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Artist Back Alley Resources Blog

The Aesthetic Upgrade That Costs Nothing But Planning

Your Booth Aesthetic Starts Before You Buy Anything Most vendors think a great-looking booth starts with buying things. Better display. Nicer tablecloth. Fancier signage. And sure, all of that helps. But the single biggest aesthetic upgrade you can make costs absolutely nothing. It's planning. Specifically, planning what goes WHERE and WHY before you set foot at your next event. Map Your Table Like A Floor Plan Grab a piece of paper. Draw your table from above. Now place every product category in a zone. Prints on the left wall. Stickers front and centre. Originals on the back panel. Small impulse buys near the register. This isn't interior design school. It's crowd flow. People approach from the front, scan left to right (in most Western markets), and reach for what's at hand height. Put your hero pieces where eyes land first. Put your cheapest impulse items where hands land last. A modular display kit makes this easier because the panels give you distinct vertical zones. Five panels high at 175cm means you can layer: eye-level showcase, mid-level browse, table-level grab. Pick A Colour Story And Stick To It Two to three colours. That's it. Your panels, your tablecloth, your signage, your business cards. All pulling from the same palette. This reads as "curated" to customers even if you assembled it in twenty minutes. The trap is variety. You have 19+ panel colours to choose from in the full kit range. The temptation is to use six of them. Resist. Constraints create cohesion. Decide What Not To Show This is the hard one. You made fifty pieces. You want to show fifty pieces. But a booth with fifty things on display looks like a garage sale, not a gallery. Edit ruthlessly. Bring your top twenty. Keep backstock in boxes under the table for restocking. The booth that shows less but shows it WELL outsells the cluttered one almost every time. Test Your Layout At Home First Set up your table in your living room. Stand six feet back. Can you see your hero piece? Is there breathing room between items? Does the eye know where to go? Take a photo. Look at it on your phone. If it looks good as a thumbnail, it'll stop foot traffic at a market. If it looks busy as a thumbnail, it'll get walked past. Frequently Asked Questions How Long Does Planning A Layout Take? About an hour for your first time. After that, maybe fifteen minutes of tweaking between events. The initial investment pays off for months. Do I Need To Buy New Display Gear To Make This Work? No. The whole point is that planning is free. Better placement of what you already own beats an expensive display with bad arrangement. Upgrade the gear later once you know your layout works. What If My Products Are All Different Sizes? Group by visual weight, not by category. Three small items clustered together balance one large piece across the table. The modular panel system helps here because you can adjust shelf heights to fit mixed sizes without everything looking chaotic.

The Career Artist's Guide To Reinvesting In Your Display

You have been vending for a while now. Maybe a year, maybe five. You have outgrown the milk crate and tablecloth setup. Your products have levelled up. Your booth should too.Reinvesting in your display is one of the highest-return moves a career artist can make. But knowing WHEN and how to do it matters.When It Is Time To UpgradeThere are a few clear signals that your current display is holding you back: You are turning down shows because your setup is too heavy or slow to justify the drive. Your products look better on your website than they do in your booth. You spend more time building your display than arranging your products. Customers walk past without stopping, even though your work is strong. If two or more of those sound familiar, your display is costing you money. Time to reinvest.How To Think About Display SpendingA display is not an expense. It is equipment. Treat it the way a photographer treats a lens or a chef treats a knife. It is a tool that directly affects the quality of your output, which in this case is your booth presentation and your sales.The question is never "can I afford a new display?" It is "how many shows does this display need to pay for itself?" A modular panel kit that helps you sell even 10% more at each market pays for itself FAST, especially if you are doing shows every weekend.What To Invest In FirstIf you are upgrading in stages, here is the order that gives you the most impact per dollar: The structure. A clean, modular display system is the foundation. The modular display kit starts at Core (24 panels) and scales up to Shapeshift Max (92 panels). Start with the size that fits your current table and product line. Colour coordination. Pick panel colours that match your brand. With 19+ options, you should find an exact or close match. A colour-coordinated booth reads as professional from 10 metres away. Lighting. Clip-on LED lights that highlight your products without blinding the customer. This comes after structure and colour because good lighting on a bad display still looks bad. Signage. A simple, clean sign with your brand name and social handle. Nothing else. Your products and your display do the rest of the talking. The Long GameCareer artists who reinvest in their display report a few consistent things. They get into better shows because their application photos look more professional. They spend less time setting up, which means less fatigue and better energy during the event. And their average sale per customer goes up because the booth looks like a REAL business.That last part is the one nobody talks about. When your booth looks professional, customers treat you like a professional. They spend more. They buy gifts. They come back next month.Frequently Asked QuestionsHow much should I spend on a display upgrade?Think in terms of payback period, not total cost. If you do two shows a month and a better display helps you sell an extra $50 per show, a $300 display pays for itself in three months. Most career vendors see faster returns than that.Should I buy the biggest kit right away?Not necessarily. Start with the size that fits your current product line and table space. A Core (24 panels) or Shapeshift Base (46 panels) is a solid starting point. You can add panels later because the system is modular.Can I write off my display as a business expense?In most countries, yes. Display equipment is a legitimate business expense for anyone operating as a sole trader or small business. Check with your accountant for the specifics in your jurisdiction.What if I only do a few shows a year?Even occasional vendors benefit from a clean, fast-setup display. The time savings alone are worth it. And a display that packs into a 56x36x23cm case takes up almost no storage space between shows.Ready to make the move? Browse the full kit range and find the size that fits where you are right now.

