What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

Pre-order deals: new 2.0 display kits

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Q: How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

What To Cut When Your Table Space Gets Smaller Than Expected

You planned for a full table. You got a half table, or worse, a quarter. The email came in three days before the con and now you're staring at a car full of inventory that no longer fits the plan. Panic is normal. Panic is also useless. Let's talk about what actually goes and what actually stays.The laptop and the standee go firstIf you're running low on surface area, your laptop for card processing and your big floor standee are the first things to cut or relocate. A phone card reader takes a fraction of the space. A floor standee can live beside the table instead of on it, freeing up your entire top surface for actual product.Cut horizontal, keep verticalFlat bins are the first casualty of a shrinking table, and honestly, good. Bins eat huge amounts of surface for a handful of visible prints. A vertical panel display holds more product in less footprint than any bin ever will, so if you're deciding what stays, panels stay and bins go.This is the whole reason a modular kit works better than folding-table improvisation when your space shrinks last minute. You're not rebuilding your layout from scratch, you're just building the same panel system into a smaller footprint and letting height make up the difference. With the Angled kit's any-angle panels, which set at any angle, that height can lean out as an awning or close in as a roof instead of only going straight up.Cut variety, not your best sellersDon't try to squeeze your full catalog onto a smaller table. Cut down to your proven best sellers and keep those fully stocked and visible. A tight table with ten strong pieces outsells a crammed table with forty mediocre ones every time.Cut clutter on the table, not confidence in your setupSmaller space does not mean a worse-looking table. It means a more disciplined one. Keep your colour palette tight, one or two panel colours from the 19+ available, and resist the urge to fill every visible inch. Empty space around your best pieces reads intentional, not empty.What never gets cutYour sign, your prices, and your payment method stay no matter how small the table gets. Those aren't decoration, they're function. Everything else is negotiable.My table shrank the morning of the con, what do I do first?Pull your bins and floor decor first, keep vertical display and your best sellers, and rebuild fast. A modular panel system reconfigures in minutes without needing a whole new plan.Should I bring backup inventory even with less table space?Yes, just keep it under the table instead of on it. Rotate stock in as things sell rather than displaying everything at once.Is it worth buying a smaller kit for unpredictable table sizes?Not necessarily. A kit like the Shapeshift at 46 panels works across a range of table sizes since panels reconfigure however you need, so one kit handles a shrinking table without buying a second system.A smaller table isn't the end of your setup plan. Check out our modular display kit or browse the full kit lineup to build something that flexes when your space doesn't cooperate.

The Vendor Journey Nobody Warns You About (And How To Plan For It)

Nobody sits you down before your first show and tells you what the next two years actually look like. You figure it out one market at a time, usually the hard way. So here is the version nobody gave you.Show one: you overpack and underprepareYour first table is chaos. You bring too much of some things and not enough of others. Your display is probably a mix of borrowed grid walls, a tablecloth, and hope. That's fine, everyone starts here. The mistake is not the messy first booth. The mistake is buying a rigid, non-expandable display system at this stage because you panic and want it sorted.Show ten: you realize your setup is the bottleneckBy your tenth show you know your product line, you know your crowd, and you know your setup is holding you back. Maybe it is too small for how much stock you carry. Maybe it looks amateur next to the booth beside you. This is the point where vendors either buy a real, expandable system, or buy something else cheap that they will replace again in a year.Year two: your booth needs to be a business tool, not a propThis is the real vendor journey. Your product line grows. You start getting into bigger conventions with actual corner booths and double table spots. Your setup needs to grow at the same pace your business does, without a full teardown and rebuild every time.This is exactly why we build kits that share the same panels and connectors across every size. Our lineup runs from a Core kit (24 panels, low walls or half tables) through Shapeshift (46 panels, the smart default), Shapeshift Angled (46 panels in six shapes, with any-angle panels for awnings, roofs and arches), up to Shapeshift Duo (92 panels, built for double tables, corners, and years of heavy use). One system, every stage of the journey.Plan for the version of you that shows up next yearThe fix is boring but it works. Buy a system that can grow, not a size that fits only where you are today. Start with a Shapeshift kit if you are early in the convention journey and unsure how big you will end up. Every panel you buy now still works when you scale up later.Small details that matter more once you're in itEvery kit ships complete with spares included, so a broken connector at show forty does not derail your day. Setup stays under 30 minutes with no tools, no matter which stage you're at. That consistency is what actually gets you through year two without burning out on load in.See how the kits compare before deciding where to start your own vendor journey.FAQHow do I know when I've outgrown my current setup?If you are regularly running out of display space, turning away stock, or your booth feels smaller than your neighbors', that is the signal to expand rather than replace.Is it normal to upgrade booth size more than once?Yes, most serious vendors size up at least once or twice as their product line and show schedule grow. Planning for it from the start just makes each step cheaper.What's the biggest mistake new vendors make with their first display?Buying a system that cannot expand. It feels like the safe, cheap choice early on, but it usually gets replaced entirely instead of upgraded.

