What is a modular artist booth kit?

A modular artist booth kit is a set of interlocking frosted panels and connectors that snap together by hand, with no tools, to build display walls, shelves, and cubes for artist alley tables, convention booths, and markets. You arrange the panels to suit your space, then take it apart and rebuild it differently at your next event. Our kits are designed around a standard 180 cm / 6 ft table and can expand to cover a corner or a full booth.

How are your panels better than wire grid cubes?

Wire grid cubes work, but your art competes with the busy metal mesh and clutter showing through. Our frosted panels give you a clean, light-diffusing backdrop so your prints and merch stand out. They are far lighter than steel grids, pack completely flat for travel, and snap into different layouts in under 30 minutes with no tools.

What size tables do your kits fit?

Square Core Kit and Shapeshift Kit fit half tables and counters (around 90 cm / 3 ft). Shapeshift Duo Kit fits a full 180 cm / 6 ft table with tall framing. Shapeshift Max Kit fits double and corner setups (360 cm / 12 ft), free-standing booths, and full convention exhibitor spaces. Every panel and connector is cross-compatible.

How long does setup take?

Most artists have their kit fully set up in under 30 minutes, with no tools and no zip ties. You simply snap the connectors into the panels and stack.

Do you ship internationally?

Yes. We ship worldwide using FedEx Express, and shipping is free on orders over $300 AUD. For 33 countries including the United States, Canada, the United Kingdom, and the EU, we ship Delivered Duty Paid so the price you see covers customs duties and import taxes.

Can I mix two colours in one kit?

Yes. The Shapeshift Duo and Duo Max kits are built to be two-tone. You can also mix in extra colours with the square and mini rectangle panel add-on packs.

How much weight can these setups hold?

Each shelf panel holds up to 5 kg / 11 lb when built correctly, which covers prints, books, apparel, bags, figures and most 3D merch.

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Artist Back Alley Resources Blog

Loud Colours, Bright Light: The Science Of Getting Noticed

There's an actual reason some booths pull a crowd and others sit quiet all day, and it's not magic, it's how human vision works in a busy room. Once you understand the mechanics, you can stop guessing and start building a booth that's engineered to get noticed.Peripheral vision is drawn to contrast and colour firstWhen someone's walking through a packed hall, they're not consciously reading every table. Most of what registers happens in peripheral vision, and peripheral vision is tuned to pick up contrast and bold colour way faster than fine detail. That's why a strong colour block gets noticed before anyone can even tell what's actually on your table. It's not about being flashy for the sake of it, it's about working with how eyes physically scan a room.Why muted tones get skipped overBeige, grey, muted pastels, they're all calm, tasteful, and completely invisible in a room full of other tables doing the exact same thing. Calm works great in a boutique with three customers browsing slowly. It does not work in a convention hall where 200 tables are all fighting for the same glance. This is HUGE for new vendors especially, because it's tempting to play it safe with neutral colours, when neutral is exactly what gets your booth lost in the crowd.Light matters as much as colourA booth that's dim or shadowed loses its colour advantage fast, colour reads flat under bad light. Clip lighting aimed at your top shelf, where your strongest piece should sit at eye level, keeps your colours reading true even in a dim convention hall. Pair that with a matte panel surface instead of glossy or metal, glossy surfaces glare and metal grids scatter light unpredictably, and your booth holds its colour punch all day.Build the colour block that gets noticedThe easiest way to get this right from the start is to build your backdrop out of panels that are already the colour, rather than trying to layer paint or fabric onto a grid. Our modular display kit comes in 19+ exclusive colours, with 35x35cm frosted panels that hold light evenly instead of glaring it back. Builds go up to five panels high, around 175cm, so the colour block is tall enough to actually register in someone's peripheral vision from across the room. And if you want the outline to register too, the any-angle panel in the Angled kits swings both ways and sets at any angle, so the colour block can end in a roof or an arch instead of a flat top.FAQDo bright colours actually outperform neutral ones, or is that just a preference?It's grounded in how peripheral vision works, bold contrast and colour get noticed faster than muted tones, especially at a distance in a crowded room.Should I use more than one colour on my booth?One dominant colour is usually stronger than several competing ones. Let your art provide the secondary contrast instead of splitting your wall into multiple colours.Does lighting matter if my booth colour is already bold?Yes. Even a strong colour looks flat and forgettable under bad venue lighting, so a bit of clip lighting on your top shelf keeps the effect working all day.Ready to build a booth engineered to get noticed? browse the full kit lineup and pick your colour.

Zine Fest Setups: Small Space, Big Personality

Zine fests are a different animal. Half tables, shared tables, sometimes a literal card table wedged in a corner. You don't get much room, and you don't need much. What you need is a setup that makes a tiny footprint feel intentional instead of cramped.Small space means every inch has to earn its spotAt a full con you can spread out and let things breathe. At a zine fest you're often working a half table, sometimes sharing the surface with another vendor entirely. Flat displays eat your only real estate fast. Going vertical is the actual fix here. A compact build gives you shelf space stacked above the table instead of spread across it, so your zines, stickers, and mini prints all get a visible spot without needing extra width. The Core kit (24 panels) is built exactly for this, a tight footprint that still gives you real shelving instead of a flat pile.Personality sells at zine fests more than polish doesZine fest buyers aren't looking for a slick corporate booth. They're looking for a person behind a table who clearly made the thing they're holding. That said, personal doesn't mean messy. A clean little structure with your zines faced out and organized by series or theme reads as intentional. A pile of stapled paper on a bare table reads as an afterthought, even if the work inside is great.You're probably tabling solo, so setup speed actually mattersNo assistant, no partner, just you and your bag of zines. Setup that needs tools or takes forty minutes to wrangle eats into time you could be talking to people. This sets up in under 30 minutes with no tools, which matters even more at a half-table show where you might be doing it solo between panels and bathroom breaks.Zine fests travel light, your booth should tooA lot of zine fest vendors are hopping between multiple small shows in the same month, sometimes carrying everything on transit. A setup that packs flat and travels light is the actual dealbreaker feature here, not how tall it goes. You want something that fits in a bag, not something that needs a car trunk.Do I need a full kit for a half table zine fest?No. The Core kit (24 panels) is sized for exactly this. Bigger kits are overkill on a half table and just eat space you don't have.How do I make a tiny table look organized, not empty?Group by series or theme, face covers outward, and use vertical shelving instead of flat stacks. Empty space between groups reads as clean, not sparse.What's the biggest space mistake zine fest vendors make?Laying everything flat. It buries your best work under everything else and makes the whole table look cluttered even when it isn't.Tabling a zine fest soon? Check out our modular display kit or see the full kit lineup to find a size that actually fits a half table.