How A Self-Serve Table Lets One Person Run A Whole Booth

Most vendors work alone. No helper, no booth buddy, no backup. You are the salesperson, the cashier, the security, and the display builder all in one body. That is a lot to ask of one person over a 10-hour day.A self-serve table setup is how solo vendors survive and actually THRIVE at shows. Here is how to build one.Price Everything VisiblyThe number one time drain for solo vendors is answering the question "how much is this?" Multiply that by 300 people over two days and you have spent hours doing something a label could handle.Price tags on every item. Category signs for grouped pricing. Big, readable fonts. No one should need to ask. This one change frees up more of your time than any other.Build Vertical So People Can Browse Without YouA flat table forces customers to lean over your space, get in each other's way, and rely on you to point things out. Vertical displays let multiple people browse independently at the same time.A modular display kit builds five panels high, giving you 175cm of browsable space. Customers can see your full range from the aisle. They self-select what interests them before they even reach the table. That is a massive efficiency gain for a solo operation.Create a Clear Checkout ZoneDesignate one corner of your table as the pay station. Card reader, bags, business cards. When customers are done browsing, they know exactly where to go. This prevents the awkward hovering that happens when people are ready to buy but cannot figure out where to pay.Keep it TIGHT. A small stand with your card reader, a stack of bags, and a dish for cash. Nothing more.Use Your Layout to Answer QuestionsGroup products by type or price point. Put your bestsellers at eye level. Place new items where they catch attention naturally. Signage that says "all prints $15" or "original paintings" eliminates questions before they happen.Think of your display as a silent employee. Every sign, every grouping, every price tag is that employee doing work so you do not have to.Prepare for BreaksYou will need to step away. Bathroom, food, five minutes of quiet. A self-serve setup means your table keeps functioning. Customers can browse, check prices, and even leave payment (card readers with tap-to-pay work while you are a few steps away).Some vendors put a small sign: "back in 5, feel free to browse." It works. People respect it.Can I really run a booth completely alone?Yes. Thousands of vendors do it every weekend. The key is a setup that does not depend on you being present for every interaction. Self-serve layout, clear pricing, and a simple checkout flow make it very manageable.What size display works best for a solo vendor?A Shapeshift Base (46 panels) or Shapeshift (70 panels) hits the sweet spot. Enough to build a strong vertical display that sells for you, small enough to set up alone in under 30 minutes. Check the full kit range to compare sizes.How do I handle theft when I am alone?Keep high-value items closer to you or behind the table. Use your vertical display to create a natural barrier. Most theft at conventions is opportunistic, so visibility is your best deterrent. A well-lit, well-organised table with clear sightlines discourages it.

Building A Look That Scales From A Small Table To A Full Booth

You're starting at a 6ft table at a local pop-up. But you're planning for the day you have a full 10x10 booth at a major con. The mistake most artists make is building a look that only works at one size. Here's how to create a display aesthetic that scales up without starting over. 1. Start With A Modular System, Not Fixed Furniture This is the foundational choice. A modular display kit with 35x35cm snap-together panels grows with you. A Core kit (24 panels) covers a single table backdrop. Add panels and you get side returns, shelving, L-shapes, and eventually full U-shaped booths. The connectors, hooks, and shelves all work across every kit size. Nothing you buy at the Core level becomes obsolete when you scale up to a Shapeshift (70 panels) or Max (92). 2. Choose Your Colours Now, Not Later The panels you buy for your first show should be in the colour you'll use forever. Switching colours later means replacing every panel. If you start with white and build your brand around a clean white aesthetic, every expansion just means more white panels. Zero visual disruption as you grow. 3. Design Your Small Table Like A Crop Of The Big Booth Think of your current table as a zoomed-in section of your future booth. Whatever zone of the full setup this table represents (the centre wall, the left wing, the front product area), build it to the same standard. Same signage style. Same product spacing. Same visual rules. When you expand, you're widening the frame, not redesigning the picture. 4. Keep Your Hero Wall Consistent Across Sizes Your hero wall is the main backdrop people see from the aisle. At a small table, that's your only wall (5 wide, 5 high). At a full booth, it's your back wall. Design it once. As you scale from a Core to a Shapeshift Base (46 panels) to the full kit range, the hero wall stays the same. You're adding wings and returns around it, not rebuilding it. 5. Invest In Portable, Not Permanent Heavy wooden fixtures look impressive but they lock you into one booth size. Everything in your display should pack flat and fit in luggage. The modular panels collapse into a 56x36x23cm carry-on size case. Tablecloths fold. Signage rolls. When your whole setup is portable, scaling up means bringing more of the same gear, not renting a truck. 6. Document Your Layouts Take photos of every setup you build. Front view, side view, from the aisle. When you scale up, you'll have a visual history of what worked at each size. You'll spot patterns. "Oh, my products always look best with 30cm between them." "My prints need to start at eye level, not lower." These small observations become your personal layout rules that scale with you. 7. Plan Your First Expansion Before You Need It If you're on a Core kit now, look at what the next size up (Shapeshift Base, 46 panels) adds. More wall width? Side returns? Shelving? Knowing what's coming lets you design your current setup to absorb those additions cleanly instead of awkwardly bolting them on later.

Why Your Booth Is Part Of Your Portfolio

We have a theory that upsets people: your booth is a piece of your portfolio. Not separate from your creative work. Part of it. Think about what a potential client or collaborator sees when they visit your table. They see your art, sure. But they also see how you present it. They see whether you thought about colour, layout, lighting, and flow. They see whether you treated the space with the same care you treat a canvas. A sloppy booth does not say "I am a great artist who does not care about displays." It says "I do not see this as worth my effort." And the people walking by are making split-second judgments about your professionalism based on everything in view, not just the framed pieces. We have seen artists lose commission inquiries because a client visited their convention booth and walked away thinking "talented, but not professional enough to trust with a $2,000 project." The art was stunning. The booth was a folding table with prints in a cardboard box. That gap between the work and the presentation created doubt. And doubt kills deals. Your modular display kit is not separate from your art practice. It is part of how your art is experienced. The panels, the layout, the colour coordination. These are design decisions. And you are a designer. Treat your booth the way you would treat a gallery submission, because to everyone walking past, that is exactly what it is. When someone photographs your booth and posts it online, that photo sits in the same feed as your finished illustrations. It gets the same audience. It forms the same impression. A tight, intentional setup from the full kit range makes every booth photo work as portfolio material. A messy table makes every booth photo work against you. Your booth is not logistics. It is creative work. And it deserves creative attention.