Why A Consistent Look Builds Trust Faster Than A Big Sign

A giant banner screaming your shop name doesn't actually build trust. It just makes noise. Trust comes from something quieter: everything on your table agreeing with everything else, show after show, until people start recognising you before they read a single word.Signs shout, consistency provesA big sign is a claim. Consistency is evidence. Anyone can print a large banner. Far fewer artists show up every con with the same matching panels, the same colour story, the same clean setup. That repetition is proof you're a real, stable operation, not a claim printed on vinyl. People trust proof more than they trust a claim, even if they can't articulate why.Repeat customers remember the LOOK, not the sign textThink about how you actually recognise returning shops as a customer yourself. It's rarely the sign. It's the colours, the layout, the vibe of the table. A cohesive look, built around consistent panel colours across shows, is what gets stored in people's memory. With our modular display kit and its 19+ exclusive frosted colours, you can lock in that look and repeat it identically every single event. If you want a silhouette to go with the colour, the Angled kits add any-angle panels, so your repeatable look can include a roof, an awning or an arch that nobody else in the row has.Consistency signals you'll still be here next yearHere's the trust logic browsers are running, even subconsciously: if this table looks thrown together, will this artist still be doing this next con season? A cohesive, well-built booth answers yes without you saying it. That matters for anyone buying original art, commissions, or anything with a wait time, because they're trusting you'll follow through long after the con ends.The quality of the build matters as much as the colourTrust also comes from the booth simply working. Panels that wobble or a backdrop that looks half-finished undercuts the message fast. The frosted polypropylene panels are built to hold their shape and diffuse light evenly, setup is under 30 minutes with no tools, and the whole thing packs flat, so your "consistent look" isn't held together with hope and gaffer tape. Browse all 19+ colours to start building yours.Isn't a big sign still useful for grabbing attention from far away?Sure, for visibility. But visibility gets someone to look. Consistency and a cohesive booth is what gets them to actually stop and trust what they're seeing.How long does it take for a consistent look to start building recognition?A few shows, usually. Repeat convention-goers notice fast if your setup looks the same and well kept every time.Does trust from booth design actually affect sales of higher-priced pieces?Yes, more than lower-priced items. Bigger purchases need more trust, and a cohesive, well-built booth is doing quiet trust-building work the whole time someone's browsing.A sign says "look at me." A consistent look says "you can rely on me." One gets a glance. The other gets a customer.

Rating Real Artist Alley Setups: What Works And What Doesn't

Let's do the thing every artist alley YouTuber does eventually. Rating booths. Not to be mean, just to call out what's actually working versus what's held together with hope and washi tape. If you've ever scrolled through con photos and thought "why does that booth look so much better than mine" this is for you. The A-tier setup: height, structure, breathing room The booths that stop people mid-walk all share three things. Height variation so the eye has somewhere to travel. A structure that doesn't wobble when someone leans on the table. And actual negative space around the hero pieces. These booths usually run on a real system, something like a Shapeshift kit with 46 panels, which hits that sweet spot between coverage and portability. The C-tier setup: technically fine, forgettable These booths aren't BROKEN, they're just flat. Literally. Everything sits at table height, prints are neat but undifferentiated, and there's no clear focal point. It's not a disaster, it just doesn't sell as hard as it could. A taller build, even just adding one tier of panels, fixes this instantly. The F-tier setup: the collapsing table You know this one. Wire grid tipping forward under the weight of prints, a corner of the tablecloth sliding off, stock stacked so high the bottom items are basically inaccessible. This happens because the shelving wasn't rated for real inventory. Panels built to spec hold up to 5kg per shelf, which is a night-and-day difference from a bargain grid that starts bowing after twenty prints. The sneaky mistake even good booths make Harsh, flat lighting. Even a genuinely well-built booth can make the art look dull under direct light with no diffusion. Frosted panels solve this by softening the light so colors read true instead of washed out or glaring. It's a small detail, but it's the difference between art that pops in photos and art that looks flat in person. What actually separates a great booth from an average one? Structure and height. Great booths use vertical space and a system that doesn't sag or wobble. Average booths are usually just flat tables with good product. Is a taller display worth the extra setup time? Yes, and with the right kit it barely costs you time. A modular kit sets up in under 30 minutes with no tools, so going taller doesn't mean showing up an hour earlier. Do lighting mistakes really affect sales? They affect how your art LOOKS, which affects whether someone stops walking. Flat, harsh light makes even great pieces look washed out. If you're ready to move up a tier, check out a proper modular display kit that fits a standard 180cm table and actually holds real inventory. Browse the full kit lineup to find your size.

Why Self-Serve Displays Mean More Sales Per Hour

Sales per hour is the number that actually matters, not total sales for the weekend. Two vendors can walk away with the same con total, but one of them worked twice as hard for it because their table couldn't sell without them physically handing every item over. Let's talk about the mechanism.You can only do one thing at a timeEvery vendor knows this moment: you're wrapping up a sale, and you watch someone at the other end of your table put an item down and walk off because nobody acknowledged them. That's not a customer problem. That's a table design problem. A self-serve setup, grid panels with hooks people can browse on their own, means that second customer doesn't need you at all until they're ready to pay. They pick it up, they hold onto it, they wait, or they bring it straight to your till. Either way you didn't lose the sale.The bottleneck is you, until it isn'tThink about your table as a queue. If every transaction requires your hands, your table's max sales rate is capped by how fast you personally move. A self-serve grid removes YOU from most of that queue. Customers self-select, browse, and only need a human for payment and the actual chat. That's the whole mechanism behind more sales per hour: less of the process depends on one person doing everything sequentially.What this looks like in practiceGrid panels along the back and sides of your table let people flip through prints while you're deep in conversation with someone else about a commission. Nobody's waiting on you to notice them. Our modular display kit is built specifically around this, with hook spacing designed for browsing, not just display.Setup time eats into selling time tooA table that takes an hour to build every morning is an hour of the show you're not selling in. These kits set up in under 30 minutes with no tools, so you open earlier and catch more of the walk-in traffic. They fit a standard 180cm/6ft table, and scale up if you outgrow it, check the kit lineup for sizing.Does self-serve mean I do less talking to customers?The opposite. It means the talking you DO is with someone actually engaged, while browsers handle themselves in the background. You end up having better conversations, not fewer.What size grid do I actually need?Depends on your catalog. Core (24 panels) suits a smaller lineup, Shapeshift (46 panels) or Shapeshift Duo (92 panels) is where vendors tend to settle once they've got a full print run plus extras.Will a bigger display actually increase sales, or just look nicer?A bigger display only helps if it's organized for browsing. More panels with no plan just means more clutter. The layout matters as much as the size.

