What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

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Artist Back Alley Resources Blog

Why Indie Brands Are Switching To Modular Exhibitor Displays

We have noticed a shift over the past two years. Indie brands that used to show up with banner stands and pipe-and-drape setups are switching to modular panel displays. Not gradually. Fast.The reason is simple. The old options stopped making sense.Banner stands crease. They look fine for one or two shows, then the print wrinkles, the base gets wobbly, and you spend more time trying to make it stand straight than you do selling. Pipe-and-drape looks like a hotel conference partition. Custom booths cost a fortune and lock you into one configuration that may not fit next month is event.Modular displays fix all three problems at once. The modular display kit uses rigid frosted panels that snap together with connectors. Different layout every show if you want it. Same professional look every time. No creasing, no wobbling, no five-figure invoices. And with the any-angle panel in the Angled kits, which only we make, those layouts can include awnings, roofs and arches, not only right angles.We think the REAL driver of the switch is flexibility. Indie brands move fast. They launch new product lines, change their visual identity, try different event types. A display system that reconfigures in minutes keeps up with that speed. A custom booth built six months ago is already outdated.The portability helps too. Indie brands do not have warehouses or shipping accounts. They have a car and a spare room. A display that packs into a carry-on sized case and sets up in under 30 minutes is built for that reality. No storage unit needed.We ship from Sydney to 50+ countries and we see orders from brands doing everything from handmade jewellery markets to tech expos. The common thread is always the same. They want something that looks sharp, travels easy, and does not eat their entire event budget.The old display industry was built for big companies with big budgets. Indie brands deserve better. And they are FINALLY getting it.See the full kit range and find the size that fits your next event.

The Income Math Behind A Full Con Season

Stop Guessing, Start Counting Most vendors have a vague idea of how much they make per event. "Pretty good" is not a number. If you want to vend sustainably, you need to know your actual math. Per event. Per season. Per product line. Let us break it down with REAL numbers. The Per-Event Formula Every event has a simple equation: Net profit = Gross sales - (Table fee + Travel + Accommodation + Food + Materials + Display wear) Here is what a typical weekend con looks like for a mid-level vendor: Gross sales: $1,200 Table fee: $150 Travel (fuel or flights): $80 Accommodation: $120 (split with another vendor) Food: $40 Materials/stock cost: $300 (25% of gross) Display wear/replacement: $20 Net profit: $490. For a two-day event where you worked roughly 20 hours including setup and packdown, that is about $24.50 an hour. Decent. Not life-changing. The LEVERAGE comes from doing it consistently. Scaling to a Full Season A full con season runs roughly 40 weekends per year (leaving some for rest, holidays, and stock preparation). At three events per month average: 36 events x $490 net = $17,640 per year That is the baseline. Now look at the levers you can pull. Raise your average sale. Moving from $15 average items to $25 average items on the same foot traffic is a 66% revenue jump. Pricing and product mix do more for your income than adding extra events. Cut your travel costs. A display that packs flat into a carry-on case (56x36x23cm) eliminates checked luggage fees. For vendors who fly to 10+ interstate cons, that saves $500 to $1,000 per year in baggage alone. Increase your conversion rate. A professional, vertical display setup consistently converts more foot traffic into buyers. Vendors who upgrade from flat table layouts to structured panel displays report sales increases of 30% or more. At 36 events, a 30% lift on $1,200 gross is an extra $12,960 per YEAR. The Hidden Costs That Wreck Your Margins Watch for these. They are small per event but devastating at scale: Display replacement: Cheap setups break. If you are replacing your rig every six months, factor that in. Durable materials like ABS connectors and frosted PP panels last years. Setup time: A 90-minute setup vs a 30-minute setup across 36 events is 36 extra hours per year. That is almost a full work week spent assembling your booth instead of selling. Unsold stock: Overproducing for cons ties up cash. Track what sells, produce to demand, and let your data guide restocking. Frequently Asked Questions What is a realistic first-year income from full-time vending? Most first-year full-timers net between $15,000 and $30,000 depending on their product, pricing, and event selection. The second year typically jumps 30 to 50% as you optimise your product mix and cut underperforming events. How do I know if an event is worth the cost? Calculate your break-even: total event costs divided by your average profit per sale. If you need to sell 20 items to break even and you usually sell 40, it is worth it. If you need to sell 35 and your average is 30, skip it. Does display quality really affect income that much? Yes. A modular display kit that puts your art at eye level, builds five panels high, and looks professional converts significantly more foot traffic than a flat table. The investment pays for itself within a few events for most vendors. Should I track income per product or per event? Both. Per-event tells you which cons to repeat. Per-product tells you what to make more of. Together they give you the full picture. A simple spreadsheet with date, event name, product, quantity, and revenue is all you need.