Building A Vendor Booth That Works Indoors And Outdoors

You got accepted into a gorgeous outdoor market this weekend. Next week, an indoor craft fair at a community hall. The week after, a convention centre with fluorescent lighting and concrete floors.Your display needs to handle all three without looking weird in any of them. Most vendor setups are designed for one environment and tolerated in others. Here is how to build a booth that genuinely works EVERYWHERE.The Outdoor ChallengeOutdoor markets throw two things at your display: weather and wind. Fabric backdrops catch the breeze and billow. Paper signs curl. Anything lightweight becomes a liability.Frosted polypropylene panels handle this well. They are rigid enough to resist moderate wind, waterproof enough to shrug off light rain, and UV-stable enough to not yellow after a few sunny weekends. The 35x35cm panels snap together with ABS connectors that lock firm.For windy days, weigh down the base. Clip the bottom panels to your table legs or use sandbag weights behind the wall. The structure stays put.The other outdoor factor: glare. Glossy displays wash out in direct sunlight. Frosted panels diffuse light instead of reflecting it, so your products stay visible no matter where the sun is.The Indoor AdvantageIndoors, you control more variables. No wind, no rain, predictable lighting. But you have a new problem: competing with the space itself.A community hall with beige walls and bad lighting will make your booth look flat unless your display brings its own presence. Height is your friend. Stack five panels high (175cm) and you create a wall that commands attention regardless of the room behind it.With 19+ panel colours, you can pick something that pops against whatever backdrop the venue provides. A deep navy or forest green display in a white-walled gallery looks INTENTIONAL. A frosted white display in a dim hall catches light and stands out.Convention Centres: The Hardest EnvironmentConvention centres combine harsh fluorescent lighting, concrete floors, and a sea of other vendors. This is where your display has to work the hardest.Go tall and go wide. An L-shape or U-shape with the Shapeshift (70 panels) or Shapeshift Max (92 panels) creates a defined space in an open floor plan. Add shelving at multiple heights so your products meet attendees at eye level. Each shelf holds 5kg.The modular display kit handles all three environments because the panels do not care where they are. Same material, same connectors, same assembly process whether you are in a park, a hall, or a convention centre.Practical Tips For Both Settings Bring clip-on LED lights. They help indoors with bad lighting and outdoors in shaded spots. Use the panel wall to hide your storage behind it. Works everywhere. Pack a small tarp. Even if rain is unlikely outdoors, protecting your gear during load-in shows professionalism. Test your colour choice in both natural and artificial light before committing. FAQAre the panels waterproof?The frosted polypropylene panels are water-resistant and wipe clean. Light rain is no issue. Heavy sustained rain, you will want a canopy over your booth like any outdoor vendor.Do they blow over in wind?The panel wall is rigid and interconnected, so it handles moderate wind well. For gusty conditions, secure the base to your table or add weights. The connected structure is much more stable than a freestanding banner or fabric backdrop.What about sun damage?Polypropylene is UV-stable. It will not yellow, warp, or become brittle from regular outdoor use. These are not indoor-only materials.Which size works best for both settings?The Shapeshift Base (46 panels) is the sweet spot for vendors who do both. Enough for a proper backdrop at markets and enough to build a small L-shape at conventions. Browse the full kit range to compare sizes.

Why Indie Brands Are Switching To Modular Exhibitor Displays

We have noticed a shift over the past two years. Indie brands that used to show up with banner stands and pipe-and-drape setups are switching to modular panel displays. Not gradually. Fast.The reason is simple. The old options stopped making sense.Banner stands crease. They look fine for one or two shows, then the print wrinkles, the base gets wobbly, and you spend more time trying to make it stand straight than you do selling. Pipe-and-drape looks like a hotel conference partition. Custom booths cost a fortune and lock you into one configuration that may not fit next month is event.Modular displays fix all three problems at once. The modular display kit uses rigid frosted panels that snap together with connectors. Different layout every show if you want it. Same professional look every time. No creasing, no wobbling, no five-figure invoices.We think the REAL driver of the switch is flexibility. Indie brands move fast. They launch new product lines, change their visual identity, try different event types. A display system that reconfigures in minutes keeps up with that speed. A custom booth built six months ago is already outdated.The portability helps too. Indie brands do not have warehouses or shipping accounts. They have a car and a spare room. A display that packs into a carry-on sized case and sets up in under 30 minutes is built for that reality. No storage unit needed.We ship from Sydney to 50+ countries and we see orders from brands doing everything from handmade jewellery markets to tech expos. The common thread is always the same. They want something that looks sharp, travels easy, and does not eat their entire event budget.The old display industry was built for big companies with big budgets. Indie brands deserve better. And they are FINALLY getting it.See the full kit range and find the size that fits your next event.

The Income Math Behind A Full Con Season

Stop Guessing, Start Counting Most vendors have a vague idea of how much they make per event. "Pretty good" is not a number. If you want to vend sustainably, you need to know your actual math. Per event. Per season. Per product line. Let us break it down with REAL numbers. The Per-Event Formula Every event has a simple equation: Net profit = Gross sales - (Table fee + Travel + Accommodation + Food + Materials + Display wear) Here is what a typical weekend con looks like for a mid-level vendor: Gross sales: $1,200 Table fee: $150 Travel (fuel or flights): $80 Accommodation: $120 (split with another vendor) Food: $40 Materials/stock cost: $300 (25% of gross) Display wear/replacement: $20 Net profit: $490. For a two-day event where you worked roughly 20 hours including setup and packdown, that is about $24.50 an hour. Decent. Not life-changing. The LEVERAGE comes from doing it consistently. Scaling to a Full Season A full con season runs roughly 40 weekends per year (leaving some for rest, holidays, and stock preparation). At three events per month average: 36 events x $490 net = $17,640 per year That is the baseline. Now look at the levers you can pull. Raise your average sale. Moving from $15 average items to $25 average items on the same foot traffic is a 66% revenue jump. Pricing and product mix do more for your income than adding extra events. Cut your travel costs. A display that packs flat into a carry-on case (56x36x23cm) eliminates checked luggage fees. For vendors who fly to 10+ interstate cons, that saves $500 to $1,000 per year in baggage alone. Increase your conversion rate. A professional, vertical display setup consistently converts more foot traffic into buyers. Vendors who upgrade from flat table layouts to structured panel displays report sales increases of 30% or more. At 36 events, a 30% lift on $1,200 gross is an extra $12,960 per YEAR. The Hidden Costs That Wreck Your Margins Watch for these. They are small per event but devastating at scale: Display replacement: Cheap setups break. If you are replacing your rig every six months, factor that in. Durable materials like ABS connectors and frosted PP panels last years. Setup time: A 90-minute setup vs a 30-minute setup across 36 events is 36 extra hours per year. That is almost a full work week spent assembling your booth instead of selling. Unsold stock: Overproducing for cons ties up cash. Track what sells, produce to demand, and let your data guide restocking. Frequently Asked Questions What is a realistic first-year income from full-time vending? Most first-year full-timers net between $15,000 and $30,000 depending on their product, pricing, and event selection. The second year typically jumps 30 to 50% as you optimise your product mix and cut underperforming events. How do I know if an event is worth the cost? Calculate your break-even: total event costs divided by your average profit per sale. If you need to sell 20 items to break even and you usually sell 40, it is worth it. If you need to sell 35 and your average is 30, skip it. Does display quality really affect income that much? Yes. A modular display kit that puts your art at eye level, builds five panels high, and looks professional converts significantly more foot traffic than a flat table. The investment pays for itself within a few events for most vendors. Should I track income per product or per event? Both. Per-event tells you which cons to repeat. Per-product tells you what to make more of. Together they give you the full picture. A simple spreadsheet with date, event name, product, quantity, and revenue is all you need.