Why Heavy Displays Are Quietly Killing Your Profit Margin

Nobody puts "baggage fees" in their pricing spreadsheet. But if you're flying to shows with a heavy display, you're paying that fee every single trip, and it's eating into money you already worked hard for. Let's actually do the math. The hidden cost nobody tracks A heavy wood or metal display can push you into overweight or oversized baggage categories fast. That's not a one-time cost, it's every flight, every con, all year. Add it up across a full convention season and you're looking at hundreds of dollars that never shows up as a business expense you planned for. It just quietly disappears. Then there's the SECOND cost: extra bags. If your booth needs its own oversized case separate from your inventory, that's another checked bag fee, every trip, both ways. Weight costs you before you even fly It's not just airports. A heavy display means more strain hauling it through a convention center, more time spent setting up (which is time you're not selling or resting before doors open), and more wear on your body over a long con season. Heavy setups also tend to be slower to assemble, which costs you table time on setup day when every minute matters. Lightweight isn't a luxury, it's a margin decision Switching to a lightweight modular system is a straightforward cost fix. Our kits use frosted polypropylene panels, ABS connectors and PLA hooks, materials chosen specifically because they're light without being flimsy. The panels pack flat enough to fit the standard 56x36x23cm carry-on allowance on smaller kits, which can mean skipping a checked bag fee entirely. Take a look at our modular display kit and do your own comparison against what you're currently hauling. Most vendors are surprised how much weight (and money) they're carrying for no real benefit. Setup time is money too Under 30 minutes, no tools. That's not just convenience, it's table time you're not losing to assembly. Compare that to a heavy grid-and-clamp system that eats an hour of your morning and you start to see the real cost isn't just the baggage fee, it's everywhere. If you're weighing kit sizes, browse the full kit lineup and pick based on your actual table, not the biggest option available. How much can a heavy display really cost me per year? Between overweight fees, extra checked bags, and lost setup time across a full con season, it adds up fast, often into the hundreds of dollars, before you even account for the physical toll. Is a lightweight display actually as sturdy? Lightweight doesn't mean flimsy. ABS connectors and polypropylene panels are built to hold up under repeated setup and teardown, they're just not made of wood or steel. What's the fastest way to cut display costs? Switch to a flat-packing modular system sized correctly for your table. Smaller, lighter, faster to build, and it can save you a checked bag entirely on some trips.

Anime Convention Booths: What Actually Sells At Anime Expos

Anime expo crowds move different. They're fast, they're photo-obsessed, and they know exactly what character they're hunting for before they even walk in the door. If your booth makes them slow down and squint to figure out what you sell, you already lost them.The crowd is scanning, not browsingAnime con foot traffic is BRUTAL in the best way. Thousands of people moving past your table in waves, most of them locked onto a specific artist alley list on their phone. You get maybe two seconds of eye contact with your table before they decide to stop or keep walking. That means your top row needs to be your loudest, most recognizable fandom pieces. Save the niche stuff for lower shelves where people actually stop and dig.Vertical space wins at anime consAnime artists tend to sell a huge spread of prints, charms, stickers, and acrylic stands, and all of that needs somewhere to live that isn't a flat table getting buried under everyone else's stuff too. This is where going tall actually pays off. Our modular display kit builds up to 5 panels high, about 175cm, which gives you real wall space above the table instead of fighting for table real estate with your neighbor. The Shapeshift kit (46 panels) is a solid pick for anime artists because it's got enough panels for prints up top, charm pegs mid-level, and a clean shelf line for stands and figures at eye level.Setup speed matters more here than anywhere elseAnime cons run brutal early load-in windows and even worse breakdown crunches on the last day. You do NOT want to be the artist still fumbling with grommets and zip ties while everyone else is already open for business. The panels click together without tools, and most people are fully set up in under 30 minutes. That's the difference between catching the opening rush or missing it entirely.Durability for a weekend of chaosAnime con crowds bump tables. A lot. Bags swing, kids run, cosplay wings knock into displays. The 35x35cm frosted panels hold up to 5kg per shelf, so your charm racks and acrylic stands actually stay put instead of sliding off every time someone brushes past.Do I need a huge booth to compete at an anime expo?No. A well organized Core kit (24 panels) on a single table beats a messy oversized setup every time. Anime con buyers respond to clarity, not size.What sells best at anime expos specifically?Charms, stickers, and acrylic stands move fast because they're cheap impulse buys. Prints sell to people who already know your art. Both need dedicated, visible space, not a shared pile.How do I handle the crowd crush without losing product?Keep small, grabbable items on secured shelves, not loose on the table edge. Vertical panel space keeps things out of the bump zone.If you're building out a setup for your next anime con, check out our modular display kit or see the full kit lineup to find the size that matches your table count.