Packing A Display For A Con You're Doing Solo, No Car

Solo vending without a car is the ultimate test of your packing game. No one to hold the door. No boot to throw extra boxes into. Just you, your bags, and whatever public transport or rideshare gets you to the venue. Here's how to make it work without losing your mind. 1. Limit Yourself To What You Can Carry In One Trip This is the golden rule. If you can't carry everything from the Uber to your table in a single walk, you've packed too much. You can't leave bags unattended at a convention entrance while you go back for more. One trip. Everything. PERIOD. 2. Put Your Display In The Smallest Possible Bag Your modular display kit packs into a 56x36x23cm case. That's carry-on sized, which means it can go on your back, over your shoulder, or on top of a rolling suitcase. The smaller your display packs, the more room you have for stock and personal items. 3. Roll, Don't Carry If you have a rolling suitcase for stock, use it. Stack the display case on top and strap or bungee it. Your hands stay free for doors, escalators, and your phone (for the rideshare app or venue maps). Rolling beats carrying every SINGLE time when you're moving through a city alone. 4. Pack Stock Vertically, Not Flat Prints and posters in tubes take up width. Prints in a portfolio case or rigid mailer stand upright in a rolling bag. Vertical packing means your suitcase stays narrow enough to navigate train doors and convention aisles without clipping people. 5. Wear Your Personal Items Backpack for your wallet, phone, charger, snacks, and money float. Don't put personal items in your stock bag. If you need to set your suitcase down at the table, your essentials stay on your body. This also means you can use the bathroom without dragging everything with you during setup. 6. Pre-Plan Your Route Down To The Platform Google Maps tells you which train to take. It doesn't tell you whether that station has a lift or just stairs. Check accessibility maps for your route. A station with an escalator is manageable solo with bags. A station with only stairs and a heavy display is a NIGHTMARE. Plan around it. 7. Build The Lightest Possible Booth Every gram counts when you're solo. The modular panel system uses frosted polypropylene and ABS connectors. Light materials. No metal, no wood, no glass. Your display should be the lightest item you're carrying, not the heaviest. Each shelf holds 5kg, so you can still display substantial products without the display itself weighing you down. 8. Allow 30 Extra Minutes For Everything Solo travel takes longer than you think. No one's saving your spot while you park. No one's watching your bags while you find the organiser. Add 30 minutes to whatever you think you need and you'll arrive calm instead of panicked. Setup itself takes under 30 minutes with the modular system, so budget an hour total from arrival to ready. Browse the full kit range to find a kit sized for solo carry. The Core (24 panels) is the lightest option for compact setups. The Shapeshift (46 panels) covers a full table and still packs carry-on.

The Aesthetic Mistakes That Make A Table Feel Unfinished

Some booths look great until you really look at them. Something is off but you cannot put your finger on it. It just feels... unfinished. Like a room that is missing one piece of furniture. Here are the aesthetic mistakes that create that feeling. Visible storage under the table. Nothing kills the illusion faster than a customer glancing down and seeing cardboard boxes, plastic bins, and crumpled bags stuffed under your tablecloth. Either get a cloth that reaches the floor or use opaque containers that look intentional. Your booth ends at the ground, not at the table edge. Mixed display materials. Half your prints are in plastic sleeves pinned to a corkboard. The other half are on a modular display kit with clean panel shelving. The modular half looks professional. The corkboard half looks like a dorm room. Pick one display system and commit. Mixing reads as "I ran out of shelves," which reads as "I did not plan this." No breathing room between products. Every centimetre of table space is covered. Prints overlap. Stickers touch. There is no gap anywhere. This is not abundance. This is overwhelm. Leave at least 2-3cm between items. The white space is not wasted space. It is the thing that makes each piece readable. Mismatched price tags. Some are handwritten on sticky notes. Some are printed. Some are different sizes. Price tags are the most-read text in your booth besides your banner. If they look thrown together, the whole booth inherits that energy. Print them all the same way, same size, same font. Takes 20 minutes at home and changes everything. The empty top shelf. You have a vertical display with three levels and the top one has... one print and a lot of empty panel. Top-level displays are the first thing visible from a distance. An empty or sparse top shelf makes your booth look under-stocked even if the table is loaded. Fill it or remove the shelf entirely. Browse the full kit range for configurations that match your actual inventory volume so you do not over-build. The wrong tablecloth colour. It clashes with your panels, your art, or both. Or worse, it is clearly a bedsheet you grabbed this morning. Your tablecloth is the single biggest colour field in your booth. It deserves a deliberate choice. Spend $15 on one that coordinates with your display. That is the cheapest upgrade with the biggest visual impact. No focal point. Every piece is displayed at the same size, same height, same priority. The eye enters the booth and has no idea where to go first. Pick one hero piece. Display it larger, higher, or more prominently than everything else. That is your anchor. Everything else supports it. Cables and chargers in the sightline. Your phone charger snaking across the table. An extension cord looping behind your display. A power strip visible at floor level. Tape them down. Route them behind panels. Use wireless charging. Every cable is a crack in the illusion that this is a curated space rather than a temporary setup.

Why Self-Serve Isn't Just Convenient, It's A Sales Strategy

Most vendors think self-serve is about making their own life easier. Less talking, fewer interactions, more time to breathe between customers. And sure, that part is nice. But the real power of a self-serve booth layout is what it does to your SALES numbers.Why Browsers Buy More When They Browse AloneHere is a pattern you have probably noticed. A customer walks up. You greet them. They smile, pick up one thing, put it down, and leave. Now watch what happens when you are busy with another customer. The browser takes their time. They touch three or four products. They read your signage. They pick something up, put it down, pick it up again. And then they buy.People buy more when they feel zero pressure. A self-serve layout creates that pressure-free zone by design.How To Build A Self-Serve BoothThe key is vertical organisation. When your products are displayed on clear, tiered shelving, customers can scan everything without needing you to point things out or pull items from behind a table.A modular panel display works perfectly for this. Stack panels five high (175cm) on a standard 6ft table. Use the shelves to group products by category or price point. Each shelf holds 5kg, so you can load them up without worrying about sagging.Place prices where they are VISIBLE without flipping tags. Group similar items together. Put your bestseller at eye level. Put impulse buys near the edge where people pick things up casually.The Multiplier EffectA well-designed self-serve layout does something powerful: it lets you serve multiple customers simultaneously. While you are wrapping a purchase for one person, three others are browsing, selecting, and mentally committing to a buy. You are effectively running four sales conversations at once, and three of them require zero effort from you.At a busy market, this difference adds up fast. Vendors who redesign their booth for self-serve often report selling more with LESS effort than before.What You Need To Make It Work Clear pricing. Every product needs a visible price. No one wants to ask. Logical grouping. Categories or price tiers, displayed vertically so the eye travels naturally. A display that reads from a distance. Customers should understand your booth in two seconds. A modular display kit with colour-matched panels gives your booth that clean, shoppable look. A payment station that does not block the flow. Keep your card reader to one side so browsing customers do not queue behind buyers. Frequently Asked QuestionsDoes self-serve mean I never talk to customers?No. You still greet people and answer questions. But the booth is designed so customers can browse, select, and decide without needing your help for every step.What products work best with a self-serve layout?Anything that is easy to pick up, examine, and understand. Jewellery, art prints, stickers, candles, soaps, ceramics, and small homewares all work well. Products that need detailed explanation may still need your involvement.How do I prevent theft with a self-serve setup?Position yourself where you can see the entire display. Keep high-value items at eye level directly in front of you. Most vendor markets have very low theft rates because the community is tight and booths are close together.What size display works best for self-serve?A Shapeshift (46 panels) or Shapeshift Duo (92 panels) gives you enough shelf tiers to spread your product line vertically. Check the full kit range to compare sizes.