How Little Con Spaces Change Your Whole Display Strategy

Big cons and little cons are not the same event with different attendance numbers. They're different games entirely. What works at a 20,000-person convention center can actually flop at a 500-person local show, and most of that difference comes down to one thing: table space per vendor.Small cons mean smaller tables, more often than notLocal shows, indie markets, small fandom cons, they frequently run tighter table allocations than the big conventions because the venues themselves are smaller. If your whole display strategy was built around a full 180cm table, it's going to feel oversized and cramped the second you hit a smaller event with a half table or less.Modular beats fixed at every sizeThis is where a fixed shelving unit or a big printed backdrop actually works against you. It's built for one table size. A modular panel system isn't. The same panels that build a full 46-panel Shapeshift setup for a big con table reconfigure down into a tighter build for a small con's half table. You're not buying two display systems for two event sizes, you're rearranging one.Small cons reward closeness, not scaleHere's something people miss. Small cons often mean people are standing closer to your table for longer, since there's less crowd pressure pushing them past. That changes what your display needs to do. You don't need it to scream from across a massive hall. You need it to look sharp and curated up close, since that's the distance most people will actually experience it from.Setup time matters more at small eventsSmaller cons frequently have shorter vendor setup windows since the whole event runs on a tighter schedule. A kit that assembles in under 30 minutes with no tools fits that reality a lot better than a system that takes an hour of fussing with brackets. Pack flat into a 56x36x23cm carry-on and you're not even checking a bag to get to a small local show.Don't underbuild just because the con is smallIt's tempting to phone it in at a small local show, bring less, set up less. Resist that. Small cons often have the most engaged, loyal buyers, people who showed up specifically for indie art rather than general con traffic. A tight, well built vertical display earns real trust with that crowd even on a modest table.Should I bring a different display setup for small versus big cons?Not if your system is modular. The same panels scale down for a small con table or up for a big one, so you only need one kit.Do small cons really have tighter table space than big ones?Often yes, since venues are smaller and organizers work with less overall floor area, though it varies show to show.Is it worth investing in a full display kit for small local markets?Yes, especially since the same panels work at every event size going forward, so it's not a purchase you outgrow after one show.Small cons deserve the same care as the big ones. Check out our modular display kit or browse the full kit lineup to build a setup that scales with every event on your convention journey.

The Pop-Up Market Display Checklist For New Vendors

Your first market weekend will teach you fast what you forgot. Here is the checklist so you learn it before the event instead of during it.Before you book the stallKnow your footprint before you buy anything. Most markets run standard stall sizes close to a 180cm/6ft table. Confirm it with the organizer, do not assume. Buying a display before you know your space is how vendors end up with panels that don't fit or a huge gap of empty table they didn't plan for.The physical checklistDisplay panels that fit your confirmed footprint. A setup you can actually carry, most first-time vendors underestimate how far the walk from parking to stall can be. Something that goes up without tools, because markets rarely give you a long load-in window. And a colour that reads from a distance, since half your customers decide to walk over before they can see your product clearly.What experienced vendors pack that beginners forgetWeights or ties if you're outdoors, wind takes down more displays than bad sales days. A backup plan for glare if you're facing direct sun. And critically, a display that packs back down fast at the end of the day, because pack-out exhaustion is real and a system that fights you on the way down will make you dread the next market.Build for more than one eventNew vendors often buy the cheapest option for their first market, thinking they'll upgrade later. That usually means buying twice. Start with something that scales instead. Core, at 24 panels, covers a single table now. If you keep doing markets, Shapeshift (46 panels) or Shapeshift Duo (92 panels) extend the same system rather than replacing it. It packs flat and travels light, so storing it between markets is not its own project.FAQWhat's the biggest mistake new market vendors make with their display?Buying something sized for their first event only, then having to replace it once they book a second or third market with a different footprint.How long should I budget for setup at a market?Plan for under 30 minutes if you're using a no-tools modular system. Add buffer time for parking and carrying gear to your stall.Do I need different displays for indoor markets versus outdoor ones?No, the same system works for both. It's built to move between artist alley tables, markets, craft fairs, and pop-ups without needing separate gear.Get started with our modular display kit or browse the full kit lineup before your first market.

Choosing Panel Colours That Actually Match Your Art Style

Picking a panel colour shouldn't be the last five-minute decision you make before checkout. It's actually one of the biggest calls you'll make about how your booth feels, and it deserves more thought than "black looks safe."Start by naming your art's actual palettePull up ten of your best pieces and look for what repeats. Not what you WISH your palette was, what's actually there. Muted earth tones? Saturated neon? Pastel and soft? Whatever shows up again and again across your work is your real answer, and your panel colour should echo it, not fight it.Match the mood, not just the hueThis is where a lot of artists get it wrong. They pick a panel colour that's technically in their art but sends the wrong mood. A single muted grey accent in an otherwise vibrant piece doesn't mean grey panels are the right call, it'll flatten the energy of everything else on the table. Match the overall FEELING of your work: soft and dreamy, bold and graphic, dark and moody, whatever it actually is.With 19+ exclusive frosted colours available, there's real room to find that mood instead of settling for a generic neutral. Browse all 19+ colours and hold a few swatches up against prints of your actual work before deciding.Use contrast to make your art pop, not competeYour panels are a frame, not a competitor. If your art is busy and colourful, a calmer panel colour lets it stand out. If your art leans minimal or monochrome, a slightly bolder panel colour can add energy without overwhelming the actual pieces. The goal is contrast that flatters, not contrast that fights for the same attention.Let the material do some of the work for youWhatever colour you land on, it'll look better because of how the panels are built. The 35x35cm frosted polypropylene diffuses light instead of bouncing it back harshly, so your chosen colour reads richer under convention lighting instead of washing out. That's part of why our modular display kit looks considered even before you've hung a single print.Should I pick a panel colour that's already in my logo?It's a good starting point if your logo palette matches your actual art. If they've drifted apart, trust the art over the logo.Is it okay to use more than one panel colour?Yes, especially with a modular system, but keep it to two tones max so the wall reads as designed, not scattered.What if my art style changes a lot between series?Pick a neutral frosted tone as your base and let smaller accents, like table runners or cards, shift with whatever series you're currently showing.The right panel colour doesn't shout over your art. It makes people see the art faster and trust it more, which is the whole point of picking one on purpose instead of by accident.