Grey Plastic Wire Grids Are Killing Your First Impression

Wire grids look cheap. They just do. You can hang the best art in the building on one and it will still photograph like a garage clearance rack. If you're using one right now, this isn't an attack, it's the most common upgrade every vendor eventually makes once they see the difference.Why grids read as cheap even when they're notWire grids were built for retail backrooms, not for selling art. The metal is thin, it flexes when you clip something heavy on it, and the gaps between wires create a busy visual noise behind everything you're trying to showcase. Your prints end up competing with a criss-cross pattern instead of sitting against a clean background. That noise is doing damage to your first impression before anyone even looks at the actual art.Grids also fight your lightingA lot of vendors add clip lights to their booth to make their prints pop, only to have that light scatter and glare off metal wire instead of landing evenly on the artwork. A flat, matte panel surface behaves completely differently. It holds light instead of bouncing it, so your prints actually look as good under booth lighting as they did on your monitor at home.What to use insteadA solid panel wall solves both problems at once. Frosted polypropylene panels give you a clean, even backdrop instead of a wire mesh, and they come in actual colours instead of gunmetal grey. Our modular display kit is built from 35x35cm panels with ABS connectors and PLA hooks, and it holds up to 5kg per shelf, so heavier prints, prop pieces, or hanging merch stay put without sagging or flexing the way a wire grid does. A grid also only does flat and square. With the any-angle panel in our Angled kits, which swings both ways, sets at any angle and is made to fit the triangles, a panel wall can carry an awning, a roof or an arch. It sets up in under 30 minutes with no tools, so switching off a grid isn't a bigger hassle at load-in.Colour is the real upgradeThe biggest visible difference isn't even the material, it's the colour. A grid is grey. Always. A panel wall can be any of 19+ exclusive colours, which means your booth can actually match your brand or your art style instead of defaulting to whatever came with the folding table. That alone changes how professional your table looks from across the room.FAQAre wire grids really that much worse, or is this just aesthetics?It's both. The visual noise and glare are real functional problems, not just a style preference, and they affect how your art actually reads to a passing stranger.Will switching away from a grid mean carrying more stuff?Panels pack flat and fit a carry-on sized case (56x36x23cm), so it's a comparable footprint to most grid setups, just a much better looking one.Can I still hang the same items I hung on my grid?Yes, panel hooks are built to hold prints, small merch, and lightweight goods, with each shelf rated up to 5kg.If your grid is due for retirement, browse the full kit lineup and find a panel size that fits your table.

Trade Show Booths On A Small Business Budget

You do not need a custom trade show booth costing thousands. You need something that looks intentional. Most small businesses either overspend on a one-off custom build or underspend on something that looks like it was thrown together in the parking lot. There is a middle path.Custom booths are a bad deal for small vendorsA fully custom trade show booth is built for one event, one floor plan, one size. Then it sits in storage until the next show, if it even fits. That is a huge amount of money tied up in something you use a handful of days a year. Small businesses cannot afford dead capital like that.Modular is the actual budget moveA modular kit works across events instead of being locked to one. Start with Shapeshift at 46 panels for a solid single-booth presence, or go to Shapeshift Angled, 46 panels in six shapes with any-angle panels, for exhibitors who want awnings, roofs and arches without a custom build. If you eventually need a full exhibition booth, Shapeshift Duo at 92 panels gets you there without starting over. One purchase, reshaped for every event you do after.Factor in shipping and storage, not just the sticker priceA lot of small business owners price a booth by the upfront cost alone and get burned on storage fees and freight later. Our kits pack flat and travel light between events, which means no crate rental, no oversized freight charge, no storage unit just for booth panels. We ship from Sydney with 1-3 day processing to 50+ countries, so restocking extra panels between events is not a logistics nightmare either.Spend the savings where it actually showsOnce you are not blowing the budget on a one-time custom build, put that money into product, samples, or better lighting. Buyers remember what they touched and saw, not how expensive your frame was. A well-built modular booth in a striking colour does more work per dollar than a beige custom shell ever will.FAQIs a modular display cheaper than a custom trade show booth long term?Yes, because it is reused across events instead of built once and stored. The cost per show drops every time you use it again.Can a modular kit handle a full exhibition booth, not just a small table?Shapeshift Duo, at 92 panels, is built for full exhibition booths and larger builds, so you are not stuck at market-stall scale.How fast does it ship if I need extra panels before an event?We process orders in 1-3 days from Sydney and ship to 50+ countries, so restocking ahead of a show is manageable.See our modular display kit or browse the full kit lineup to find the right size for your budget.

The Corner Squeeze: Making The Most Of A Tight Booth

Corner booths sound like an upgrade until you're standing in one. Two walls, an awkward angle, and a footprint that never quite matches the neat rectangle you planned around at home. Corners are their own puzzle, and most vendors solve it badly by just cramming their normal layout into an L shape and hoping.Corners are actually a display advantageHere's the reframe. A corner gives you two sightlines instead of one. People approach from two directions, which means twice the chance someone notices your table before they're standing right in front of it. The catch is you need a display that reads well from both angles, not just straight on.Build the corner itself, don't ignore itThe dead zone in most corner booths is the actual corner, the inside angle where two tables or two walls meet. Don't leave it empty or stack random backstock there. This is exactly where a taller vertical build earns its space, a panel wall anchored right in the corner becomes the visual anchor for the whole booth, visible from both approach angles at once.For a corner or a bigger booth footprint, the Shapeshift Duo at 92 panels is built for exactly this, double tables, corners, bigger builds where you need real structural presence, not just a backdrop.Don't let the corner create blind spotsA tall build in the wrong spot can block your own sightline to half your table. Map out where you'll actually be standing before you commit to panel placement. Keep your working zone clear and let the display wrap around you, not box you in.Lighting hits differently in cornersCorner booths often catch less overhead lighting than center-aisle tables, especially near convention hall walls. A lighter panel colour reflects more ambient light and keeps your display from looking dim or flat. This is a small thing that makes a real difference by hour six of a long con day.Stability matters more at odd anglesCorner setups get bumped from two directions instead of one, foot traffic from both aisles. The ABS connectors and PLA hooks are built to lock tight, so your panels aren't shifting every time someone squeezes past. Each shelf holds up to 5kg, so your builds stay solid even under real convention traffic.Is a corner booth better or worse than a straight table?It depends on your display. Done right, a corner gets you two sightlines and more foot traffic exposure than a flat table in the middle of a row.What kit works best for an L-shaped corner footprint?The Shapeshift Duo at 92 panels gives you enough structure to build across both angles of a corner without running out of panels halfway through.How do I keep a corner booth from feeling cramped?Anchor your tallest build in the actual corner and keep the rest of your layout lower, so you're not boxed in on every side.Corners are a puzzle, not a punishment. Check out our modular display kit or browse the full kit lineup to build a setup that actually works with your angle.