Weekend Market Displays Built To Set Up And Break Down Fast

Saturday morning. Alarm at 5am. Coffee in one hand, display in the other. You have got 45 minutes from car park to doors open. Every minute spent wrestling with your booth is a minute you are not ready to sell.Speed matters at weekend markets. Here are the display features that ACTUALLY save you time.1. Tool-Free AssemblyIf you need a screwdriver, an Allen key, or zip ties, your setup is too complicated. Modular displays with snap-in connectors go up by hand. The modular display kit uses ABS connectors that click into frosted panels. No hardware, no searching for that one bolt you dropped under the table.2. Flat PackingRound things roll. Bulky things jam. Flat things stack neatly in your car and slide out in one trip. The entire Artist Booths kit packs into a 56x36x23cm case. That is carry-on luggage size. One trip from the car to your table.3. Repeatable ConfigurationDo the same market every week? Build the same layout every time. Modular panels go together the same way every session, so your muscle memory kicks in after the second or third setup. Vendors REGULARLY report going from 30 minutes to under 15 once they know their layout.4. Lightweight PanelsHeavy displays slow everything down. Loading, unloading, lifting onto the table, adjusting during the day. Frosted PP panels are rigid enough to hold 5kg per shelf but light enough that you can build the whole display without breaking a sweat.5. One-Person FriendlyWeekend markets are often a solo operation. If your display needs two people to assemble, you are either dragging a friend out of bed or struggling alone. A modular panel system is designed for solo setup from the ground up.6. Fast BreakdownThis is the one everyone forgets. After six hours of selling, you are tired. The last thing you want is a 45-minute teardown. Snap-apart connectors mean breakdown is even faster than setup. Pop the panels apart, stack them flat, and you are walking to the car while the stall next to you is still unscrewing things.7. Durability Between MarketsA display you set up and break down every weekend takes a beating. Cardboard wilts. Fabric stains. Cheap shelving bends. Frosted polypropylene panels are scratch-resistant and wipe clean. They look the same after 50 markets as they did after the first.Your weekend should start with coffee and end with counting cash. Not fighting with display hardware. Check the full kit range to find the right size for your regular market setup.

Why Neutral Backdrops Make Colourful Art Pop Harder

We're going to say something that sounds counterintuitive. If your art is colourful, your booth should be boring. Not boring as in lazy. Boring as in neutral. White. Frosted. Maybe a soft grey. A backdrop that does absolutely nothing on its own. Because when your backdrop does nothing, your art does everything. We've watched hundreds of booths at conventions and the pattern is CLEAR. The artists with the most vibrant, colourful work who put it on colourful panel walls? Their tables turn into visual noise. Every colour fights every other colour. The eye doesn't know where to land. The customer's brain goes "that's a lot" and their feet keep walking. The same art on a white or frosted wall from a modular display kit? Each piece gets to be the loudest thing in its own space. The white acts like a gallery. And galleries know what they're doing. There's a reason the Louvre doesn't paint its walls hot pink. This isn't about playing it safe. This is about understanding that your display wall is a FRAME, not a second piece of art. A frame's job is to make the thing inside it look better. A frame that demands its own attention is a bad frame. Doesn't matter how nice the colour is on its own. If you're an artist whose work is already doing heavy visual lifting (bright palettes, high saturation, lots of detail), give it a quiet stage. Grab a neutral kit from the full kit range. Build a clean wall. Let the work speak without a backdrop competing for the same attention. Your art is already the show. Stop making your booth audition for the same role.

The Small Booth Checklist Nobody Gives You

You have read the guides. You have watched the TikToks. But when it comes time to actually pack for a small booth, you always feel like you are forgetting something. This is the checklist we wish someone had given us. No fluff. Just the stuff that actually matters when your space is tight. Do I Really Need a Display Stand or Can I Just Use Risers? Risers add height to your table but they eat table space doing it. A vertical display like a modular display kit adds height WITHOUT taking table surface. In a small booth, that distinction is everything. Your table surface is for products and transactions. Your vertical space is for display and brand presence. Keep them separate. How Many Products Should I Actually Display? Fewer than you think. On a small table, 8-12 products on the table surface and 10-15 on your vertical display is plenty. That is 20-25 visible items. Bring backup stock for anything that sells, but do not display it all at once. A clean booth with breathing room outsells a packed one every time. What If My Products Are Big and Take Up a Lot of Space? Show one on the table as a sample. Display photos of the range on your vertical wall. Take orders on the spot and ship later. Large product vendors who try to bring physical inventory for every option end up with a booth that looks like a warehouse, not a shop. Do I Need a Tablecloth? Yes. Always. A plain, solid colour tablecloth that reaches the floor on all visible sides. It hides your storage underneath, creates a clean visual baseline, and costs almost nothing. Avoid busy patterns. They compete with your products for attention. How Do I Handle Money and Payments in a Tiny Space? Dedicate one corner of your table to transactions. Card reader, a small cash box if you take cash, and your phone for Square or Shopify POS. That corner is sacred. Products do not go there. Keep it CLEAR so checkout is fast and does not require moving things around. What About Business Cards and Marketing Materials? One small stack of business cards in a holder. That is it. No pamphlets, no postcards unless those postcards ARE your product. A QR code on your display wall linking to your Instagram or website replaces everything else. Every piece of marketing material on your table is space that a product could be using instead. Should I Bring Bags? Branded bags if you have them. Plain paper bags if you do not. Keep them under the table in a box, not on the table surface. And make them small enough that you are not storing 100 oversized bags in your already-packed setup. Small purchases get small bags. What Is the Actual Minimum I Need for a Professional Small Booth? A tablecloth, a vertical display, your curated product selection, a card reader, business cards, and a smile. That is genuinely it. Everything else is optional. A Core kit with 24 panels, a solid tablecloth, and your best 15 products will look more professional than 90% of the booths at any market. Full range at the full kit range.