Why Your Signage Is Probably Too Small

Quick test. Stand six feet from your own booth and try to read your prices. Can't do it? Neither can the hundreds of people walking past you every hour. Small signage is one of those mistakes that feels harmless because YOU can always read it up close. The problem is nobody buys from up close. They decide whether to stop from across the aisle. The sticky-note price tag Handwritten prices on tiny sticky notes are everywhere in artist alley, and they're quietly costing sales. Attendees are moving fast and scanning a wall of visual noise. If your prices aren't legible at a glance, people either keep walking or awkwardly lean in and ask, which slows everything down and creates friction that just doesn't need to exist. Your banner looks great but says nothing A gorgeous logo banner is nice, but if it doesn't tell a stranger what you actually sell, it's not doing its job. "Prints, stickers, enamel pins" in bold letters above your table does more heavy lifting than another beautifully rendered character illustration. Save the character art for the table. Use the banner space to communicate FAST. Signage placed too low to see Even good signage fails if it's sitting flat on the table below eye level, buried behind a stack of prints. Attendees are scanning at standing height as they walk. Vertical panel structures give you natural spots at eye level to mount pricing and category signs where people will actually see them, instead of hoping someone glances down. Inconsistent sizing across your whole booth One big sign, three tiny ones, a QR code the size of a stamp. Inconsistent signage reads as unplanned, even if your art is incredible. A modular kit with a proper panel structure gives every sign a consistent, intentional spot, so the whole booth looks like it was designed as ONE thing instead of assembled last minute. How big should artist alley price signs actually be? Big enough to read from about six feet away without squinting. If you have to get close to read your own sign, it's too small. Where's the best place to put signage on a booth? At eye level, not flat on the table. A vertical panel structure gives you natural mounting spots that stay visible even when the table is busy. Does bigger signage actually increase sales? It increases the number of people who stop, which is the first step to any sale. You can't sell to someone who kept walking. A structured setup gives your signage somewhere real to live. Check out a proper modular display kit with panels built for eye-level signage, and see the full kit lineup to find your size.

The Full-Time Vendor Roadmap From First Table To Real Income

Nobody goes from first con to full-time overnight. There's a real path in between, and most of it isn't about your art getting better, it's about your business getting smarter. Here's the roadmap that actually holds up.Stage one: prove the conceptYour first few tables are about learning, not earning. What sells, what doesn't, how people move through your space, whether your prices are right. Keep it simple. A small grid setup, a manageable print run, low overhead while you figure things out. This is where a kit like Core (24 panels) makes sense, small enough to not overinvest before you know your market.Stage two: fix the bottleneckOnce you know your art sells, the next constraint isn't quality, it's throughput. How many transactions can your table handle in an hour? If every sale requires you personally handing an item over, you've got a hard ceiling. This is the stage where self-serve display design matters most, grid panels with hooks that let customers browse and grab items themselves while you're mid-conversation with someone else. It's the single biggest lever for moving more product without working more hours.Stage three: scale the setup, not just the artAs your catalog grows, your table needs to grow with it. Shapeshift (46 panels) and Shapeshift Angled (46 panels in six shapes) give you room for a fuller lineup. All of these fit a standard 180cm/6ft table and go up in under 30 minutes with no tools, so growing your catalog doesn't mean growing your setup headache. Check the kit lineup when you're ready to size up.Stage four: build for the long haulFull-time vending means repeated setup and teardown, show after show, year after year. This is where Shapeshift Duo (92 panels) comes in, built for years of heavy use and the biggest builds. Our modular display kit is designed to move with you through every one of these stages instead of getting replaced at each step.How long does each stage usually take?It varies a lot by region and genre, there's no fixed timeline. What matters more is whether you're actually solving the right problem at each stage instead of just doing more of the same thing that got you here.Do I need to buy a bigger kit before I need it?No. Buy for where you are plus a bit of headroom, not for a hypothetical future. These kits are modular, so you can add panels as your catalog grows instead of replacing the whole setup.What's the biggest jump between stage two and full-time?Consistency. A table that can handle a rush without you personally bottlenecking every sale is what lets your income stop depending entirely on how many hours you personally worked.

Packing A Full Booth Into The Back Of A Hatchback

You don't need a van. You don't need a roof rack. You don't need to fold your back seats down and drive with your knees to your chest for four hours. If you're squeezing a full booth into a hatchback and it feels impossible, the problem isn't your car, it's your display. Bulky displays eat trunk space fast Grid walls, wooden frames, folding tables with fixed legs, these things take up space in awkward shapes. A hatchback trunk is not awkward-shape friendly. It wants flat things, stackable things, things that don't have weird angles jabbing into your grocery bags. A modular kit that breaks down flat solves this directly. Panels stack like plates. Connectors and hooks bag up small enough to tuck into gaps around everything else. Suddenly your trunk isn't a puzzle, it's just organized. Build your car load around flat panels first Load order matters. Flat panel stacks go in first, laid down along the trunk floor. Everything else, inventory bins, signage, your bag, builds around them. Since the panels are frosted polypropylene, they're light enough that stacking them under other gear doesn't stress or crack them the way a heavier material would. Right-size your kit to your actual car, not your dream booth If you're driving a hatchback, you probably don't need the Shapeshift Duo (92 panels) unless you're doing a big double booth. The Shapeshift kit (46 panels) covers a full standard table and still packs into a small car without a fight. The Angled version adds any-angle panels for a roof or an awning, and they pack just as flat. Going smaller, the Core (24 panels) leaves you plenty of trunk room for inventory too. Compare sizes on the full kit lineup before you commit to one, and match it against how much car you actually have. Setup speed matters when you're solo-driving If you're driving alone to a show, you're also unloading alone. A kit that assembles in under 30 minutes with no tools means you're not wrestling a heavy frame across a parking lot by yourself. Our modular display kit clicks together by hand, panel by panel, no allen key required. Will a full 46-panel kit really fit in a small car? Yes. Because the panels pack completely flat, even a full-size Shapeshift kit stacks down into a manageable footprint in a hatchback trunk. How do I avoid damaging panels when they're stacked under other gear? Keep panels flat and load them first, along the trunk floor, before adding heavier bins on top. Avoid standing them on edge where they can bend under weight. What's the best kit size for a small car and solo travel? The Shapeshift (46 panels) hits the sweet spot for most vendors, full table coverage without needing a bigger vehicle. Size down to the Core if trunk space is really tight.