Matching Your Display To Your Brand Without Overthinking It

You don't need a design degree to make your booth look like it belongs to you. You need a couple of decisions made once, ahead of time, so you're not improvising at 7am in a loading dock with a roll of tape.Start from what you already have, not a blank pageYour brand already exists. It's in your logo, your Instagram grid, your packaging. The mistake is treating your booth as a separate design project instead of just an extension of that. Pull the two or three colours you already use everywhere else and put them on your panels. Done. You've matched your brand without inventing anything new.Pick panel colours like you'd pick a website themeIf you wouldn't put a colour on your storefront, don't put it on your booth. With 19+ exclusive frosted colours available, you've got real options here, not just "black or white." Browse all 19+ colours and pick the one or two that already show up in your branding. That's the whole decision.Keep the system simple so you don't relitigate it every showOverthinking usually happens because the setup is complicated enough that you're making new decisions every time. A modular system removes that. Our modular display kit sets up in under 30 minutes with no tools, so once you've picked your colours and your layout, it's the same booth every time. You stop rebuilding your brand identity from scratch at every single con.Let scale match your setup, not your ambitionMatching your brand isn't just about colour, it's about not looking underbuilt or overbuilt for the space you've got. Core at 24 panels suits a compact local market table. Shapeshift at 46 panels and Shapeshift Angled at 46 panels in six shapes suit a standard con booth. Shapeshift Duo at 92 panels is for artists who need a full wraparound wall. Picking the right tier matters as much as the colour, since an empty-looking oversized booth reads just as off-brand as a cramped one.Do I need a professional designer to figure out my booth colours?No. If you already have brand colours anywhere else, apply them here. That's the whole process for most artists.What if my brand colours don't exist as panel options?Get close. A near match across 19+ frosted colours reads as intentional far more than an exact-but-generic black or white setup does.How often should I change my booth colours?Rarely. Recognisability builds over multiple shows, so changing colours every con resets that progress each time.Matching your display to your brand isn't a big project. It's one decision, made once, repeated every show after that.

Cost Per Show: The Number Every Vendor Should Track

Ask ten vendors what their booth fee was last weekend and they will tell you instantly. Ask them what their display costs per show and most will just stare at you. That gap is costing people real money, and nobody talks about it.Why sticker price is the wrong numberSticker price answers one question: what did I pay today. It does not answer the question that actually matters, which is what does this thing cost me every time I set it up. A display is not a single purchase, it is a tool you use dozens of times a year. Judge it the way you judge any tool you use that often, by cost per use.How to actually calculate itTake the total you spent on your display setup, including the original purchase plus every repair, replacement part, and bit of tape you have bought since. Divide that by the number of shows you have done with it. That is your cost per show. Do this for your current setup and you will probably not like the number.Now imagine a display that is built to survive 20+ shows without needing constant patching. Run the same math. The cost per show drops fast, because the denominator keeps growing while the numerator barely moves. This is the entire logic behind buying something sturdy instead of something cheap.What changes the number the mostTwo things wreck your cost per show without you noticing. First, downtime from broken parts, which forces you into last minute replacement purchases at whatever price the nearest store charges. Second, setup time. If your booth takes 90 minutes to build every single show, that is time you are not spending on product, on customers, or on sleep. It is a cost even if it never hits your card statement.A modular kit that reconfigures into different layouts and sets up in under 30 minutes with no tools attacks both problems at once. Less time fighting the setup, fewer parts that fail, and a structure built to last across years, not one busy season.Track it like you track everything elseYou already track booth fees, travel, and product cost per show. Add display cost to that list. Once you see the real number, the decision to invest in something that holds up stops being emotional and starts being obvious.Ready to see what that number looks like with a setup built for the long run. Check out our modular display kit or compare the full kit lineup to find the right size for your table.What counts as display cost, exactly?The original purchase, every replacement part, repair, storage bin, and any extra baggage fees caused by a bulky or heavy setup. Anything you spend to keep your booth standing and looking good counts.How many shows should I average this over?A full year is ideal, so seasonal patterns even out. If you are newer, even three or four shows will start to reveal the pattern of what your current setup is actually costing you.Does setup time really count as a cost?Yes. Time spent wrestling a difficult setup is time you are not using to prep your table or greet the first customers of the day, and that has a real impact on your morning sales.

Going Full-Time As An Artist Alley Vendor: What It Actually Takes

Everyone wants the version where you quit your job and just make art forever. Nobody wants to talk about the spreadsheet part. Going full-time as a vendor is a business decision, not a vibe, and the sooner you treat it that way the sooner it actually happens.It starts with sales per hour, not total salesA con that nets you a good number over a weekend can still hide a bad truth: how much of that came from you personally closing every single sale, one at a time? If you're the only person able to hand over merchandise, you have a hard ceiling on how many transactions your table can do per hour, no matter how good your art is. The vendors who go full-time usually fix this FIRST, before they fix anything else. They build a table where customers can browse and grab items themselves while the vendor works one conversation at a time. That frees up capacity without adding a second person.Your setup is part of your business planA booth that takes an hour to build and looks amateur costs you sales before you even open. A booth that goes up in under 30 minutes with no tools means more of your con hours are actual selling hours, not build hours. Our modular display kit was built by people who go to a lot of cons, for exactly this reason.Plan for growth, not just this weekendBuying a display for the show in front of you is a rookie move. Buy for where your business is going. Core (24 panels) suits someone testing the waters. Shapeshift (46 panels) and Shapeshift Angled (46 panels in six shapes) are where most full-time-track vendors land once they've got a real catalog. Shapeshift Duo (92 panels) is built for years of heavy touring, big builds, the vendors doing 15+ shows a year. You can compare the kit lineup before you commit.The unglamorous full-time checklistBusiness license or sole trader registration where required. A real bookkeeping habit, even if it's just a spreadsheet. A con calendar planned months out, not week to week. Inventory that restocks itself based on what actually sold, not what you feel like making. None of this is fun. All of it is what separates a hobby from an income.How many shows a year does it take to go full-time?There's no fixed number, it depends on your region, your prices, and your costs. What matters more than the count is whether each show is actually profitable once travel and table fees are subtracted, and whether your table can handle a rush without you as the bottleneck.Do I need employees to go full-time?Most solo vendors don't, at least not at first. A self-serve table design does a lot of the work a second person would, letting one vendor run a busy table alone.What's the biggest mistake new full-time vendors make?Scaling art production before scaling the table. More prints don't help if your display can't handle browsing traffic during a rush.