Fitting A Full Brand Story On A Table The Size Of A Desk

You have 90cm of table. Maybe 120 if the organiser is generous. And you need people to walk away knowing who you are, what you make, and why they should care. Not just "oh, cute prints." Your actual brand story. We have watched vendors try to solve this with banners, pamphlets, elaborate backstory cards, QR codes linking to their About page. None of it works. Nobody reads your origin story at a market. They are eating a sausage roll and walking fast. What DOES work is letting your display do the talking. Your brand story is not a paragraph. It is the feeling someone gets in the three seconds they glance at your table while walking past. That means your colour palette, your product curation, and your display style need to be doing all the heavy lifting. One artist we know sells hand-painted ceramics. Her brand story is "nature meets geometry." She does not write that anywhere. Her modular display kit is configured with alternating solid and frosted panels. Her ceramics sit on integrated shelves at staggered heights. The DISPLAY is the brand story. Organic shapes on a geometric grid. People get it instantly without reading a word. The mistake most vendors make with tiny spaces is trying to say too much. You do not need a banner, a bio, a mission statement, AND a product display. Pick one visual idea that captures your brand and let everything else serve that idea. Your logo at eye level. Your hero product front and centre. Your colour story consistent from tablecloth to business card. A small table forces clarity. That is its superpower. If you cannot communicate your brand in 90cm of space, the problem is not the space. It is the brand message. Tighten it up and the small table becomes more than enough. See the full kit range for setups designed to tell a story in a small footprint.

Compact Doesn't Mean Boring: Small Booth Inspiration

Somewhere along the way, vendors started equating "small booth" with "compromise." Smaller table, fewer products, less impressive. That is completely backwards. Some of the most jaw-dropping setups we have ever seen came from vendors with half a table and a lot of creativity. Here are eight compact booth ideas that prove small does not mean boring. 1. The Gallery Wall Build a clean vertical display with frosted panels and hang your work like a gallery exhibition. White backgrounds, even spacing, one piece per panel. It looks like a pop-up art show, not a market stall. A modular display kit in Core size handles this beautifully with 24 panels on a single table. 2. The Colour Block Pick one bold colour for all your accessories: tablecloth, business cards, packaging, price tags. Keep your display wall neutral. The contrast makes your booth instantly recognisable from across the room. Customers will remember "the orange booth" long after they have forgotten what table number you were. 3. The Minimalist Tower Two panels wide, five panels tall. One single vertical column in the centre of your table. Hang your hero product at eye level. Stack supporting pieces below. It takes up almost no table space and creates a striking silhouette that draws people in. 4. The Living Lookbook Instead of displaying products directly, display photos of your products being USED. Print lifestyle shots on cards and mount them on your display wall. Keep actual inventory behind the wall or under the table, and pull items out when someone asks. Your booth becomes a curated experience, not a shelf. 5. The Two-Sided Display If you have an end-of-row position, build your display as a freestanding wall and use BOTH sides. Front side faces the main aisle. Back side faces the cross aisle. Same footprint, double the visibility. This works especially well at L-shaped booth assignments. 6. The Shelf Showcase Skip the flat table display entirely. Build your panel wall with integrated shelves using PLA hooks rated to 5kg each. Stagger them at different heights. Your products sit on shelves at various eye levels, creating depth and visual interest on a flat surface. For even more shape on a small footprint, the Angled kits add any-angle panels that swing both ways, so a compact booth can have a little roof, an awning or an arch. 7. The Backlit Feature Wall Place a small LED panel behind your frosted display wall. The diffused glow makes your entire setup look high-end and gallery-quality. This is ESPECIALLY effective at indoor markets with dim overhead lighting where every other vendor looks flat and shadowless. 8. The Rotating Exhibition Bring three completely different layouts and swap your entire display every two hours. Morning visitors see one booth. Afternoon visitors see another. Use the modular click-together design to reconfigure in under five minutes between rotations. It keeps your booth fresh all day and gives you real data on which layout sells best. Small booths only feel limiting when you try to shrink a big booth concept into a small space. Design for the space you HAVE and you will end up with something way more interesting. Check the full kit range for kits that make compact creativity easy.

How To Say No To Extra Stock When Your Table Is Tiny

Your table fits maybe 20 items comfortably. You make 200. And every single time you pack for a market, that voice in your head says: "but what if someone asks for the thing I left at home?" That voice is lying to you. And it is costing you sales. The Overpacking Trap Bringing too much stock to a small space creates a cascade of problems that most vendors do not even recognise. Your table looks cluttered. Customers get overwhelmed by choice and buy nothing. You spend your setup time playing Tetris instead of building an inviting display. And you waste energy hauling product that never leaves the box. The hardest skill in small-space vending is not display design. It is saying no to your own inventory. The 80/20 Rule Applied to Your Table Go look at your last five events. Actually pull the numbers. For MOST vendors, around 20% of their products generate 80% of their revenue. Those are your display pieces. Everything else is backup stock or a distraction. Your tiny table should show your top sellers, your newest piece (one, not five), and one conversation starter. That is it. If you have room left over after those categories, you have room for breathing space and that breathing space is doing more selling than another product would. Building a Rotation Kit Instead of a "Bring Everything" Kit Pack three categories: Display (what goes up), Rotation (what swaps in after a sale), and Leave Behind (the stuff you convinced yourself to bring "just in case"). For your first few events with this system, bring the Leave Behind box and track whether you ever open it. Most vendors find they never do. A modular display kit helps here because vertical display space means your table surface stays clean for your top sellers. The wall handles your visual range and brand presence. The table handles transactions. What to Do When Someone Asks for Something You Did Not Bring This is the fear that drives overpacking. Someone will ask and you will not have it. Here is the reality: this is actually a GOOD problem. A customer interested enough to ask is interested enough to buy from your online store. Hand them a card, show them on your phone, offer to ship it. You just turned a missed in-person sale into a confirmed online customer with zero cost of display space. The vendors who build the best small-space setups are the ones who edit ruthlessly. Browse the full kit range and pick the size that fits your curated selection, not your entire catalogue. Frequently Asked Questions How do I decide which products make the cut for a small table? Start with sales data. Your top 5 revenue items and your newest release go on display. Everything else is rotation stock. If you do not have sales data yet, pick the pieces that get the most engagement on social media. Should I bring different stock to different types of events? Yes. A craft market audience and a comic convention audience want different things. Have 2-3 preset packing lists for different event types so you are not making decisions the night before every market.