The Three Second Rule: Why Your Booth Has To Sell Before You Speak

You've got about three seconds. That's roughly how long a stranger's eyes are on your table before they decide, stop or keep walking. You don't get to say a word in that window. Your booth has to do all the talking, or the sale never even gets a chance to happen.Three seconds is not enough time for wordsEven the best pitch in the world is useless if nobody's close enough to hear it. Sales conversations happen after someone stops, not before. Everything that gets them to stop has to be visual: shape, height, colour, contrast. If your table relies on you calling out to people as they pass, you're already fighting an uphill battle, because most people don't want to be talked at while they're browsing a crowded hall.What actually communicates in three secondsBig, simple, high-contrast shapes read fastest. A tall wall in one bold colour communicates "there's something here" almost instantly, way faster than a table covered in small, detailed prints that need close-up reading to understand. Save the detail for once someone's standing at your table. For the far view, you need blocks, not text.Build a booth that sells silentlyThis is exactly what a structured panel wall is for. Instead of relying on your voice to pull people in, the booth itself does that job. Our modular display kit builds up to five panels high, around 175cm, in one of 19+ exclusive colours, using 35x35cm frosted panels and ABS connectors. No tools needed, and it goes up in under 30 minutes, so you're not sacrificing morning prep time to get a wall that actually communicates from across the room. The Angled kits add any-angle panels on top, so that wall can finish in a roof or an awning, a shape people notice before they can read a single sign.Once they stop, THEN you talkThe three second rule isn't about being silent forever, it's about sequencing. Let the booth do the first three seconds of work. Once someone's stopped and is actually looking, that's your moment to say something, answer a question, point out a piece. Talking too early, before someone's chosen to stop, tends to push people away instead of pulling them in.FAQIs the three second rule literal, or just a rough idea?It's a rough idea, but the underlying truth is real, attention spans in a crowded hall are short and mostly visual, not verbal.What if my table is quiet by nature, can a display really replace a pitch?Yes, and it's actually an advantage for quieter vendors. A booth that visually pulls people in does a lot of the work that an outgoing pitch would otherwise have to do.Does colour or height matter more for those first three seconds?They work together, but height usually wins first, it's what breaks the sightline. Colour is what closes the deal on whether they stop.Want your booth doing the talking before you say a word? browse the full kit lineup and find your size.

Building An Exhibitor Booth That Doesn't Look Corporate

Corporate booths all look the same. Black frame, white banner, a logo the size of a truck. It works for a Fortune 500 with a marketing department. It does nothing for a small brand trying to get remembered in a sea of identical black-and-white setups.Sameness is the enemy, not budgetMost exhibitors assume looking corporate means looking expensive, and looking DIY means looking cheap. That's wrong. The real divide is sameness versus distinct. A booth built from off-the-shelf pipe-and-drape kits looks like every other booth in the hall, no matter how much you spent on it. A booth with real colour and shape stands out even on a modest budget.Colour does more work than signageAttendees scan a hall in seconds. Text on a banner does not register at that speed, colour and silhouette do. That is why we build in 19+ exclusive frosted colours instead of the standard black or white panel. We design them ourselves rather than dropshipping a generic supplier's palette, so your booth is not going to be an accidental twin of three other exhibitors on the same floor.Shape beats straight linesEvery corporate booth is a straight wall with a straight table in front of it. Break that shape and you already look different. A modular panel system lets you build angles, steps, and levels instead of one flat backdrop. Core (24 panels) and Shapeshift (46 panels) work for smaller footprints, and Shapeshift Angled, 46 panels in six shapes, adds the any-angle panel: it swings both ways and sets at any angle, so you can build awnings, roofs and arches instead of a flat wall.Keep the build reconfigurable, not permanentA permanent custom build locks your booth into looking the same at every show, which eventually becomes its own kind of corporate sameness. Reshaping your layout event to event, even with the same panels and colours, keeps your booth feeling considered rather than templated. It also means the booth grows with you, up to Shapeshift Duo at 92 panels for a full exhibition build when you're ready for it.FAQHow do I make a small booth stand out against bigger corporate exhibitors?Lean into colour and shape instead of trying to out-spend them. A distinct silhouette gets noticed from further away than a bigger logo does.Can I change my booth's layout for different events without buying new panels?Yes, the same kit reconfigures for different footprints, from a single table to a full 360cm/12ft double setup.Do the colours actually differ from typical trade show suppliers?Yes, we designed all 19+ frosted colours in-house. We are the original designers, not a reseller of a generic panel system.Check out our modular display kit or browse the full kit lineup for colours and sizes.

Vertical Displays For Vendors Who Got A Quarter Table

A quarter table. You read that email twice hoping it said half. It didn't. Now you've got maybe 45cm of surface and a display plan built for six feet. This is the moment where most vendors just give up and stack prints in a pile. Don't be that vendor.Quarter tables are a vertical-only gameThere's no version of a quarter table that works laid flat. The math doesn't work, you'll fit maybe two rows of prints and call it a day. Vertical is not optional here, it's the only real option. A panel grid turns 45cm of width into multiple shelves of actual display space, which is the only way a quarter table competes with anything bigger.Start small, build preciselyThe Core kit at 24 panels is built for exactly this kind of compact footprint, a tight accent wall rather than a full backdrop. You don't need the biggest kit on a quarter table. You need the right amount of panels arranged with intention, not a huge system you're forced to compress awkwardly.One hero piece, not ten mediocre onesOn a quarter table, you don't have room for a broad catalog and you shouldn't try. Pick your single strongest piece and give it the best real estate, eye level, centered, well lit if you can manage it. Then build your supporting pieces around it. A quarter table with one clear hero print outsells a quarter table trying to cram in everything you've ever drawn.Every centimeter of height counts doubleSince your width is capped hard, height becomes your entire growth lever. Five panels stacked gets you to roughly 175cm, well above eye level for most people walking the aisle. That's your entire booth presence living in the vertical axis because the horizontal axis just isn't available to you anymore.Don't skip the setup speed advantageQuarter tables often come with quarter-table energy, meaning less overall space to maneuver during setup too. A system that clicks together with no tools in under 30 minutes means you're not fumbling with clamps and zip ties in a space where you barely have room to bend over.Is a quarter table even worth doing as a vendor?Yes, if you build vertically and curate hard. A well built quarter table with a strong vertical display can outperform a sloppy full table.How many panels do I actually need for a quarter table?The Core kit at 24 panels is usually enough for a tight, well organized vertical wall on a quarter footprint without excess you'd have to store.Can I upgrade my panels later if I get a bigger table next time?Yes, the system is modular, so panels from a Core kit combine with additional panels later instead of needing a full replacement.A quarter table is tight, not hopeless. Check out our modular display kit or browse the full kit lineup to build something that actually works in a small footprint.