The Booth Mistakes We See At Almost Every Con

Walk any artist alley for ten minutes and you'll spot the same problems over and over. Sagging tables. Tiny signage nobody can read from six feet away. Art crammed together so tight you can't tell where one piece ends and the next begins. None of these are hard to fix. Most vendors just don't know they're doing it until someone points it out. So let's point it out. The wobbly, overloaded table This is the classic. A folding table piled with prints, a rickety wire rack leaning at a weird angle, and a stack of stock that's one bump away from becoming an avalanche. It happens because most tables and grids just aren't built to hold real inventory weight, so vendors improvise with milk crates and hope. The fix is a display actually rated for the load. Panels built correctly hold up to 5kg per shelf, so your prints and merch sit flat and stay put through a full con day, not just the first hour. Signage you need a magnifying glass to read Your prices are in 12pt font on a sticky note. Your banner is gorgeous but says nothing about what you actually sell. Attendees are moving FAST through aisles, scanning dozens of booths a minute. If they can't read your sign from a few steps away, they keep walking. Bigger text, bolder contrast, and signage placed at eye level does more for your sales than another hour of Instagram promo. No real structure, just tables and hope A lot of first-time booths are basically a table, a tablecloth, and whatever grid system was cheapest on sale. It works for one con. Then the grid tips, the corners curl, and setup takes forty minutes you don't have before doors open. A proper modular display kit solves this because it's designed as a system, not a pile of separate parts. It sets up in under 30 minutes with no tools, which matters a lot when you're trying to grab coffee before the doors open. Everything crammed onto one flat surface Height sells. A table that's all flat surface reads as cluttered even when it's organized, because everything is competing at the same eye level. Vertical panels let you build up, not just out, so your best pieces get their own moment instead of getting lost in a pile. How much weight can artist alley shelving actually hold? Panels built correctly hold up to 5kg per shelf. That's enough for stacked prints, stickers, small merch, and the occasional art book without any sagging. How long does setup actually take before a con? A modular kit sets up in under 30 minutes with no tools required, which is the difference between a calm morning and a panicked one. What's the most common booth mistake overall? Overloading a table or grid that was never rated for the weight. It's the root cause behind sagging, tipping, and that slow slide into chaos by hour three. If your setup is giving you any of these headaches, it might be time to look at a proper modular display kit built for exactly this job. You can also see the full kit lineup to find the size that fits your table and your inventory. See the full kit lineup before your next show.

Road Trip Packing For A Multi-Con Season

Three shows in six weeks. Different cities, different table sizes, one car. If you've ever repacked your entire booth at 6am in a hotel parking lot, you already know why multi-con season needs an actual system, not just vibes and hoping the trunk closes. Pack for the season, not the show The mistake most vendors make is packing fresh for every single convention. Instead, build a car setup that STAYS packed between shows. Bins for inventory, a dedicated spot for your display, a spot for signage. If your display packs flat, it can live in one bin the whole season and just get topped up between stops. A modular kit that breaks down into flat panels is the difference between a Tetris nightmare and a system you can do half asleep. Panels stack, connectors bag up small, hooks go in a pouch. Same spot every time. Build for your smallest table, expand for your biggest Multi-con season means you'll hit venues with different table sizes. Rather than owning five different displays, use ONE modular system and adjust. Our kits fit a standard 6ft (180cm) table and you can build up to 5 panels high, about 175cm of wall. Bring your full panel count and use fewer panels at a tight table, more at a spacious one. Same hardware, different shape. Know your kit tiers before the season starts Core (24 panels) suits a light single-table setup. Shapeshift (46 panels) covers most standard booths. Shapeshift Angled (46 panels in six shapes) is the one for shows where you want a roof or an awning over the wall. Shapeshift Duo (92 panels) is for the shows where you get a corner spot or a double booth. Knowing which kit you're bringing to which show BEFORE you load the car saves you from digging through bins at a rest stop. See the sizing breakdown on our modular display kit page, or compare all four in the full kit lineup. Durability matters more on a road trip than a flight Planes handle your bag once or twice. A road trip means loading and unloading the same panels a dozen times over six weeks. Lightweight materials only help if they also hold up. ABS connectors and PLA hooks are built to survive repeated assembly, not just one trip through TSA. How do I keep my car packing consistent across shows? Dedicate one bin or bag exclusively to your display and never mix it with inventory. Same bin, same spot in the trunk, every show. Can one kit really cover different table sizes all season? Yes. Build fewer panels wide or tall for a small table, add more for a bigger one. The modular pieces don't care what size table they're going on. What wears out fastest on a road trip display? Connectors and joints take the most repeated stress. Look for ABS plastic construction over cheaper materials that crack after a few dozen setups and teardowns.