The Small Space Lighting Trick That Makes A Huge Difference

You can have the best products, the cleanest layout, and the most eye-catching display at the market. But if your lighting is bad, none of it matters. Everything looks flat. Colours wash out. Customers walk past without stopping because nothing POPS. Good lighting is the single cheapest upgrade you can make to a small booth. And most vendors get it completely wrong. Why Top-Down Lighting Kills Small Booths Most venues have overhead fluorescent lights or industrial fixtures pointing straight down. This creates harsh shadows, washes out colour, and makes everything on your table look like it is sitting in a waiting room. In a big booth with pipe and drape, you can mount your own lighting rig to counteract this. In a small space, you do not have that luxury. The fix is angling light FORWARD and UPWARD from your table level, not relying on whatever the ceiling throws at you. Clip-on LED panels aimed at your vertical display create the kind of directional light that makes products glow without needing any overhead access. The Frosted Panel Trick This is the one that changes everything for small-space vendors. If your display wall uses frosted or translucent panels, placing a small LED light BEHIND the panels creates a soft backlight effect. Your products on the front are illuminated from behind with diffused, even light. No hot spots. No glare. Just a clean, gallery-quality glow. A modular display kit uses 35x35cm frosted PP panels that are designed for exactly this kind of lighting play. The frosted surface diffuses the light naturally, so even a cheap clip-on LED creates a surprisingly professional effect. Battery-Powered Is Non-Negotiable for Small Setups Small booths cannot afford to run extension cords across walkways or depend on venue power strips. Go battery-powered for everything. Modern rechargeable LED panels last 6-8 hours on a single charge, which covers a full market day. Charge overnight, swap in the morning. Position two small panels: one behind your display wall for backlighting, one clipped to the top of your display angled down at your table products. Two lights, battery powered, total cost under $50. The difference is enormous. Colour Temperature Matters More Than Brightness Do not blast your booth with the brightest light you can find. Colour temperature is what makes your products look RIGHT. Aim for 4000-5000K, which is a neutral daylight that does not skew warm or cold. Warm light (3000K) makes everything look cozy but kills accurate colour representation for art prints and textiles. Cool light (6500K) makes everything look sterile. Check the full kit range for display setups that work beautifully with simple LED backlighting. Frequently Asked Questions Can I use string lights instead of LED panels? String lights create ambiance but they do not actually illuminate your products well enough for customers to see detail and colour accurately. Use them for vibe if you want, but always pair them with directional LED panels for the actual product lighting. How do I attach lights to a modular panel display? Small clip-on LED panels attach to the top edge of your display wall. For backlighting, rest or clip the light on the back side of any panel. PLA hooks rated to 5kg can also hold lightweight LED strips along the back surface. Do I need different lighting for indoor versus outdoor markets? Outdoor markets under tents or gazebos still need supplemental lighting because tent shadows create uneven illumination. Indoor markets almost always need it. The same battery LED setup works for both.

Building A Two-Person Booth That Doesn't Feel Crowded

Mika and Jordan had a problem. They both sold art. They were dating. And they had signed up for a convention together without realising they would be sharing a single 6-foot table. One table. Two artists. Two completely different product lines. One weekend to make it work. Their first instinct was to split the table down the middle. Mika gets the left three feet, Jordan gets the right. Simple. Except three feet of table space is barely enough for one person, let alone someone trying to display prints, stickers, and pins. The Vertical Split What actually worked was going vertical and creating distinct zones using height instead of table area. They set up a modular display kit with a centre divider that went five panels high. Mika had a display wall on her side, Jordan had one on his. The panels gave each of them a 175cm backdrop without stealing any table surface. From the front, it looked like two mini booths side by side. Each had their own branding, their own colour scheme, their own vertical display space. The shared table was just a landing pad for products, not the main event. What They Learned About Shared Flow The first lesson was about customer flow. When someone stopped at Mika side, they would naturally glance at Jordan side too. The booth became a two-for-one stop. Instead of competing for attention, they were funnelling traffic to each other. The second lesson was about storage. With two people needing backup stock, under-table space gets TIGHT. They solved this by using the back of the display wall as hidden storage. Hooks on the reverse side held backup prints in clear sleeves. No boxes needed. Making It Feel Like Two Booths The key detail that made everything click was the centre divider panel. Instead of leaving it empty, they put a shared sign in the middle: their joint brand name for conventions. It turned a practical divider into a feature. Customers saw it as a collab, not two people crammed into one spot. By afternoon on day one, neighbouring vendors were asking them how they pulled it off. By day two, they had refined the layout even further, angling the side panels slightly inward to create a subtle U-shape that drew people in. They have shared a table at every event since. Not because they have to. Because it actually works better than two separate setups. The shared foot traffic and complementary products mean they both sell more than they would alone. If you are planning a shared booth, look at the full kit range for configurations that let two artists share one table without stepping on each other. The 35x35cm panels make it easy to build asymmetric layouts where each person gets exactly the space they need.