Building A Display That Grows As Your Product Line Does

Your product line does not stay the same size forever, so why would your booth? If you started with five prints and now you're carrying stickers, enamel pins, a book, and three new print series, your table has probably felt too small for a while now.The display and the product line are the same problemVendors talk about these as two separate things, growing your product line, and upgrading your booth, but they are really the same problem wearing two hats. More product needs more display space. More display space done badly means a cluttered, hard-to-shop table. Done right, it means room to actually show off what you make.Add panels, don't add clutterThe instinct when you have more stock is to just cram more onto the table you already have. Bins under the table, stacks on top of stacks, prints leaning three deep. It looks busy in a bad way, not a good way. What actually works is adding display space that matches your new inventory, panels for new print series, grid space for pins, shelf room for books.Because every panel and connector we make is cross-compatible across kit sizes, you can add exactly the amount of space your new product line needs. No guessing, no buying a whole new booth because you added one product category.Sizing to your actual line, not a guessOur Core kit at 24 panels suits a tight, focused line on a half table. Shapeshift at 46 panels is the default for most growing vendors, it expands easily with add-ons as your line does. Shapeshift Angled, 46 panels in six shapes, is built for a full table with roofs, awnings and tiers when your line has real depth. Shapeshift Duo at 92 panels handles the vendors running double tables worth of product across corners or full booths.If you're not sure which size matches where your product line is headed, start with a Shapeshift kit and add from there as new categories come online.Plan the wall space before you launch the new lineBefore you commit to a new product category, sketch out where it lives on your booth. If the answer is "somewhere, I'll figure it out," that's usually the sign you need more panels, not more cramming. See how the kits compare to figure out what fits your next product drop.FAQHow much display space do I need per new product category?It depends on the product, but a rough rule is give each category its own dedicated panel or shelf zone so it doesn't blend into the next one. Cramped displays sell worse even when the product is good.Can I add panels mid-season instead of waiting for a full kit?Yes, since every kit shares the same connector system you can add exactly the panels you need when a new product line launches, rather than buying a whole new setup.What's the most common display mistake as a product line grows?Overcrowding the existing table instead of expanding the display. It buries your best work and makes the whole booth harder to shop.

The Booths That Feel Like A Brand, Not A Garage Sale

Walk any con floor and you can spot the difference in a second. Some tables feel like a brand: intentional, considered, built around a look. Others feel like a garage sale: whatever fit in the car, spread across a table, hoping people notice the art underneath the clutter. The gap between the two isn't talent. It's presentation.What actually separates the twoGarage sale booths share a pattern: mismatched surfaces, a random mix of risers and boxes, colours that clash by accident rather than design, and signage that looks bolted on at the last minute. Brand booths share the opposite pattern: one clear colour palette, a consistent display system, and enough restraint that the art gets to be the focus instead of fighting the furniture for attention.You don't need a bigger budget, you need a systemThe garage sale look usually isn't a money problem. It's a system problem. When your display is a different mix of borrowed folding tables and thrifted shelves every show, consistency is basically impossible even if you try hard. A modular panel system fixes this at the root, because it's the same matching pieces every time. Our modular display kit comes in 19+ exclusive frosted colours, so you build the same intentional wall for every con instead of reassembling chaos each time.Scale the booth to feel intentional, not empty or crampedAn intentional-feeling booth also has to fit its space properly. Core (24 panels) suits a small local market table. Shapeshift (46 panels) and Shapeshift Angled (46 panels in six shapes) suit a standard con table. Shapeshift Duo (92 panels) covers a full wraparound setup for bigger booths. A tiny display in a huge booth space reads as sparse. An overcrowded small table reads as chaotic. Matching your tier to your space is part of the brand feel, not a separate decision.Details finish the jobIt's the small stuff that pushes a booth from "pretty good" to "brand." Panels that fit a standard 180cm table and build up to 5 panels high, frosted polypropylene that diffuses light so art actually glows, setup under 30 minutes with no tools. None of that shows up as a single dramatic feature, but together it's the difference between a booth that looks assembled with care and one that looks assembled in a rush. Browse all 19+ colours to start planning yours.Can a small, low-budget booth still feel like a brand?Yes, size isn't the deciding factor. A small, tightly cohesive table beats a large, mismatched one every time.What's the single biggest garage-sale giveaway to fix first?Mismatched colours and materials across your table surfaces and backdrop. Fixing that one thing does more than any individual decoration.Does a brand-feeling booth actually need to be minimal?Not necessarily minimal, just coordinated. A busy booth can still feel intentional if everything shares a consistent colour language.Nobody remembers a garage sale table. They remember the ones that felt like a real brand walked in and set up shop. That's the booth you're actually building for.

The Sagging Table Problem And How To Actually Fix It

We've all seen the table that's basically collapsing under a stack of prints. The middle bows, the corners lift, and by hour three the whole thing looks like it's giving up on life. Don't be that table. This is a fixable problem, and it's not about buying MORE stuff, it's about buying the RIGHT stuff. Why tables sag in the first place Standard folding tables are built for buffets, not for holding fifty stacked prints plus a cash box plus a laptop plus a wire rack on top. The weight isn't distributed, it's all pressing down on a thin panel with weak center support. Add a cheap grid on top that wasn't rated for real product weight, and you've basically built a slow-motion collapse into your own booth. The wire grid is usually the real culprit People blame the table, but a lot of the sag actually comes from an undersized wire grid bowing under prints that are too heavy for it, then pulling the whole setup forward. Wire grids are cheap for a reason. They're not built to hold real inventory weight over a full day, and once they start to bend they don't go back. The actual fix: shelving rated for the load This is where a real panel system earns its keep. Panels built correctly hold up to 5kg per shelf, so a stack of prints or a row of merch sits flat and level for the whole show, not just the first hour before the wobble sets in. It's not about adding more support to a bad system, it's about starting with a system that was designed to carry weight in the first place. Match your kit size to your actual inventory Sagging also happens when vendors try to cram a huge inventory onto a small setup. If you're consistently overloading your shelves, you probably need more panels, not more zip ties. The Core kit runs 24 panels for smaller setups, Shapeshift steps up to 46, Shapeshift Angled has 46 in six shapes, and Shapeshift Duo goes up to 92 panels and can build up to 175cm tall. Pick the size that actually matches how much stock you carry. How much weight can a properly built shelf actually hold? Up to 5kg per shelf when the panels are assembled correctly. That covers stacked prints, sticker sheets, small merch, and more without bowing. Will a bigger kit fix my sagging problem? Only if the sagging is from overcrowding. If it's your table or grid that's the weak point, the fix is a properly rated shelving system, not just more panels. How fast can I set up a sturdier display before doors open? Under 30 minutes, no tools required. That's fast enough to swap your whole setup the morning of a con if you need to. If your table has been sagging every show, it's worth looking at a proper modular display kit designed to hold real weight on a standard 180cm table. Compare sizes in the full kit lineup.