Packing A Display For A Con You're Doing Solo, No Car

Solo vending without a car is the ultimate test of your packing game. No one to hold the door. No boot to throw extra boxes into. Just you, your bags, and whatever public transport or rideshare gets you to the venue. Here's how to make it work without losing your mind. 1. Limit Yourself To What You Can Carry In One Trip This is the golden rule. If you can't carry everything from the Uber to your table in a single walk, you've packed too much. You can't leave bags unattended at a convention entrance while you go back for more. One trip. Everything. PERIOD. 2. Put Your Display In The Smallest Possible Bag Your modular display kit packs into a 56x36x23cm case. That's carry-on sized, which means it can go on your back, over your shoulder, or on top of a rolling suitcase. The smaller your display packs, the more room you have for stock and personal items. 3. Roll, Don't Carry If you have a rolling suitcase for stock, use it. Stack the display case on top and strap or bungee it. Your hands stay free for doors, escalators, and your phone (for the rideshare app or venue maps). Rolling beats carrying every SINGLE time when you're moving through a city alone. 4. Pack Stock Vertically, Not Flat Prints and posters in tubes take up width. Prints in a portfolio case or rigid mailer stand upright in a rolling bag. Vertical packing means your suitcase stays narrow enough to navigate train doors and convention aisles without clipping people. 5. Wear Your Personal Items Backpack for your wallet, phone, charger, snacks, and money float. Don't put personal items in your stock bag. If you need to set your suitcase down at the table, your essentials stay on your body. This also means you can use the bathroom without dragging everything with you during setup. 6. Pre-Plan Your Route Down To The Platform Google Maps tells you which train to take. It doesn't tell you whether that station has a lift or just stairs. Check accessibility maps for your route. A station with an escalator is manageable solo with bags. A station with only stairs and a heavy display is a NIGHTMARE. Plan around it. 7. Build The Lightest Possible Booth Every gram counts when you're solo. The modular panel system uses frosted polypropylene and ABS connectors. Light materials. No metal, no wood, no glass. Your display should be the lightest item you're carrying, not the heaviest. Each shelf holds 5kg, so you can still display substantial products without the display itself weighing you down. 8. Allow 30 Extra Minutes For Everything Solo travel takes longer than you think. No one's saving your spot while you park. No one's watching your bags while you find the organiser. Add 30 minutes to whatever you think you need and you'll arrive calm instead of panicked. Setup itself takes under 30 minutes with the modular system, so budget an hour total from arrival to ready. Browse the full kit range to find a kit sized for solo carry. The Core (24 panels) is the lightest option for compact setups. The Shapeshift Base (46 panels) covers a full table and still packs carry-on.

The Aesthetic Mistakes That Make A Table Feel Unfinished

Some booths look great until you really look at them. Something is off but you cannot put your finger on it. It just feels... unfinished. Like a room that is missing one piece of furniture. Here are the aesthetic mistakes that create that feeling. Visible storage under the table. Nothing kills the illusion faster than a customer glancing down and seeing cardboard boxes, plastic bins, and crumpled bags stuffed under your tablecloth. Either get a cloth that reaches the floor or use opaque containers that look intentional. Your booth ends at the ground, not at the table edge. Mixed display materials. Half your prints are in plastic sleeves pinned to a corkboard. The other half are on a modular display kit with clean panel shelving. The modular half looks professional. The corkboard half looks like a dorm room. Pick one display system and commit. Mixing reads as "I ran out of shelves," which reads as "I did not plan this." No breathing room between products. Every centimetre of table space is covered. Prints overlap. Stickers touch. There is no gap anywhere. This is not abundance. This is overwhelm. Leave at least 2-3cm between items. The white space is not wasted space. It is the thing that makes each piece readable. Mismatched price tags. Some are handwritten on sticky notes. Some are printed. Some are different sizes. Price tags are the most-read text in your booth besides your banner. If they look thrown together, the whole booth inherits that energy. Print them all the same way, same size, same font. Takes 20 minutes at home and changes everything. The empty top shelf. You have a vertical display with three levels and the top one has... one print and a lot of empty panel. Top-level displays are the first thing visible from a distance. An empty or sparse top shelf makes your booth look under-stocked even if the table is loaded. Fill it or remove the shelf entirely. Browse the full kit range for configurations that match your actual inventory volume so you do not over-build. The wrong tablecloth colour. It clashes with your panels, your art, or both. Or worse, it is clearly a bedsheet you grabbed this morning. Your tablecloth is the single biggest colour field in your booth. It deserves a deliberate choice. Spend $15 on one that coordinates with your display. That is the cheapest upgrade with the biggest visual impact. No focal point. Every piece is displayed at the same size, same height, same priority. The eye enters the booth and has no idea where to go first. Pick one hero piece. Display it larger, higher, or more prominently than everything else. That is your anchor. Everything else supports it. Cables and chargers in the sightline. Your phone charger snaking across the table. An extension cord looping behind your display. A power strip visible at floor level. Tape them down. Route them behind panels. Use wireless charging. Every cable is a crack in the illusion that this is a curated space rather than a temporary setup.