The Pre-Flight Checklist For Vendors Travelling With Displays

Flying with your booth is easy once you've done it twice. The first time, though, you have questions. Will security flag it? Does it fit the overhead bin? What if they make you check it? Here's the checklist that answers everything before you get to the airport. The Night Before Weigh your booth bag and product bag on a luggage scale Confirm carry-on dimensions with your airline (most accept 56x36x23cm, but budget carriers vary) Remove any scissors, blades, or tools from your booth bag and put them in checked luggage or leave them home Charge your phone and portable battery Print or screenshot your boarding pass and convention registration Your modular display kit fits standard carry-on at 56x36x23cm. No surprises at the gate. At Security Flat panels sometimes look unusual on the X-ray. Security might ask you to open the bag. This is NORMAL and takes about 30 seconds. Just explain they're display panels. They're not metallic, not electronic, and not restricted. In hundreds of flights reported by our vendors, none have had a panel confiscated. Keep connectors and hooks in a clear pouch so they're easy to show if asked. ABS and PLA look like nothing special on a screen, but loose small parts in a bag always get a second look. At The Gate Board early if your airline offers it. Overhead bin space fills fast. Your booth bag fits in a standard overhead bin, but you want it flat on the bottom shelf, not wedged in vertically where someone might stack a heavy bag on top. If the bin is full and they ask you to gate-check, your panels are rigid PP and won't break. But it adds time at the other end, so early boarding is worth it. On Arrival Grab your bags and head straight to the venue or hotel Do a quick count: panels, connectors, hooks. Confirm nothing shifted loose If you shipped product ahead, confirm it arrived at your hotel or pickup point The Return Flight Teardown is faster than setup. Panels flat, connectors in the pouch, hooks in the pouch, done. The BIGGEST return-flight mistake is buying merch from other vendors and running out of bag space. Bring a foldable tote for your personal con haul so it doesn't compete with your booth bag. Check the full kit range to find the kit that matches your travel style. Frequently Asked Questions Has anyone ever been stopped from bringing panels on a plane?Not that we've heard from over a thousand customers. The panels are non-metallic, non-electronic, and within carry-on dimensions. What if my airline has a smaller carry-on limit?Some budget carriers allow only 50x35x20cm. In that case, check the booth bag. The panels are rigid and handle the hold fine. You'll just wait at the carousel. Can I bring hooks and connectors in carry-on?Yes. They're plastic (ABS and PLA). No sharp edges, no restricted materials. Keep them in a clear pouch for easy inspection.

What Changes When You Downsize From A Full Table

We have talked to hundreds of vendors who went from a full 6-foot table to sharing a table, or dropping down to a half table, or switching from booths to market stalls. The story is always the same at first: panic. Less space feels like less opportunity. Fewer products on display means fewer chances to sell, right? That is the gut reaction. And it is almost always wrong. What actually changes when you downsize is your editing instinct. You HAVE to choose. You cannot bring everything. And that constraint forces you to figure out which five products actually drive 80% of your sales. Most vendors have never done that math. They bring everything because they can, not because they should. The vendors who thrive in small spaces are the ones who stopped thinking of it as a limitation and started treating it as a filter. Smaller tables push you toward better curation, cleaner displays, and faster setups. We have seen artists double their per-event revenue after downsizing because they finally stopped hiding their best work behind a wall of mediocre inventory. The practical side matters too. A modular display kit in Core size gives you a full vertical display on a half table. Setup takes 20 minutes. Teardown is faster. You are not hauling a van full of grid walls and zip ties anymore. That energy you save goes directly into talking to customers and making sales. Downsizing is not about having less. It is about showing less so people can actually SEE what you make. The best booths at any market are never the most packed ones. They are the ones where every single item has room to breathe. If you are stressing about an upcoming event with a smaller space than you are used to, take a breath. Grab your top five sellers, build up instead of out, and watch what happens. Browse the full kit range for setups that work in tight spaces.

Building A Silhouette People Recognise Before They See Your Face

Your booth has a shape. From across a convention hall, before anyone can read your name or see your art, they see your outline. That silhouette is either distinctive or it looks like every other table in the row. We get asked about this a lot, so here are the most common questions about building a booth shape that people recognise on sight. What Do You Mean By A Booth Silhouette? Stand at one end of a convention hall and look at the vendor row. What you see is a series of shapes. Most are low, flat rectangles (tables). Some have small bumps (wire racks, small standing displays). And a few have tall, clean vertical forms that rise above everything else. That tall form is a silhouette, and it's the first visual signal your booth sends. A modular display kit stacked 5 panels high to 175cm creates a silhouette that's immediately distinct from the table-level baseline around it. Why Does Shape Matter More Than What's On Display? Because shape works at distance and detail doesn't. From 20 metres away, nobody can see your art. They can't read your sign. They can't tell if you sell prints or pottery. But they CAN see your outline. A tall, structured booth is a landmark. A flat table is camouflage. People navigate convention halls the same way they navigate cities: by landmarks. Be the tall building, not the parking lot. Does The Display Colour Affect The Silhouette? Colour adds a second layer of recognition. The shape gets noticed first, then the colour confirms identity. If your panels are a consistent colour at every event, returning customers spot the combo fast. "Tall booth, teal panels" is a mental shortcut that works in a crowded hall. With 19+ panel colours available, pick one that's distinctly yours and own it. What If My Table Space Is Small? Silhouette is about HEIGHT, not width. Even a Core kit with 24 panels on a standard 180cm table builds a tall vertical presence. You're using the same table footprint as the vendor next to you. You're just claiming the airspace above it that they're ignoring. That vertical territory is free real estate in a convention hall and almost nobody uses it. How Do I Keep My Silhouette Consistent Across Events? Use the same kit every time. The 35x35cm frosted PP panels and ABS connectors snap together in the same configuration event after event. Take a photo of your setup after a successful show and use it as your reference. The kit packs flat into a 56x36x23cm carry-on case, so nothing gets lost or swapped between events. Same parts, same build, same silhouette. What Size Kit Creates The Best Silhouette? It depends on your space and inventory. The Core (24 panels) is a solid vertical backdrop for a single table. The Shapeshift (46 panels) lets you build wider or add side wings. The Shapeshift Angled (46 panels in six shapes) adds the any-angle panel, which sets at any angle and fits the triangles, so your outline can be a roof, an awning or an arch that nobody else in the row has. And the Shapeshift Duo (92 panels) builds the kind of three-sided enclosure that dominates a booth space. Every option ships from Sydney in 1-3 days to 50+ countries. Check the full kit range to see which creates the silhouette you want. Can I Change My Silhouette Seasonally? You can, but do it carefully. Your core shape should stay recognisable. Think of it like a building that gets seasonal decorations but keeps the same architecture. Add side panels for holiday markets, remove a wing for smaller venues, but keep the main wall height and colour consistent. The modular system makes this easy since you just add or subtract panels without redesigning the whole structure. How Long Before People Start Recognising My Booth? From what we've seen, it takes 3-4 events in the same circuit. By the third show, returning attendees have your silhouette filed in their mental map. By the fourth, they're walking directly to you. This only works if your setup is consistent. Change your shape every event and you reset the recognition clock to zero every time. Over 1000 artists with 4.9-star reviews have proven that consistency works.