Planning Your Income Around A Convention Calendar

Con income doesn't land in a straight line. It comes in bursts, weekends where you make real money, then quiet stretches where nothing's happening. If you're treating this like a career and not a side hustle, your calendar IS your income plan. Ignore it and you'll be broke in February wondering where the money went.Map the year before you book anythingBig cons cluster in certain seasons depending on your region. Some vendors chase every show they can get into, then burn out by month four. A better approach: map the full year first, mark the shows that reliably draw crowds for your genre, and build gaps in between for restocking and actual rest. A calendar with no gaps isn't ambition, it's a burnout plan.Every show has to justify its table feeTravel, table fee, hotel if it's out of town, all of that comes out before you see profit. A show three states away with a cheap table fee can still lose you money once gas and a hotel room are factored in. Track this per show, not just per year, so you can tell which cons are actually worth repeating.Your table's capacity affects how many shows you can even doIf build time eats an hour every morning, that's real fatigue across a three-day con, times however many shows you do a year. A setup that goes up in under 30 minutes with no tools means less exhaustion per show, which means you can actually sustain a heavier calendar without burning out. Our modular display kit is built for vendors doing this over and over, not just once.Build for the calendar you WANT, not the one you're onIf your plan is to add more shows next year, buy a kit that scales with you now instead of replacing it every six months. Core (24 panels) fits an early calendar. Shapeshift (46 panels) is where a lot of con-circuit vendors land. Shapeshift Duo (92 panels) is for the heavy circuit, built for years of repeated setup and teardown. Compare the kit lineup against your actual con schedule for next year.How far ahead should I plan my con calendar?Most established vendors are booking six to twelve months out, since good tables at popular cons sell out early. Start your planning now for shows a year from now.Should I take every con I get into?No. A con that doesn't draw your audience or doesn't cover its own costs isn't worth a weekend of your life. Track results per show and cut the ones that underperform.How do I avoid burnout on a heavy show calendar?Build in gap weekends deliberately, and cut setup fatigue wherever you can. A faster, sturdier booth setup does more for your energy across a season than people expect.

Is A Good Display Actually Worth The Upfront Cost

Every vendor hits this moment. You are staring at a bigger number than you planned to spend, wondering if a nicer display actually changes anything or if you are just talking yourself into a purchase. Fair question. Here is the honest answer.The upfront number is misleading youA bigger number on day one feels like a bigger risk. But a display is not a one time cost, it is a tool you use over and over, show after show, year after year. Judging it purely by the checkout total is like judging a car by the price tag and ignoring fuel, repairs, and how long it actually runs. Spread the same number across 20+ shows and it usually looks a lot smaller.What you are actually paying forWith a cheap setup, you are paying for something that looks fine in photos and struggles under real use. Panels that warp, grids that bend, frames that wobble by show three. With a properly built modular kit, you are paying for panels engineered to reconfigure into different layouts, a structure that holds its shape trip after trip, and a setup that takes under 30 minutes with no tools involved. In our Angled kits you are also paying for the any-angle panel, the missing piece that swings both ways and sets at any angle, so one kit builds awnings, roofs and arches, not only right angles.That last part matters more than people expect. A fast, predictable setup means less stress at load in, more time to actually prep your table, and a booth that looks sharp before doors even open. None of that shows up on a spec sheet, but it shows up in how your show actually goes.Running the real mathInstead of asking is this expensive, ask what does this cost me per show. A setup built to last spreads its cost across years of events instead of one or two seasons. Once you run that math honestly, the upfront number stops being the scary part. The scary part becomes how much you were already spending on cheap replacements without noticing.When it is not worth it yetHonesty matters here. If you are doing one show a year to test the waters, a full investment might be premature. But if you are already committed to a real convention journey with multiple shows a year, delaying the upgrade usually costs you more in patched up gear than it saves you in the short term.What to actually look forA kit that reconfigures for different booth sizes, packs flat so it travels light, and is built by people who actually design displays rather than reselling generic parts matters here. We are the original designers behind our kits, not a dropshipped catalog, which is part of why they hold up across years of use instead of one busy season.If you are trying to decide whether the upgrade makes sense for your schedule, take a look at our modular display kit, or compare the full kit lineup to see the range of sizes available.How do I know if I am ready for the upgrade?If you are doing multiple shows a year and already spending money patching a cheap setup, you are ready. The math almost always favors the switch sooner rather than later.What if I only do a few shows a year?Even a modest show schedule benefits from a setup that reconfigures and travels light, since the savings on baggage and replacement parts alone add up faster than people expect.Does a better display actually help sales?A clean, sturdy booth builds trust with customers walking by, and a fast setup means more energy left for the actual selling part of the day. Hard to put an exact number on it, but every artist who has upgraded says the same thing.

Comic Con Displays: Standing Out At The Biggest Shows Of The Year

Comic con is the show. Bigger budget, bigger crowds, bigger expectations from buyers who've walked a hundred artist alley aisles already this year. You're not just competing with the table next to you, you're competing with every con they've ever been to.You need a signature look, not a generic tableAt a show this size, forgettable is fatal. People remember a handful of booths out of hundreds and yours needs to be one of them. That means committing to a real structure, not a folding table with prints leaned against a bin. A built display with clean shelf lines and consistent height gives your whole table a signature silhouette people recognize walking down the aisle, even from a distance. The Shapeshift kit (46 panels) is a strong pick for comic con exactly because it scales to a full 6ft table without looking sparse or overbuilt, and the Angled version adds any-angle panels, so that silhouette can include a roof, an awning or an arch.Big shows mean big variety, so plan your shelf hierarchyComic con buyers want everything: prints, books, pins, commissions, maybe apparel. Cramming it all onto one flat surface makes your table look like a garage sale. Build your shelf hierarchy on purpose. Eye level gets your best sellers and anything you want people to stop for. Top gets your biggest, boldest pieces that pull attention from ten feet away. Bottom gets bins, overflow stock, and bags. If you're running a bigger catalog, the Shapeshift Duo (92 panels) gives serious builders enough real estate to actually organize instead of stack.Multi-day shows punish bad setupsComic cons often run 3 to 4 days. Anything flimsy WILL fail by day two. Cheap grommet panels sag, zip ties snap, cardboard risers get crushed under product weight. A setup that packs flat and travels light between hotel and hall matters just as much as how it looks on day one, because you're breaking it down and rebuilding it daily.Don't skip the space planning before you arriveComic con floor plans are tight and aisles get jammed fast. Know your table dimensions ahead of time. Everything here is built to fit a standard 180cm/6ft table, so you're not improvising with tape and guesswork the morning of.How much should I budget for a comic con booth build?Start with what fits your table size and your catalog volume, not the biggest kit available. A well matched mid-size build outsells an oversized one that looks empty.Should I bring backup panels for a multi-day show?It's smart if you're running a huge catalog, but the core structure should hold up across the full weekend without needing repairs.What's the biggest mistake first-time comic con vendors make?Underestimating how much the booth itself matters. At this size of show, the display is doing half your marketing before a single conversation happens.Ready to build a booth that actually holds up across a full comic con weekend? Check out our modular display kit or see the full kit lineup to compare sizes.