Why Self-Serve Isn't Just Convenient, It's A Sales Strategy

Most vendors think self-serve is about making their own life easier. Less talking, fewer interactions, more time to breathe between customers. And sure, that part is nice. But the real power of a self-serve booth layout is what it does to your SALES numbers.Why Browsers Buy More When They Browse AloneHere is a pattern you have probably noticed. A customer walks up. You greet them. They smile, pick up one thing, put it down, and leave. Now watch what happens when you are busy with another customer. The browser takes their time. They touch three or four products. They read your signage. They pick something up, put it down, pick it up again. And then they buy.People buy more when they feel zero pressure. A self-serve layout creates that pressure-free zone by design.How To Build A Self-Serve BoothThe key is vertical organisation. When your products are displayed on clear, tiered shelving, customers can scan everything without needing you to point things out or pull items from behind a table.A modular panel display works perfectly for this. Stack panels five high (175cm) on a standard 6ft table. Use the shelves to group products by category or price point. Each shelf holds 5kg, so you can load them up without worrying about sagging.Place prices where they are VISIBLE without flipping tags. Group similar items together. Put your bestseller at eye level. Put impulse buys near the edge where people pick things up casually.The Multiplier EffectA well-designed self-serve layout does something powerful: it lets you serve multiple customers simultaneously. While you are wrapping a purchase for one person, three others are browsing, selecting, and mentally committing to a buy. You are effectively running four sales conversations at once, and three of them require zero effort from you.At a busy market, this difference adds up fast. Vendors who redesign their booth for self-serve often report selling more with LESS effort than before.What You Need To Make It Work Clear pricing. Every product needs a visible price. No one wants to ask. Logical grouping. Categories or price tiers, displayed vertically so the eye travels naturally. A display that reads from a distance. Customers should understand your booth in two seconds. A modular display kit with colour-matched panels gives your booth that clean, shoppable look. A payment station that does not block the flow. Keep your card reader to one side so browsing customers do not queue behind buyers. Frequently Asked QuestionsDoes self-serve mean I never talk to customers?No. You still greet people and answer questions. But the booth is designed so customers can browse, select, and decide without needing your help for every step.What products work best with a self-serve layout?Anything that is easy to pick up, examine, and understand. Jewellery, art prints, stickers, candles, soaps, ceramics, and small homewares all work well. Products that need detailed explanation may still need your involvement.How do I prevent theft with a self-serve setup?Position yourself where you can see the entire display. Keep high-value items at eye level directly in front of you. Most vendor markets have very low theft rates because the community is tight and booths are close together.What size display works best for self-serve?A Shapeshift Base (46 panels) or Shapeshift (70 panels) gives you enough shelf tiers to spread your product line vertically. Check the full kit range to compare sizes.

Weekend Market Displays Built To Set Up And Break Down Fast

Saturday morning. Alarm at 5am. Coffee in one hand, display in the other. You have got 45 minutes from car park to doors open. Every minute spent wrestling with your booth is a minute you are not ready to sell.Speed matters at weekend markets. Here are the display features that ACTUALLY save you time.1. Tool-Free AssemblyIf you need a screwdriver, an Allen key, or zip ties, your setup is too complicated. Modular displays with snap-in connectors go up by hand. The modular display kit uses ABS connectors that click into frosted panels. No hardware, no searching for that one bolt you dropped under the table.2. Flat PackingRound things roll. Bulky things jam. Flat things stack neatly in your car and slide out in one trip. The entire Artist Booths kit packs into a 56x36x23cm case. That is carry-on luggage size. One trip from the car to your table.3. Repeatable ConfigurationDo the same market every week? Build the same layout every time. Modular panels go together the same way every session, so your muscle memory kicks in after the second or third setup. Vendors REGULARLY report going from 30 minutes to under 15 once they know their layout.4. Lightweight PanelsHeavy displays slow everything down. Loading, unloading, lifting onto the table, adjusting during the day. Frosted PP panels are rigid enough to hold 5kg per shelf but light enough that you can build the whole display without breaking a sweat.5. One-Person FriendlyWeekend markets are often a solo operation. If your display needs two people to assemble, you are either dragging a friend out of bed or struggling alone. A modular panel system is designed for solo setup from the ground up.6. Fast BreakdownThis is the one everyone forgets. After six hours of selling, you are tired. The last thing you want is a 45-minute teardown. Snap-apart connectors mean breakdown is even faster than setup. Pop the panels apart, stack them flat, and you are walking to the car while the stall next to you is still unscrewing things.7. Durability Between MarketsA display you set up and break down every weekend takes a beating. Cardboard wilts. Fabric stains. Cheap shelving bends. Frosted polypropylene panels are scratch-resistant and wipe clean. They look the same after 50 markets as they did after the first.Your weekend should start with coffee and end with counting cash. Not fighting with display hardware. Check the full kit range to find the right size for your regular market setup.

Why Neutral Backdrops Make Colourful Art Pop Harder

We're going to say something that sounds counterintuitive. If your art is colourful, your booth should be boring. Not boring as in lazy. Boring as in neutral. White. Frosted. Maybe a soft grey. A backdrop that does absolutely nothing on its own. Because when your backdrop does nothing, your art does everything. We've watched hundreds of booths at conventions and the pattern is CLEAR. The artists with the most vibrant, colourful work who put it on colourful panel walls? Their tables turn into visual noise. Every colour fights every other colour. The eye doesn't know where to land. The customer's brain goes "that's a lot" and their feet keep walking. The same art on a white or frosted wall from a modular display kit? Each piece gets to be the loudest thing in its own space. The white acts like a gallery. And galleries know what they're doing. There's a reason the Louvre doesn't paint its walls hot pink. This isn't about playing it safe. This is about understanding that your display wall is a FRAME, not a second piece of art. A frame's job is to make the thing inside it look better. A frame that demands its own attention is a bad frame. Doesn't matter how nice the colour is on its own. If you're an artist whose work is already doing heavy visual lifting (bright palettes, high saturation, lots of detail), give it a quiet stage. Grab a neutral kit from the full kit range. Build a clean wall. Let the work speak without a backdrop competing for the same attention. Your art is already the show. Stop making your booth audition for the same role.