The Multi-Purpose Display: One Kit For Markets, Cons And Pop-Ups

Markets on Saturday. A convention in two weeks. A pop-up in a retail space next month. Three completely different setups. Three different space constraints. Three different vibes.Most vendors own three different display systems for this. Or worse, they own one system that only works well in one of those settings and looks awkward in the other two.There is a better way. One modular kit that reconfigures for EVERY scenario.Markets: The Quick BackdropAt a weekend market, you need speed and simplicity. You are working behind a 180cm table in a tight space with neighbours on both sides.Use a Core kit (24 panels) as a straight backdrop. Five panels high gives you 175cm of vertical display. Snap the 35x35cm frosted panels together with ABS connectors. No tools. Under 30 minutes. Done.The whole kit packs into a 56x36x23cm case. That is carry-on size. Fits in any car.Conventions: The Big PresenceCons require more. You are competing with hundreds of vendors and foot traffic moves fast. A flat backdrop behind a table will not stop anyone.Reconfigure the same panels into an L-shape or U-shape. Add shelving (5kg per shelf) so your products sit at eye level. The Shapeshift Duo or Shapeshift Angled Duo (92 panels each) gives you enough material to build a proper booth space that people walk INTO instead of past, and the Angled Duo's any-angle panels swing both ways, so that space can have an awning, a roof or an arch.Same panels, same connectors, completely different impact.Pop-Ups: The Retail-Ready WallPop-up shops are a different challenge. You are usually in a real retail space and you need to look like you belong there. Not like a market vendor who wandered indoors.Build a product wall with shelving at regular intervals. Use a single panel colour that matches the space. The frosted polypropylene has a clean, modern look that reads as intentional retail design. Nobody would guess it packs flat into a suitcase.This is where the 19+ colour options REALLY matter. Match the space, match your brand, look like you planned it for months.The Math: One Kit Versus Three SetupsThree separate display systems means three purchases, three storage solutions, and three things to maintain. A modular system means one purchase that you configure differently each time.Start with whatever size fits your current needs. The modular display kit scales from Core (24 panels) up to Shapeshift Duo (92 panels). Add panels when you need more. Nothing you bought becomes obsolete.FAQCan I mix panel colours in one setup?Yes. Every panel and connector is compatible regardless of colour. Some vendors use one colour for the main wall and a different one for accent shelves or side wings.How do I know which size to start with?Core (24 panels) handles a standard market table backdrop. Shapeshift (46 panels) adds side wings. Shapeshift Angled (46 panels in six shapes) adds roofs and awnings. Shapeshift Duo (92 panels) builds a full L or U shape for large convention booths. Browse the full kit range for dimensions.Will it look out of place in a retail pop-up?No. The frosted polypropylene panels have a clean, contemporary finish. Multiple vendors use them in permanent retail installations. They look more like store fixtures than market gear.What about outdoor events?The panels handle sun and light rain fine. For heavy wind, secure the base panels to your table or use weights. The polypropylene is weather-resistant and wipes clean.

Solving The Not Enough Wall Space Problem

Every vendor hits this wall eventually. You have products to show, ideas for your layout, maybe even some gorgeous signage ready to go. But your allocated space gives you a table and nothing else. No wall behind you. No pegboard. No pipe and drape. Just air. Here are seven ways to solve the not-enough-wall-space problem without begging your event organiser for a better spot. 1. Build Your Own Wall On the Table A modular display kit sits directly on your table and builds upward. Five panels high gives you 175cm of display wall. No drilling, no clamping to the table edge, no hoping the venue has attachment points. You bring the wall with you. 2. Use Both Sides of Your Display If you have a freestanding display, the back is usable too. Hang backup stock, extra signage, or business card holders on the reverse side. Corner booths can angle the display so both sides face foot traffic. That is double the wall space from the same footprint. 3. Go Narrow and Tall Instead of Wide and Short A two-panel-wide column that is five panels tall uses less table space than a four-wide, two-high layout but shows the SAME number of products. Vertical layouts also catch eyes from further away because they break the visual line of every other table-height display around you. 4. Add Shelves to Your Wall Flat wall space shows 2D work. But shelves turn that same wall into 3D product display. With 5kg-rated PLA hooks, you can add small shelves for jewellery, ceramics, small sculptures, or stacked print sets without needing a separate shelving unit eating your floor space. 5. Create an L-Shape or U-Shape Instead of one flat wall, angle your panels into an L or U configuration. This creates a mini booth environment even in an open-table setup. Customers step INTO your space instead of walking past it. The psychology shift is huge and it uses the same number of panels. With the any-angle panels in our Angled kits, which set at any angle, you can go one further and tilt an awning or a roof over that space. 6. Lean Into the "Floating Gallery" Look Frosted panels with prints or products mounted with clear standoffs create a gallery effect that LOOKS like you have more wall space than you do. The translucency lets light through and makes the display feel lighter and more open than solid walls would. 7. Stack Configurations Between Events The real power move is having enough panels to reconfigure between events. A Shapeshift kit with 46 panels lets you build a wide backdrop for markets with space, or a tall narrow tower for cramped pop-ups, using the exact same components. Check the full kit range for sizes. The wall space problem is really a thinking problem. Once you stop looking for walls and start building them, your layout options open up completely.