Carry-On vs Checked: What Actually Fits Where

"Will this fit in the overhead bin?" is a question you should be answering BEFORE con weekend, not while standing in the boarding line with a line of impatient passengers behind you. Let's actually break down what goes where. The carry-on math Most airlines cap carry-on bags around 56x36x23cm. That's not a lot of room, but it's more than people think once your display actually packs flat. Our smaller kits, the Core (24 panels) and Shapeshift (46 panels), can fit inside that allowance when broken down, panels stacked flat, connectors and hooks bagged separately. That means no checked bag for your display at all on a lot of trips. Where checked baggage makes sense Bigger builds like the Shapeshift Duo or Angled Duo (92 panels each) will usually need a checked bag. That's fine. The goal isn't zero checked bags, it's ONE checked bag instead of an oversized freight case that costs double or triple. Because the panels still pack flat, even a big kit rolls into a normal-sized checked suitcase. What should never go in checked luggage Your actual artwork. Prints, originals, anything one-of-a-kind should travel with YOU, in a portfolio bag or a hard case in the cabin. Baggage handlers are not gentle, and lost luggage happens. Save the checked bag for the display hardware, which is replaceable, and carry the irreplaceable stuff yourself. Pack smart, not just small Weight distribution matters as much as size. Put your heaviest pieces (connectors, hooks) at the bottom near the wheels of your checked bag, panels layered flat on top so they don't bend or bow in transit. Frosted polypropylene panels are tougher than they look, but they still deserve to travel flat, not folded under other gear. Not sure which kit size will actually fit your travel plan? Check the dimensions on our modular display kit page or compare sizes across the full kit lineup before you book your flight. Can a full booth really fit in a carry-on? Smaller kits like the Core or Shapeshift can, since the panels pack flat within the standard 56x36x23cm allowance. Bigger kits will need a checked bag, but still just one. What's the safest way to pack fragile prints for a flight? Carry them on. Use a rigid portfolio case or flat art tube in the cabin where you control the handling, never in checked luggage. Do airline carry-on size limits vary a lot? Yes, especially with budget carriers. Always check your specific airline's limits before you fly, some run tighter than the standard 56x36x23cm.

Your Art Is Good. Your Table Is The Problem

This one's a hard conversation, but somebody has to have it. If you've been vending for a while and sales still aren't matching how much people compliment your work, the art probably isn't the issue. Look at your table instead.Compliments don't equal sales, and here's whyPeople will tell you they love your art even at a booth they walked past in five seconds. It costs nothing to say. What actually predicts a sale is whether they stopped long enough to browse, pick something up, ask a question. If your table isn't creating that pause, the compliments you're hearing are coming from people who caught a glimpse in passing, not people who actually shopped.A flat, cluttered table shortens browsing timeWhen everything's crammed onto one flat surface, people grab the fastest visual read they can and move on, because there's nowhere comfortable for their eyes to rest and no sense of what to look at first. A table with structure, some height, a clear top shelf for your best piece, clean sections below it, gives people a path to actually browse instead of just skim.Your setup is doing marketing whether you plan it or notEvery choice on your table, colour, height, spacing, is sending a message before you say a word. A flat cloth and a cash box says budget, hobbyist, maybe not worth a big purchase. A structured wall in a strong colour says established, professional, worth spending real money at. This isn't fair, but it's how people make split-second judgments in a crowded hall, and it's entirely fixable.Fix the table, not the artThis is the good news. You don't need to repaint your whole portfolio to sell more, you need a setup that actually presents it properly. Our modular display kit builds a real wall behind your table using 35x35cm panels and snap-together connectors, up to five panels high, around 175cm, with zero tools and about 30 minutes of setup. The Shapeshift (46 panels) and Shapeshift Angled (46 panels in six shapes) both fit a standard 180cm/6ft table comfortably, giving your work an actual structure to live on instead of a flat pile.FAQHow do I know if it's really my table and not my art?If people compliment your work but don't stop to browse or buy, the presentation is the bottleneck, not the quality of the pieces themselves.Do I need to change my whole setup, or just add height?Height alone is usually the single biggest fix. You don't need to redo your branding or reprint anything, just give your existing art a taller, cleaner place to live.Is it worth investing in a display before I've grown my following?Yes, arguably it matters more early on. New vendors don't have return customers yet, so first impressions from strangers are carrying almost all the weight.Ready to fix the setup, not the art? browse the full kit lineup and pick a size for your table.