From First Table To Full Booth: How One Kit Grows With You

Your first show table is not your last show table. If you are doing this seriously, your setup in two years will not look anything like the one you bring to your first market. The question is whether getting there means buying a whole new booth, or just adding to the one you already have.The problem with buying "for now"A lot of new vendors buy the cheapest, smallest option because they are not sure this is going to stick. Totally reasonable. But when it does stick, and your product line grows, and you start getting into bigger conventions, that cheap setup usually cannot expand. It gets replaced, not upgraded. That is money spent twice.One system, every stageOur kits are built so the whole range shares the same panels and connectors. Start with a Core kit at 24 panels for a half table and low walls. When you need more room, move up to Shapeshift at 46 panels, the smart default that expands cleanly with add-ons. Growing further, Shapeshift Angled keeps 46 panels in six shapes and adds the any-angle panel, the missing piece that sets at any angle and fits the triangles, so a full table can carry awnings, roofs and arches. And when you are running double tables, corner booths, or a full multi-day convention setup, Shapeshift Duo at 92 panels is built for years of heavy use.You are not buying four different products here. You are buying into ONE system at four different points, and every piece from the smallest kit still works with the largest.What that actually looks like in practiceSay you start with Core for your first few local markets. Business picks up, you add a Shapeshift add-on set, and now you have a full table setup without touching your original panels. A year later you land a spot at a bigger con with a corner booth, so you combine kits to hit a 360cm (12ft) double setup. Every panel from your very first show is still in the booth. Nothing got tossed in a closet.If you are picking your starting point, start with a Shapeshift kit and build up from there as your table grows.Set up stays simple no matter how big you getEven at the Duo size, setup stays under 30 minutes with no tools. Booth growth should not mean more headaches at load in, and with a shared connector system it doesn't. See how the kits compare to map out where your booth might end up.FAQDo I have to buy the biggest kit to future-proof my booth?No. Buying the biggest kit up front is not necessary since every size connects to every other size later. Start where your current table needs you to start.Will old panels look different from newer panels I add later?Panel and connector specs stay consistent across the kit range, so panels bought a year apart still fit and match cleanly.How far can one setup realistically scale?From a single half table up to a 360cm (12ft) double setup for corner booths, all using the same connector system.

The Pop-Up Shop Display Guide For First-Time Sellers

Your first pop-up shop is not the time to spend your whole margin on a display. But it is also not the time to look like you grabbed some folding tables from your garage. Here is how to get it right without guessing.Start with what the space actually gives youPop-up shops rarely give you much. A corner, a small footprint, maybe a table if you are lucky. Before you buy anything, figure out what you are actually working with. Most first-timers overbuy shelving they will never fit into the space, then spend the whole event stepping around boxes.Pick a system that grows with youYou do not know yet how many pop-ups you will do this year. Buying a display sized for exactly one event is a trap. A modular system solves this because it scales. Core (24 panels) fits a single 180cm/6ft table and is the right starting point for most first-timers. If you outgrow it, Shapeshift (46 panels) or Shapeshift Duo (92 panels) give you more wall and shelf space without buying a whole new setup.Setup time matters more than you thinkPop-up shops often have brutal load-in windows, sometimes an hour or less before doors open. Anything that needs tools, glue, or a diagram is going to eat that hour. Our kits go up in under 30 minutes with no tools, which means you spend that hour arranging product, not fighting a display.Don't skip the visual identityFirst-time sellers tend to think about product first and display second. Flip that. Shoppers decide whether to stop walking in about two seconds, and that decision is made on colour and shape, not your product photos. Pick a colour that reads as YOU, not generic retail. We offer 19+ exclusive frosted colours designed in-house, not sourced from a generic supplier catalogue.FAQWhat size kit should a first-time pop-up seller start with?Core, at 24 panels, fits a standard 180cm/6ft table and is the right entry point. You can scale up later without replacing what you already own.How long does setup take at a busy pop-up event?Under 30 minutes, no tools needed. That leaves time for merchandising instead of assembly.Can the same display work for both a market stall and a formal pop-up shop?Yes. It is built to move between artist alley tables, markets, pop-ups, and small trade show spaces without needing a redesign each time.Browse our modular display kit or see the full kit lineup to find the right starting size.

What Makes Someone Actually Stop Walking In Artist Alley

Let's actually break this down instead of guessing. What makes a stranger, mid-stride, in a hallway full of distractions, physically stop and turn toward your table? It's not one thing. It's a stack of small signals firing in the right order, fast.First, something has to break their sightlineBefore anyone processes what your booth even is, something has to interrupt the automatic scan their eyes are doing. That's almost always height and colour. A wall standing above the table line, in a colour that isn't the room's default grey or beige, is the first trigger. This happens in a fraction of a second, before conscious thought, so it has to be visual, not verbal. You can't talk someone into noticing you from fifteen feet away.Second, their brain has to decide you're organizedOnce someone's eye catches on your booth, the next split-second judgment is whether it looks intentional or thrown together. A clean grid of panels reads as intentional. A pile of prints leaning against boxes reads as thrown together, even if the actual art is identical in quality. Repetition and symmetry are doing a lot of quiet convincing here.Third, they need a reason to close the distanceGetting noticed from far away and getting someone to actually walk over are two different jobs. This is where your top shelf matters most, it's the first thing at eye level once someone's closer. A strong hero piece up high, held on panel hooks rated for real weight (each shelf holds up to 5kg), keeps your best work visible and steady even as the day gets busy and people start bumping tables.Build the wall that does this work for youAll three of these come from the same physical setup. Our modular display kit uses 35x35cm frosted panels and ABS connectors to build a wall up to five panels high, around 175cm, in one of 19+ exclusive colours. No tools, under 30 minutes to build, and it packs down flat for travel. The Shapeshift kit (46 panels) covers a standard 180cm/6ft table without over- or under-building, and the Angled version adds any-angle panels that swing both ways, so the wall can end in a roof or an awning instead of a flat edge.FAQHow many seconds do I really have to catch someone's attention?Realistically a couple of seconds at most before their eyes move to the next table. That's why height and colour need to do the work before you ever speak.Does a messy table undo a good display wall?Yes. The wall gets people to look, but a cluttered table surface can undo that impression fast. Keep the table itself simple and let the wall carry the visual weight.What's the most overlooked part of a booth that actually stops people?Eye-level placement. Your strongest piece should sit roughly where a walking adult's eyes naturally land, not tucked low on the table.Ready to build a wall that does the stopping for you? browse the full kit lineup and pick your size.