The Signage Mistakes That Make People Walk Past

We've seen brilliant artists with terrible signage lose foot traffic to mediocre artists with clean, readable signs. It happens at every convention. And the worst part is that bad signage is one of the easiest problems to fix. The biggest mistake is using tiny text. Your booth name in 24-point font on an A4 sheet of paper. Who is that for? Someone already standing at your table? They already know they're at your table. Your signage needs to work from 10 metres away, and that means LARGE type. Minimum 5cm letter height for your name, visible from across an aisle. Mount it at the top of your display where it clears the crowd. A modular display kit standing 175cm gives you a natural signage position above head height. That top row of panels is prime real estate for your brand name. Use it. A printed banner, a vinyl cut, even a clean hand-painted sign mounted to the top panels works. What doesn't work is leaving that space empty while your name sits at table level where nobody walking past can see it. Second mistake: too many signs. Price list here, policies there, social media handle on a card, a "commissions open" notice, a fandom label for each section. Every sign dilutes the next one. Your brain can process maybe 2-3 text elements in a quick glance. Everything beyond that becomes noise. Pick your essentials: brand name (visible far away), prices (visible up close), and maybe one call to action. That's it. Third: fonts that are pretty but unreadable. Script fonts, ultra-thin weights, decorative typefaces that look gorgeous on your business card but turn into squiggly lines from any distance. At conventions, readability beats aesthetics every time. A clean sans-serif in bold weight communicates faster than any fancy font. Here's the test we recommend. Set up your display at home, walk to the other side of the room, and try to read your signage. If you have to squint, it's too small. If you can't tell what it says, change the font. If you're not sure which sign to look at first, you have too many. Fix those three things and you'll notice more people actually stopping. Browse the full kit range to find the right display height for your signage.

The Micro Market Setup That Still Looks Professional

You signed up for a micro market. Maybe it is a pop-up in a cafe, a weekend craft fair with half-tables, or one of those trendy curated markets where everyone gets a metre of space and a prayer. The table is small. Your brand still needs to look like it belongs there. Here is the thing most vendors get wrong: they try to shrink their normal setup down. That never works. A micro market setup needs to be DESIGNED small from the start. Start With a Centrepiece, Not a Catalogue Pick your three best sellers. That is it. Three. Everything else is backup stock hidden under the table or behind your display. When you only have a small surface, every item needs to earn its spot. A tight, curated selection looks intentional. A crammed table looks desperate. Use a modular display kit to add a vertical backdrop even in tiny spaces. The Core kit with 24 panels fits on a standard table and builds up to 175cm high. That gives you a professional wall behind your products without eating any table space at all. Branding Beats Quantity At micro markets, your brand presence matters more than your product range. One clean banner, consistent colours, and a cohesive display will outsell a table covered edge to edge with random items. People at curated markets are looking for brands they connect with, not bargain bins. Frosted PP panels work brilliantly here because they diffuse light and give everything behind them a clean, gallery feel. Pin your logo card or brand statement at eye level. Let the products speak below it. The One-Bag Test If your micro market setup does not fit in one bag, it is too big. The best small-space vendors can set up and tear down in 15 minutes. That means modular components that click together without tools, flat-pack storage, and nothing that needs a power drill or cable ties. A Core 24-panel kit packs into a 56x36x23cm case. That is carry-on size. Your entire professional display fits in one bag alongside your laptop. Height Creates Presence Even in a tiny footprint, going vertical makes you visible from across the room. Two panels wide and five high gives you a backdrop that catches eyes from the entrance. Other vendors with flat table displays blend into the background. You stand out because you built UP. Browse the full kit range to find the right size for your next micro market. Frequently Asked Questions Can I use a modular display on a half table? Yes. The Core kit is designed to sit on a standard 180cm table but it works on half tables too. You just build it narrower and taller. The panels are 35x35cm each so you can configure any shape that fits your space. What if the market does not allow tall displays? Check the rules first, always. Most markets cap height at 180cm which is fine since five panels high hits 175cm. If they cap lower, just build three or four panels high and use the extra panels as shelf surfaces instead of wall height.

What matters more for your booth?

The shape: roofs, awnings and angles

Any-angle panels for roofs, awnings and shaped fronts

The colour: the widest colour range

The most colours to pick from and to mix

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

Select all that apply

How long do you plan to use it?

Just one season, trying it out

Light use, a handful of events

A few years

Most artists land here

Heavy, long-term use

Built to last, with room to grow on extra parts and spares for years

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

What shape do you want your booth to be?

Classic cube shelves

Straight walls and stepped shelves

Angled roofs, cut corners or a curved front

Any-angle panels set at any angle for roofs, corners and U fronts

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

Terracotta

Watermelon Pink

Yuzu Yellow

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Your result

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build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

Pick a Display kit to Shapeshift your brand.

Choose a setup size and colours & explore examples of how you could use our kits.

Single Low to tall for 1 table setups

Duo Low / tall / deep for 1-2 table setupsLow / tall / deep for 1-2 table setups

V2 AngledPre-order Panels form tiered cascading awning designs.Panels form tiered cascading awning designs.

OriginalLow stockLow Multi-shape panels form cube-shaped cascading designs.Multi-shape panels form cube-shaped cascading designs.

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2aMain colour Main colour

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Swap half your square panels to a 2nd colour

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4. Bundle & save add-ons

Display more with add-on packs.

Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$575.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

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