The Small Booth Checklist Nobody Gives You

You have read the guides. You have watched the TikToks. But when it comes time to actually pack for a small booth, you always feel like you are forgetting something. This is the checklist we wish someone had given us. No fluff. Just the stuff that actually matters when your space is tight. Do I Really Need a Display Stand or Can I Just Use Risers? Risers add height to your table but they eat table space doing it. A vertical display like a modular display kit adds height WITHOUT taking table surface. In a small booth, that distinction is everything. Your table surface is for products and transactions. Your vertical space is for display and brand presence. Keep them separate. How Many Products Should I Actually Display? Fewer than you think. On a small table, 8-12 products on the table surface and 10-15 on your vertical display is plenty. That is 20-25 visible items. Bring backup stock for anything that sells, but do not display it all at once. A clean booth with breathing room outsells a packed one every time. What If My Products Are Big and Take Up a Lot of Space? Show one on the table as a sample. Display photos of the range on your vertical wall. Take orders on the spot and ship later. Large product vendors who try to bring physical inventory for every option end up with a booth that looks like a warehouse, not a shop. Do I Need a Tablecloth? Yes. Always. A plain, solid colour tablecloth that reaches the floor on all visible sides. It hides your storage underneath, creates a clean visual baseline, and costs almost nothing. Avoid busy patterns. They compete with your products for attention. How Do I Handle Money and Payments in a Tiny Space? Dedicate one corner of your table to transactions. Card reader, a small cash box if you take cash, and your phone for Square or Shopify POS. That corner is sacred. Products do not go there. Keep it CLEAR so checkout is fast and does not require moving things around. What About Business Cards and Marketing Materials? One small stack of business cards in a holder. That is it. No pamphlets, no postcards unless those postcards ARE your product. A QR code on your display wall linking to your Instagram or website replaces everything else. Every piece of marketing material on your table is space that a product could be using instead. Should I Bring Bags? Branded bags if you have them. Plain paper bags if you do not. Keep them under the table in a box, not on the table surface. And make them small enough that you are not storing 100 oversized bags in your already-packed setup. Small purchases get small bags. What Is the Actual Minimum I Need for a Professional Small Booth? A tablecloth, a vertical display, your curated product selection, a card reader, business cards, and a smile. That is genuinely it. Everything else is optional. A Core kit with 24 panels, a solid tablecloth, and your best 15 products will look more professional than 90% of the booths at any market. Full range at the full kit range.

Fitting A Full Brand Story On A Table The Size Of A Desk

You have 90cm of table. Maybe 120 if the organiser is generous. And you need people to walk away knowing who you are, what you make, and why they should care. Not just "oh, cute prints." Your actual brand story. We have watched vendors try to solve this with banners, pamphlets, elaborate backstory cards, QR codes linking to their About page. None of it works. Nobody reads your origin story at a market. They are eating a sausage roll and walking fast. What DOES work is letting your display do the talking. Your brand story is not a paragraph. It is the feeling someone gets in the three seconds they glance at your table while walking past. That means your colour palette, your product curation, and your display style need to be doing all the heavy lifting. One artist we know sells hand-painted ceramics. Her brand story is "nature meets geometry." She does not write that anywhere. Her modular display kit is configured with alternating solid and frosted panels. Her ceramics sit on integrated shelves at staggered heights. The DISPLAY is the brand story. Organic shapes on a geometric grid. People get it instantly without reading a word. The mistake most vendors make with tiny spaces is trying to say too much. You do not need a banner, a bio, a mission statement, AND a product display. Pick one visual idea that captures your brand and let everything else serve that idea. Your logo at eye level. Your hero product front and centre. Your colour story consistent from tablecloth to business card. A small table forces clarity. That is its superpower. If you cannot communicate your brand in 90cm of space, the problem is not the space. It is the brand message. Tighten it up and the small table becomes more than enough. See the full kit range for setups designed to tell a story in a small footprint.

Compact Doesn't Mean Boring: Small Booth Inspiration

Somewhere along the way, vendors started equating "small booth" with "compromise." Smaller table, fewer products, less impressive. That is completely backwards. Some of the most jaw-dropping setups we have ever seen came from vendors with half a table and a lot of creativity. Here are eight compact booth ideas that prove small does not mean boring. 1. The Gallery Wall Build a clean vertical display with frosted panels and hang your work like a gallery exhibition. White backgrounds, even spacing, one piece per panel. It looks like a pop-up art show, not a market stall. A modular display kit in Core size handles this beautifully with 24 panels on a single table. 2. The Colour Block Pick one bold colour for all your accessories: tablecloth, business cards, packaging, price tags. Keep your display wall neutral. The contrast makes your booth instantly recognisable from across the room. Customers will remember "the orange booth" long after they have forgotten what table number you were. 3. The Minimalist Tower Two panels wide, five panels tall. One single vertical column in the centre of your table. Hang your hero product at eye level. Stack supporting pieces below. It takes up almost no table space and creates a striking silhouette that draws people in. 4. The Living Lookbook Instead of displaying products directly, display photos of your products being USED. Print lifestyle shots on cards and mount them on your display wall. Keep actual inventory behind the wall or under the table, and pull items out when someone asks. Your booth becomes a curated experience, not a shelf. 5. The Two-Sided Display If you have an end-of-row position, build your display as a freestanding wall and use BOTH sides. Front side faces the main aisle. Back side faces the cross aisle. Same footprint, double the visibility. This works especially well at L-shaped booth assignments. 6. The Shelf Showcase Skip the flat table display entirely. Build your panel wall with integrated shelves using PLA hooks rated to 5kg each. Stagger them at different heights. Your products sit on shelves at various eye levels, creating depth and visual interest on a flat surface. 7. The Backlit Feature Wall Place a small LED panel behind your frosted display wall. The diffused glow makes your entire setup look high-end and gallery-quality. This is ESPECIALLY effective at indoor markets with dim overhead lighting where every other vendor looks flat and shadowless. 8. The Rotating Exhibition Bring three completely different layouts and swap your entire display every two hours. Morning visitors see one booth. Afternoon visitors see another. Use the modular click-together design to reconfigure in under five minutes between rotations. It keeps your booth fresh all day and gives you real data on which layout sells best. Small booths only feel limiting when you try to shrink a big booth concept into a small space. Design for the space you HAVE and you will end up with something way more interesting. Check the full kit range for kits that make compact creativity easy.