Shared Table Etiquette And How To Still Stand Out

Nobody hands you a manual for sharing a table. You just show up, meet a stranger, and negotiate six feet of real estate in real time while attendees are already walking the aisle. Do it wrong and you spend the weekend annoyed at each other. Do it right and you both sell better.Respect the middle, own your edgesThe center of a shared table is neutral ground. Don't colonize it with your signage the second you finish setup. Build your tallest, boldest pieces toward your own outer edge and let the middle stay lower and shared. This alone prevents 90 percent of shared-table friction.Ask before you go tallGoing vertical is the best move on a small footprint, but it can block your neighbor's booth if you don't communicate first. A quick request like asking if it's okay to build up on your side takes ten seconds and saves an awkward teardown later. Most artists are relieved someone actually asked.Standing out doesn't mean taking overYou can have the more eye catching table without stepping on your neighbor. This is where a proper display system earns its keep. A grid of panels in a colour that matches your brand, holding your best pieces at eye level, reads more professional than a pile of prints no matter how good the art is. You don't need more space to look better. You need better structure in the space you've got.Keep your footprint on your own sideBins, totes, and backstock stay strictly under your own half of the table. Nothing sours a shared table relationship faster than someone's overflow creeping into the other person's leg room by hour three of day one.Setup speed is a courtesy, not just convenienceWhen you're sharing a table, you're often sharing a setup window too. A kit that assembles in under 30 minutes with no tools means your tablemate isn't standing around waiting on you to finish before they can start. Panels pack flat into a 56x36x23cm carry-on, so you're not spreading gear across the aisle while you dig through a bag for a wrench you forgot anyway.Who decides how the shared table gets split?Usually whoever arrives first proposes a split down the middle, then both artists adjust from there. Measure evenly and stick to it once you've agreed.What if my tablemate's setup is way bigger than mine?Bring it up early, not on day two. A calm conversation about rebalancing is normal and most artists would rather fix it than stew about it all weekend.Can a display kit actually help avoid conflict?Yes. Defined panel edges act as a visual boundary line, which removes a lot of the ambiguity that causes shared table disputes in the first place.Good etiquette and a strong table aren't in conflict. Start with our modular display kit or browse the full kit lineup to build a setup that plays well with others and still stands out.

How Your Table Colours Talk Before You Do

You don't get a second to explain your table. By the time someone's close enough to hear your voice, they've already decided whether to keep walking. Your colours made that call for them. Nobody read a sign. Nobody heard a pitch. Colour did the work.Colour is the fastest signal a brain processesBefore someone reads your logo or your prices, their brain has already registered colour and shape. That's just how vision works. So whatever your panels and table are saying in colour, that message lands first, and it lands whether you planned it or not. The only question is whether you're controlling that message or leaving it to chance.What different palettes actually saySoft pastels and frosted lilac tones read as gentle, whimsical, cute. Deep navy and slate tones read as serious, moody, premium. Warm colours read as approachable and cosy. None of these are better than the others, but they need to MATCH what's actually in your art, or you're sending a mixed signal before anyone even sees a print. A horror illustrator with a pastel booth is fighting their own colour choice the whole show.This is exactly why having real options matters. Artist Booths panels come in 19+ exclusive frosted colours, so the palette can actually say what your art says, instead of you settling for whatever neutral grid the venue provides. The same goes for shape: the any-angle panel in the Angled kits swings both ways and sets at any angle, so the booth can have a roof, an awning or an arch, not only right angles. Browse all 19+ colours and find the tone that matches your voice as an artist.Let the material help the message, not mute itFlat, glossy plastic panels bounce light back hard and wash colour out under convention lighting. The 35x35cm frosted polypropylene panels used in our modular display kit diffuse that light instead, so colour reads richer and your art glows rather than glaring back at browsers. That's the difference between a colour palette that whispers and one that actually speaks.Say it consistently or it stops being a messageOne-off colour choices don't communicate anything, they just look random. The message only lands when it repeats: panels, table runner, price tags, all echoing the same two or three tones every single show. That consistency is what turns colour into an actual signal instead of noise.Can colour alone really influence whether someone stops at my table?Yes. It happens before conscious thought kicks in, which is exactly why it matters more than most artists assume.What if my art doesn't have an obvious dominant colour?Pick a neutral, like a frosted white or pale grey panel, and let your art provide all the colour contrast against a calm backdrop.Should my table colours change based on the con or market I'm at?No, keep it consistent. Recognisability across multiple shows is worth more than trying to match every individual venue's vibe.Your table colours are talking whether you like it or not. Might as well make sure they're saying the right thing.

What matters more for your booth?

The shape: roofs, awnings and angles

Any-angle panels for roofs, awnings and shaped fronts

The colour: the widest colour range

The most colours to pick from and to mix

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

Select all that apply

How long do you plan to use it?

Just one season, trying it out

Light use, a handful of events

A few years

Most artists land here

Heavy, long-term use

Built to last, with room to grow on extra parts and spares for years

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

What shape do you want your booth to be?

Classic cube shelves

Straight walls and stepped shelves

Angled roofs, cut corners or a curved front

Any-angle panels set at any angle for roofs, corners and U fronts

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

Terracotta

Watermelon Pink

Yuzu Yellow

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build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

Pick a Display kit to Shapeshift your brand.

Choose a setup size and colours & explore examples of how you could use our kits.

Single Low to tall for 1 table setups

Duo Low / tall / deep for 1-2 table setupsLow / tall / deep for 1-2 table setups

V2 AngledPre-order Panels form tiered cascading awning designs.Panels form tiered cascading awning designs.

OriginalLow stockLow Multi-shape panels form cube-shaped cascading designs.Multi-shape panels form cube-shaped cascading designs.

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2aMain colour Main colour

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Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$575.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

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Swing into new degrees of freedom.

Meet the any-angle panel. A panel the world has never seen before. It swings both ways, it is the missing piece of the line-up, and it unlocks infinitely more designs.