds, whatever you personally need Tape (washi for signage, gaffer for cables) Scissors or a small blade Zip ties (the universal con fix) The Things People Actually Forget A pen (you will need to write something, guaranteed) Bags for customers to carry purchases A mirror or photo of your finished setup for reference Your badge or registration confirmation That's it. Print it, laminate it, keep it in your booth bag. Check the full kit range if your current display doesn't pack this clean.

What matters more for your booth?

The shape: roofs, awnings and angles

Any-angle panels for roofs, awnings and shaped fronts

The colour: the widest colour range

The most colours to pick from and to mix

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

Select all that apply

How long do you plan to use it?

Just one season, trying it out

Light use, a handful of events

A few years

Most artists land here

Heavy, long-term use

Built to last, with room to grow on extra parts and spares for years

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

What shape do you want your booth to be?

Classic cube shelves

Straight walls and stepped shelves

Angled roofs, cut corners or a curved front

Any-angle panels set at any angle for roofs, corners and U fronts

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

Terracotta

Watermelon Pink

Yuzu Yellow

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Your result

Your perfect match

Shop kit sizes and colours

build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

Pick a Display kit to Shapeshift your brand.

Choose a setup size and colours & explore examples of how you could use our kits.

Single Low to tall for 1 table setups

Duo Low / tall / deep for 1-2 table setupsLow / tall / deep for 1-2 table setups

V2 AngledPre-order Panels form tiered cascading awning designs.Panels form tiered cascading awning designs.

OriginalLow stockLow Multi-shape panels form cube-shaped cascading designs.Multi-shape panels form cube-shaped cascading designs.

Only available

2aMain colour Main colour

Colour 1

Swap half your square panels to a 2nd colour

Swap half your multi-shape panels to a 2nd colour

2bSecond colour Second colour Free

Swap half your square panels to a 2nd colour

Swap half your multi-shape panels to a 2nd colour

Colour 2 Free

4. Bundle & save add-ons

Display more with add-on packs.

Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$575.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

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