How To Say No To Extra Stock When Your Table Is Tiny

Your table fits maybe 20 items comfortably. You make 200. And every single time you pack for a market, that voice in your head says: "but what if someone asks for the thing I left at home?" That voice is lying to you. And it is costing you sales. The Overpacking Trap Bringing too much stock to a small space creates a cascade of problems that most vendors do not even recognise. Your table looks cluttered. Customers get overwhelmed by choice and buy nothing. You spend your setup time playing Tetris instead of building an inviting display. And you waste energy hauling product that never leaves the box. The hardest skill in small-space vending is not display design. It is saying no to your own inventory. The 80/20 Rule Applied to Your Table Go look at your last five events. Actually pull the numbers. For MOST vendors, around 20% of their products generate 80% of their revenue. Those are your display pieces. Everything else is backup stock or a distraction. Your tiny table should show your top sellers, your newest piece (one, not five), and one conversation starter. That is it. If you have room left over after those categories, you have room for breathing space and that breathing space is doing more selling than another product would. Building a Rotation Kit Instead of a "Bring Everything" Kit Pack three categories: Display (what goes up), Rotation (what swaps in after a sale), and Leave Behind (the stuff you convinced yourself to bring "just in case"). For your first few events with this system, bring the Leave Behind box and track whether you ever open it. Most vendors find they never do. A modular display kit helps here because vertical display space means your table surface stays clean for your top sellers. The wall handles your visual range and brand presence. The table handles transactions. What to Do When Someone Asks for Something You Did Not Bring This is the fear that drives overpacking. Someone will ask and you will not have it. Here is the reality: this is actually a GOOD problem. A customer interested enough to ask is interested enough to buy from your online store. Hand them a card, show them on your phone, offer to ship it. You just turned a missed in-person sale into a confirmed online customer with zero cost of display space. The vendors who build the best small-space setups are the ones who edit ruthlessly. Browse the full kit range and pick the size that fits your curated selection, not your entire catalogue. Frequently Asked Questions How do I decide which products make the cut for a small table? Start with sales data. Your top 5 revenue items and your newest release go on display. Everything else is rotation stock. If you do not have sales data yet, pick the pieces that get the most engagement on social media. Should I bring different stock to different types of events? Yes. A craft market audience and a comic convention audience want different things. Have 2-3 preset packing lists for different event types so you are not making decisions the night before every market.

The Small Space Lighting Trick That Makes A Huge Difference

You can have the best products, the cleanest layout, and the most eye-catching display at the market. But if your lighting is bad, none of it matters. Everything looks flat. Colours wash out. Customers walk past without stopping because nothing POPS. Good lighting is the single cheapest upgrade you can make to a small booth. And most vendors get it completely wrong. Why Top-Down Lighting Kills Small Booths Most venues have overhead fluorescent lights or industrial fixtures pointing straight down. This creates harsh shadows, washes out colour, and makes everything on your table look like it is sitting in a waiting room. In a big booth with pipe and drape, you can mount your own lighting rig to counteract this. In a small space, you do not have that luxury. The fix is angling light FORWARD and UPWARD from your table level, not relying on whatever the ceiling throws at you. Clip-on LED panels aimed at your vertical display create the kind of directional light that makes products glow without needing any overhead access. The Frosted Panel Trick This is the one that changes everything for small-space vendors. If your display wall uses frosted or translucent panels, placing a small LED light BEHIND the panels creates a soft backlight effect. Your products on the front are illuminated from behind with diffused, even light. No hot spots. No glare. Just a clean, gallery-quality glow. A modular display kit uses 35x35cm frosted PP panels that are designed for exactly this kind of lighting play. The frosted surface diffuses the light naturally, so even a cheap clip-on LED creates a surprisingly professional effect. Battery-Powered Is Non-Negotiable for Small Setups Small booths cannot afford to run extension cords across walkways or depend on venue power strips. Go battery-powered for everything. Modern rechargeable LED panels last 6-8 hours on a single charge, which covers a full market day. Charge overnight, swap in the morning. Position two small panels: one behind your display wall for backlighting, one clipped to the top of your display angled down at your table products. Two lights, battery powered, total cost under $50. The difference is enormous. Colour Temperature Matters More Than Brightness Do not blast your booth with the brightest light you can find. Colour temperature is what makes your products look RIGHT. Aim for 4000-5000K, which is a neutral daylight that does not skew warm or cold. Warm light (3000K) makes everything look cozy but kills accurate colour representation for art prints and textiles. Cool light (6500K) makes everything look sterile. Check the full kit range for display setups that work beautifully with simple LED backlighting. Frequently Asked Questions Can I use string lights instead of LED panels? String lights create ambiance but they do not actually illuminate your products well enough for customers to see detail and colour accurately. Use them for vibe if you want, but always pair them with directional LED panels for the actual product lighting. How do I attach lights to a modular panel display? Small clip-on LED panels attach to the top edge of your display wall. For backlighting, rest or clip the light on the back side of any panel. PLA hooks rated to 5kg can also hold lightweight LED strips along the back surface. Do I need different lighting for indoor versus outdoor markets? Outdoor markets under tents or gazebos still need supplemental lighting because tent shadows create uneven illumination. Indoor markets almost always need it. The same battery LED setup works for both.

Building A Two-Person Booth That Doesn't Feel Crowded

Mika and Jordan had a problem. They both sold art. They were dating. And they had signed up for a convention together without realising they would be sharing a single 6-foot table. One table. Two artists. Two completely different product lines. One weekend to make it work. Their first instinct was to split the table down the middle. Mika gets the left three feet, Jordan gets the right. Simple. Except three feet of table space is barely enough for one person, let alone someone trying to display prints, stickers, and pins. The Vertical Split What actually worked was going vertical and creating distinct zones using height instead of table area. They set up a modular display kit with a centre divider that went five panels high. Mika had a display wall on her side, Jordan had one on his. The panels gave each of them a 175cm backdrop without stealing any table surface. From the front, it looked like two mini booths side by side. Each had their own branding, their own colour scheme, their own vertical display space. The shared table was just a landing pad for products, not the main event. What They Learned About Shared Flow The first lesson was about customer flow. When someone stopped at Mika side, they would naturally glance at Jordan side too. The booth became a two-for-one stop. Instead of competing for attention, they were funnelling traffic to each other. The second lesson was about storage. With two people needing backup stock, under-table space gets TIGHT. They solved this by using the back of the display wall as hidden storage. Hooks on the reverse side held backup prints in clear sleeves. No boxes needed. Making It Feel Like Two Booths The key detail that made everything click was the centre divider panel. Instead of leaving it empty, they put a shared sign in the middle: their joint brand name for conventions. It turned a practical divider into a feature. Customers saw it as a collab, not two people crammed into one spot. By afternoon on day one, neighbouring vendors were asking them how they pulled it off. By day two, they had refined the layout even further, angling the side panels slightly inward to create a subtle U-shape that drew people in. They have shared a table at every event since. Not because they have to. Because it actually works better than two separate setups. The shared foot traffic and complementary products mean they both sell more than they would alone. If you are planning a shared booth, look at the full kit range for configurations that let two artists share one table without stepping on each other. The 35x35cm panels make it easy to build asymmetric layouts where each person gets exactly the space they need.