Why Market Stall Displays Need The Same Thinking As Con Booths

Market vendors and con exhibitors talk like they are in different worlds. They are not. Both are trying to stop a stranger mid-walk and get them to look at a table for three seconds. The display problem is identical, only the crowd changes.Foot traffic doesn't care what event you're atA shopper walking a Saturday farmers market and an attendee walking a convention aisle make the same snap decision. Does this table look worth stopping at? Market vendors who treat their stall like an afterthought lose the same way a con exhibitor with a bare table loses. The fix is the same too: height, colour, and a clean layout that reads from a distance.Weatherproofing versus indoor polish, same base kitMarket stalls deal with wind, sun glare, and uneven ground. Convention booths deal with carpet, harsh overhead lighting, and packed aisles. Different problems, same solution: a display that is sturdy enough to hold its shape and light enough to carry there yourself. That is the whole reason we built one system that works for artist alley tables, convention booths, market stalls, craft fairs, and pop-up shops instead of a different product for each.Reconfiguring on the fly is not optionalMarket vendors get assigned different stall sizes week to week. Con exhibitors sometimes get shuffled to a different footprint than the floor plan promised. If your display only works at one exact size, you are stuck improvising with zip ties and a prayer. A modular kit like Shapeshift Duo, at 92 panels, reshapes to fit whatever you actually get handed, from a single 180cm/6ft table up to a 360cm/12ft double setup.Both crowds remember colour, not corporate polishNobody at a market or a con remembers the beige booth. They remember the one that looked like a real brand made intentional choices. That is true whether you are selling handmade candles at a Sunday market or running a startup demo at a trade show. Consistent colour and shape across every event you do builds recognition, and recognition is what gets you remembered next time.FAQIs a display built for conventions overkill for a small market stall?No. The same panels that build a con booth scale down to a single table setup, so you use exactly as much as the stall calls for.Does the same kit work outdoors at a market and indoors at a convention?Yes, it is designed to move between both without needing separate equipment for each.How fast can I reconfigure it if I get a different stall size than expected?Setup takes under 30 minutes with no tools, and the panel system reshapes to fit whatever footprint you're given on the day.Take a look at our modular display kit or the full kit lineup to see how it adapts across event types.

What matters more for your booth?

The shape: roofs, awnings and angles

Any-angle panels for roofs, awnings and shaped fronts

The colour: the widest colour range

The most colours to pick from and to mix

What are your planned setups going to be?

Half table (90cm / 3ft)

Sharing a table or just starting out

Full table (180cm / 6ft)

The standard table at most cons, markets & fairs

Double, corner or booth (360cm / 12ft)

Two tables, an L-shape, or a full corner stand

Free-standing booth (no table)

A floor-standing wall, no table needed

Select all that apply

How long do you plan to use it?

Just one season, trying it out

Light use, a handful of events

A few years

Most artists land here

Heavy, long-term use

Built to last, with room to grow on extra parts and spares for years

What do you display?

Small prints, cards, pins & stickers

Flat, lightweight, easy to pin

Large prints & posters

A2 and up, needs room to breathe

Large items: Apparel, bags, figures, 3D merch, home goods

Heavier, bulkier pieces that need sturdy shelf framing

Jewellery, charms & keychains

Small and light, lots of little hooks

How tall do you want it?

Keep it low so my table and wall stay visible

A clean, low backdrop that frames your work

Build tall framing for maximum impact

A towering wall that pulls eyes from across the hall

What shape do you want your booth to be?

Classic cube shelves

Straight walls and stepped shelves

Angled roofs, cut corners or a curved front

Any-angle panels set at any angle for roofs, corners and U fronts

Which colours catch your eye?

Amber Yellow

Apricot

Avocado Green

Blue Sky

Forest Green

Grape Purple

Jade Green

Lavender Purple

Lilac Purple

Mint Green

Royal Blue

Scarlet Red

Snow White

Terracotta

Watermelon Pink

Yuzu Yellow

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Your result

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build a booth that builds a crowd

Little parts. Big payoff.

Why makers love our booths.

Every detail pulls its weight.

Stand out, sell out.

Be the eye-catching brand whose cohesive look draws a crowd and gets remembered.

Grow with you.

Enough parts to range products from small table to large booth.

Shape your brand.

Triangles, rectangles, hinge panels and connectors, in colours you mix yourself, for infinite display setups.

Be memorable.

Seasonal colours keep your brand unique. Frosted finish gives your art a soft spotlight.

Range & sell more.

Self-serve more customers with parts that make the most of smaller spaces.

Strong where it counts.

An iron core holds heavy stock whilst water-resistant surfaces shrug off spills and weather.

Packs light, carries safe.

Panels weigh 150g each. The double-wall carry box protects up to 30 decorated panels every trip.

Spares for years.

Every kit packs extra parts, so when you scale up or lose a piece you can keep running your vision.

Pick a Display kit to Shapeshift your brand.

Choose a setup size and colours & explore examples of how you could use our kits.

Single Low to tall for 1 table setups

Duo Low / tall / deep for 1-2 table setupsLow / tall / deep for 1-2 table setups

V2 AngledPre-order Panels form tiered cascading awning designs.Panels form tiered cascading awning designs.

OriginalLow stockLow Multi-shape panels form cube-shaped cascading designs.Multi-shape panels form cube-shaped cascading designs.

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2aMain colour Main colour

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Swap half your square panels to a 2nd colour

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4. Bundle & save add-ons

Display more with add-on packs.

Shapeshift Kit 46 Multi-Shape Panel and Accessory Kit Add-on

$575.10

Grape Purple Frosted

Square Panel [24 Pack] (35cm / 13.8in) Add-on

$405.00

Scarlet Red Frosted

Self Serve Hook with wire grid T clip 8cm [10 pack] Add-on

$36.00

Self serve display Grid & Intersection Hook expansion pack [12/24 Mixed pack] Add-on

$90.00

Multi Connector Expansion Pack - White - Bundle & Save [16/32 mixed pack] Add-on

$108.00

Square Wire Grid Expansion Pack - 35cm x 35cm/13.7"x13.7" Add-on

$54.00

Mini Rectangle Panels [5-Pack] (17cm x 35cm/6.69in x 13.78in) Add-on

$90.00

Amber Yellow Frosted

Foot Connector Expansion Pack [4 Pcs] Add-on

$53.10

Mixed Single & Double Wire Shelf Clip [9 pack] Add-on

$40.50

Booth Wheel & Wheel Connector - white - [4 pack] Add-on

$54.00

Corner Connector Expansion Pack [8 pack] Add-on

$54.00

Edge Connector [8 pack] Add-on

$54.00

Single Shelf Wire Clip White [5 pack] Add-on

$31.50

Double shelf wire clip white [4 pack] Add-on

$27.00

Self serve display Grid & Fold Hook expansion pack [12/24 Mixed pack] Add-on

$99.00

Foldable Self Serve Hook (with wire clip) - [20 pack] Add-on

$72.00

White

Foldable Self Serve Hooks (with adhesive sheet) [20 pack] Add-on

$45.00

White

Metal mallet (with dual rubber/soft tap sides) [1 pc] Add-on

$36.00

Panel Clamp Black 3cm Mouth [4 pcs] Add-on

$36.00

Foldable Croc Hooks (adhesive) - 10-pack

$50.00

Black

Foldable Croc Hook (clip) - 10-pack

$80.00

Black

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Swing into new degrees of freedom.

Meet the any-angle panel. A panel the world has never seen before. It swings both ways, it is the missing piece of the line-up, and it unlocks infinitely more designs.