The Pre-Flight Checklist For Vendors Travelling With Displays

Flying with your booth is easy once you've done it twice. The first time, though, you have questions. Will security flag it? Does it fit the overhead bin? What if they make you check it? Here's the checklist that answers everything before you get to the airport. The Night Before Weigh your booth bag and product bag on a luggage scale Confirm carry-on dimensions with your airline (most accept 56x36x23cm, but budget carriers vary) Remove any scissors, blades, or tools from your booth bag and put them in checked luggage or leave them home Charge your phone and portable battery Print or screenshot your boarding pass and convention registration Your modular display kit fits standard carry-on at 56x36x23cm. No surprises at the gate. At Security Flat panels sometimes look unusual on the X-ray. Security might ask you to open the bag. This is NORMAL and takes about 30 seconds. Just explain they're display panels. They're not metallic, not electronic, and not restricted. In hundreds of flights reported by our vendors, none have had a panel confiscated. Keep connectors and hooks in a clear pouch so they're easy to show if asked. ABS and PLA look like nothing special on a screen, but loose small parts in a bag always get a second look. At The Gate Board early if your airline offers it. Overhead bin space fills fast. Your booth bag fits in a standard overhead bin, but you want it flat on the bottom shelf, not wedged in vertically where someone might stack a heavy bag on top. If the bin is full and they ask you to gate-check, your panels are rigid PP and won't break. But it adds time at the other end, so early boarding is worth it. On Arrival Grab your bags and head straight to the venue or hotel Do a quick count: panels, connectors, hooks. Confirm nothing shifted loose If you shipped product ahead, confirm it arrived at your hotel or pickup point The Return Flight Teardown is faster than setup. Panels flat, connectors in the pouch, hooks in the pouch, done. The BIGGEST return-flight mistake is buying merch from other vendors and running out of bag space. Bring a foldable tote for your personal con haul so it doesn't compete with your booth bag. Check the full kit range to find the kit that matches your travel style. Frequently Asked Questions Has anyone ever been stopped from bringing panels on a plane?Not that we've heard from over a thousand customers. The panels are non-metallic, non-electronic, and within carry-on dimensions. What if my airline has a smaller carry-on limit?Some budget carriers allow only 50x35x20cm. In that case, check the booth bag. The panels are rigid and handle the hold fine. You'll just wait at the carousel. Can I bring hooks and connectors in carry-on?Yes. They're plastic (ABS and PLA). No sharp edges, no restricted materials. Keep them in a clear pouch for easy inspection.

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

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How long do you plan to use it?

Just trying it out

1–3 times

Going to do markets more often

3–20 times/year

Multi-year use

Built to last, with room to grow

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items : Apparel/bags/figures/3d merch/home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

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How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Fully Black

Grape Purple

Ivory White

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

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Watermelon Pink

Yuzu Yellow

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Your stall. Infinite installs.

Lightweight panels and snap on connectors shapeshift together.

Iron frame with frosted, water resistant surfaces for light & mighty structures.

Artistbooths Bundle Component Frosted Lavender Purple (PMS 2715 C) Panel Square (35x35 cm) [8-pack]

B-grade artist booth panel - discounted cosmetic-second stock

Artistbooths Bundle Component Frosted Lilac Purple (PMS 263 C) BOOF Panel Triangle (35x35 cm) [2-pack]

Artistbooths Bundle Component Frosted Lilac Purple (PMS 263 C) BOOF Panel Half Square (35x17.5 cm) [4-pack]

Artistbooths Single Connectors & Accessories White Square Wire Grid (35x35 cm)

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build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

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Mix and match colours and shapes. Sized for market, convention and trade-show tables up to 6 ft / 180cm.

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2aChoose your base 24 square & 22 multi-shape panel colours What colour would you like the first half of multi-shape panel colours to be?

Get a 2-colour setup by swapping 24 of 48 square panels to another colour.

Get a 2-colour setup by swapping half your panels to another colour.

2bWhat colour do you want the other 24 squares to be in this kit? What colour do you want the other half of your kit to be? Included · $0

Get a multi-colour setup by swapping 24 of 48 square panels in another colour.

Get a 2-colour setup by swapping half of square & multishape panels into another colour

3. Bundle and Save (optional)

Range more & get creative with more colours, shapes & display accessories.

15% off accessory packs when bundled with kits

46 multi-shape panels156 accessories

Shapeshift Base Kit Add-on

$559.00

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$450.00

Scarlet Red Frosted

Triangles Panels 4 Pack [35cm / 13.78in] Add-on

$100.00

Terracotta Frosted

Half-Squares panels [5 Pack] [17.5x35cm / 6.89x13.78in] Add-on

$100.00

Tan Brown Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$40.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$100.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$120.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$60.00

Hinged Square panels [5 Pack] [35cm / 13.78in] Add-on

$100.00

Forest Green Frosted

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$100.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$59.00

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$45.00

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$60.00

Corner Connector Expansion Pack [8 pack] Add-on

$60.00

Edge Connector [8 pack] Add-on

$60.00

Single Shelf Wire Clip White [5 pack] Add-on

$35.00

Double shelf wire clip white [4 pack] Add-on

$30.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$110.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$80.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$50.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$40.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$40.00

17" ITA Tote (40x35cm) Puffy Purple + Pin pad with 5 pockets Add-On

$129.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Dual headed metal mallet (with soft tap side)

$40.00

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